Three Wishes
The answers to Pannonica’s question of three wishes from Jimmy Garrison were:
- “Help.”
- “Security.”
- “To be able to play this fellow.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Trumpeter Dizzy Gillespie recorded the live bebop album Jazz At Massey Hall on May 15, 1953 in Toronto, Canada. With him on this date were bassist Charles Mingus, drummer Max Roach, pianist Bud Powell and saxophonist Charlie Parker who is billed as Charlie Chan for contractual reasons, an allusion to the fictional detective and to Parker’s wife Chan. It was the only time these five men recorded as a unit and the last recorded meeting of Parker and Gillespie.
The session was produced by Charles Mingus, and was originally released on Mingus’s label Debut, from a recording made by the Toronto New Jazz Society. Due to under-recording of the bass lines, Mingus took the recording to New York where he and Max Roach dubbed in the bass lines on most of the tunes, exchanging Mingus soloing on All The Things You Are. However, a 2004 reissue, Complete Jazz At Massey Hall contains the full concert without the overdubbing.
The original issue was as a two 10” LPs, 46:54 in length and and the cover design had five playing cards, with Gillespie as the Joker. The set on Volume 1 contains the tracks Perdido, Salt Peanuts, All The Things You Are and 52nd Street Theme. Volume 3 has Wee, Hot House and A Night In Tunisia. Volume 2 consisted of the trio recordings of Powell, Mingus and Roach from the same date all but I’ve Got You Under My Skin and one track by Billy Taylor with Mingus and Roach from a later date.
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Daily Dose Of Jazz…
Wade Legge was born on February 4, 1934 in Huntington, West Virginia. He played more bass than piano in his early years, and it was with the bass that Milt Jackson first noticed him, recommending Wade to Dizzy Gillespie. After hiring him, Gillespie moved him to piano and he remained a member of Gillespie’s ensemble until 1954. During his Dizzy years, Legge recorded a date in France as a trio session leader.
Following his tenure with Gillespie, Wade moved to New York City and freelanced there, playing in Johnny Richards’s orchestra, and sessions with Charles Mingus, Sonny Rollins, Milt Jackson, Joe Roland, Bill Hardman, Pepper Adams, Jimmy Knepper and Jimmy Cleveland.
Legge was one of three pianists recording as a member of the variously staffed Gryce/Byrd Jazz Lab Quintets in 1957 and appeared on more than 50 recordings before retiring to Buffalo in 1959. Jazz bassist and pianist Wade Legge died on August 15, 1963 in Buffalo, New York at the age of 29.
Daily Dose Of Jazz…
Quinn Brown Wilson was born on December 26, 1908 in Chicago, Illinois and played violin as a child. Studying composition and arrangement in his youth, he had his first professional experience in the mid-1920s, playing with Tiny Parham, Walter Barnes, Jelly Roll Morton, Erskine Tate, and Richard M. Jones.
The 1930s saw Quinn arranging and playing bass with Earl Hines from 1931 to 1939, in addition to playing bass on record with Jimmie Noone. Not limiting himself to just playing jazz, in the 1940s he began playing electric bass and started recording with R&B and blues musicians, including Lefty Bates and John Lee Hooker.
He continued to play jazz as well, working with Bill Reinhardt in the 1960s and Joe Kelly in the 1970s. Bassist and tubist Quinn Wilson passed away on June 14, 1978 in Evanston, Illinois.
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Daily Dose Of Jazz…
Joe Fonda was born on December 16, 1954 in Amsterdam, New York to parents who both played jazz. He played guitar in his youth but switched to bass guitar later on. He studied bass at Berklee College of Music, where he also began playing upright bass.
In the early 1980s he played in the New Haven, Connecticut area and recorded with Wadada Leo Smith. Fonda explored dance and its relationship to jazz music, playing bass with a dance company in the 1980s and incorporating a tap dancer into his ensemble for the albums From the Source and The Healing.
1994 began his playing with Anthony Braxton, collaborating with him extensively for the next five years and recording fifteen albums. He and Michael Jefry Stevens co-lead an ensemble, the Fonda-Stevens group, that began in 1991. The group has recorded ten sessions and continues to perform extensively in Europe and the United States.
Bassist Joe Fonda has recorded seventeen albums as a bandleader and continues to record, perform and explore free jazz.
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