Daily Dose Of Jazz…
Pete Rugolo was born Pietro Rugolo in San Piero Patti, Sicily, Italy on December 25, 1915. His family emigrated to the U.S. in 1920 and settled in Santa Rosa, California. He began his career in music playing the baritone saxophone, like his father, but he quickly branched out into other instruments, notably the French horn and the piano. He received a bachelor’s degree from San Francisco State College and then went on to study composition at Mills College in Oakland, earning his master’s degree.
After graduation, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards and spent World War II playing with altoist Paul Desmond in an army band. After WWII, Rugolo worked for Stan Kenton, providing arrangements and original compositions that drew on his knowledge of 20th century music, sometimes blurring the boundaries between jazz and classical music.
While Rugolo continued to work occasionally with Kenton in the 1950s, he spent more time creating arrangements for pop and jazz vocalists, most extensively with former Kenton singer June Christy and others like Ernestine Anderson, Harry Belafonte, Nat King Cole, Billy Eckstine, Peggy Lee, The Four Freshman, Mel Torme to name a few.
He would work on MGM film musicals, serve as A&R director for Mercury Records and produce a handful of self-titled albums. Pete’s scores for television and film on The Fugitive, Leave It To Beaver, Run For Your Life and Where The Boys Are often demanded that he suppress his highly original style. However, there are some striking examples of his work in both TV and film such as the soundtrack for his last movie, This World, Then the Fireworks demonstrates his gift for writing music that is both sophisticated and expressive. Pete Rugolo, jazz composer and arranger, died, aged 95, on October 16, 2011 in Sherman Oaks, California.