Daily Dose Of Jazz…
Chris White was born Christopher Wesley White on July 6, 1936 in Harlem, New York and grew up in Brooklyn. He graduated in 1956 from City College of New York, and in 1968 from the Manhattan School of Music. In 1974, earning his Master of Education from the University of Massachusetts. In 1994, he did postgraduate Advanced Computer Study at Berklee College Of Music.
An occasional member of Cecil Taylor’s band in the 1950s, he is credited on the 1959 Love for Sale album. From 1960 to 1961 White accompanied Nina Simone and subsequently he joined Dizzy Gillespie’s ensemble until 1966.
He later founded the band The Jazz Survivors and was a member of the band Prism. He would go on to collaborate with Billy Taylor, Eubie Blake, Earl Hines, Chick Corea, Teddy Wilson, Kenny Barron, Mary Lou Williams, Duke Ellington, Sarah Vaughan, Carmen McRae and Billy Cobham, among others.
He recorded on album as a leader titled the Chris White Project with Cassandra Wilson, Marvin Horne, Jimmy Ponder, Grachan Moncur III, Michael Raye, Steve Nelson, Keith Copeland and Steve Kroon. He also co-led a session with Lou Caputo in 2010 on the Interface label. As a sideman he recorded with Kenny Barron, Ramsey Lewis, James Moody, Dave Pike, Lalo Schifrin and Quincy Jones.
As an educator he was a part of the creative arts and technology faculty at Bloomfield College in New Jersey. Bassist, arranger, producer Chris White, who won the Downbeat and Playboy Readers Polls among other awards, passed away on December 2, 2014.
More Posts: bass
Daily Dose Of Jazz…
Jamil Nasser was born George Joyner on June 21, 1932 in Memphis, Tennessee and learned to play the piano from his mother as a child. He took up the bass at age 16 and as a student at Arkansas State University he led the school band. He played bass and tuba in bands while stationed in Korea as a member of the U.S. Army and following his discharge he played with B.B. King in 1955 and 1956.
Moving to New York City in 1956, Jamil played with Phineas Newborn, Sonny Rollins, Gene Ammons, Evans Bradshaw, Randy Weston, Herbie Mann, Charlie Rouse, Kenny Burrell, Mal Waldron, Red Garland and Lou Donaldson before the decade was over. He toured Europe and North Africa with Idrees Sulieman in 1959, then went to Paris, France and recorded with Lester Young. He briefly lived in Italy briefly from 1961 to 1962 during which time he recorded with Eric Dolphy, then returned to New York City and formed his own trio, playing for the next two years. In 1964 he began working with Ahmad Jamal, a relationship lasting until 1972. He closed out the rest of the decade playing with Al Haig.
The 1980s and 1990s saw Nasser performing on many sessions with among others George Coleman, Clifford Jordan, Jimmy Raney, Harold Mabern, Gene Ammons and Hideaki Yoshioka.
Double bassist, electric bassist and tubist Jamil Nasser, who never recorded as a leader but is also credited on some of Ahmad Jamal‘s recordings as Jamil Sulieman, passed away on February 13, 2010 in Englewood, New Jersey.
Sponsored By
#preserving genius
More Posts: bass
Daily Dose Of Jazz…
Philip Francis Bates was born June 19, 1931 in Brixton, London. After playing bass on regular gigs at London’s 51 Club with Harry Klein and Vic Ash throughout 1956, he joined The Jazz Couriers with Tubby Hayes and Ronnie Scott. After the Couriers disbanded,
Bates went on tour with Sarah Vaughan and played with the Lennie Metcalfe Band on the Cunard liner the RMS Mauretania. By the early 1960s he was working with Johnny Dankworth and Ronnie Ross, among others, before joining Dick Morrissey’s Quartet from 1962 until 1968. During that period he also played with the Harry South Big Band, as did the other members of the quartet, and with the Tony Kinsey Quintet.
In 1968 he played briefly again with Tubby Hayes and from 1968 on, he worked as a session musician, accompanying visiting American musicians such as Sonny Stitt, Jimmy Witherspoon, Judy Collins and Tom Paxton. He spent five years touring Europe with Stéphane Grappelli in the late 1970s and in the Eighties and 1990s he led his own trio. At 86, double bassist Phil Bates seldom performs, if at all.
Sponsored By
Voices From The Community
#preserving genius
More Posts: bass
Daily Dose Of Jazz…
John Simmons was born June 14, 1918 in Haskell, Oklahoma and played trumpet at first, but a sports injury prevented him from continuing on the instrument. He picked up bass instead, landing his first professional gigs a mere four months after starting on the instrument. Early on he played with Nat King Cole and Teddy Wilson in 1937 before moving to Chicago, Illinois where he played with Jimmy Bell, King Kolax, Floyd Campbell, and Johnny Letman.
1940 saw him playing with Roy Eldridge and then spent 1941 to 1942 playing at various times with Benny Goodman, Cootie Williams, and Louis Armstrong. From 1942 to 1943 John played in the CBS Blue Network Orchestra, then played with Duke Ellington, Eddie Heywood and Illinois Jacquet through 1946, in addition to doing much studio work.
Simmons recorded with Lester Young, James P. Johnson, Hot Lips Page, Ben Webster, Billie Holiday, Sidney DeParis, Sid Catlett, Coleman Hawkins, Don Byas, Benny Carter, Bill DeArango, Al Casey, Ella Fitzgerald, Charles Thompson, Milt Jackson, Buddy Rich, Tadd Dameron, Matthew Gee, Maynard fErguson and Thelonious Monk among numerous others.
Much of the 1950s Simmons continued to work as a studio musician recording with Erroll Garner, Harry “Sweets” Edison, Art Tatum, and the Rolf Ericson/Duke Jordan band. One of his last associations was with Phineas Newborn in 1960 before ill health forced his retirement not long afterwards. Bassist John Simmons passed away on September 19, 1979 in Orange, New York.
Sponsored By
#preserving genius
More Posts: bass
Daily Dose Of Jazz…
Carl Briggs Pruitt was born on June 3, 1918 in Birmingham, Alabama and began his career as a pianist, but switched to bass in 1937. For a brief time he played around Pittsburgh, Pennsylvania and then went on to work through the Forties with Roy Eldridge, the Jeter-Pillars Orchestra, Lucky Millinder, Maxine Sullivan, Cootie Williams, and Mary Lou Williams.
The 1950s saw Pruitt touring with Earl Hines and the Sauter-Finegan Orchestra, but was mostly active as a sideman and session musician on recordings with Shorty Baker, Arnett Cobb, Eddie “Lockjaw” Davis, Bill Doggett, Wynonie Harris, Bull Moose Jackson, Roland Kirk, George Shearing, Sahib Shihab, and Hal Singer among others.
Pruitt did not perform or record frequently in the 1960s or 1970s, but he did play with Woody Herman at the Montreux Jazz Festival in 1967 and recorded with Ray Nance in 1969. He toured France with Doc Cheatham and Sammy Price in 1975.
Double-bassist Carl Pruitt passed away in June of 1977.
Sponsored By
#preserving genius
More Posts: bass