Jazz Poems
FOR OUR LADY
yehbillie if someone
had loved u like u
shud have been loved
ain’t no tellen what
kind of songs
u wud have swung
gainst this country’s wite mind
or what kind of lyrics
wud have pushed us from
our blue / nites
yeh billie
if some blk / man
had reallee
made u feel
permanentlee warm
ain’t no tellen
where the jazz of yo/songs
wud have led us.
SONIA SANCHEZ
from Jazz Poems ~ Selected and Edited by Kevin Young
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Jazz Poems
ART PEPPER
It’s the broken phrases, the fury inside him.
Squiggling alto saxophone playing out rickets
And jaundice, a mother who tried to kill him
In her womb with a coat hanger, a faltering
God-like father. The past is a bruised cloud
Floating over the houses like a prophecy,
The terrible foghorns off the shore at San Pedro.
Lightning without thunder. Years without playing.
Years of blowing out smoke and inhaling fire,
Junk and cold turkey, smacking up, the habit
Of cooking powder in spoons, the eyedroppers,
The spikes. Tracks on both arms. Tattoos.
The hospital cells at Fort Worth, the wire cages
In the L.A. County, the hole at San Quentin.
And always the blunt instrument of sex, the pain
Bubbling up inside him like a wound, the small
Deaths. The wind piercing the sheer skin
Of a dark lake at dawn. The streets at 5 a.m.
After a cool rain. The smoky blue clubs.
The chords of Parker, of Young, of Coltrane.
Playing solo means going on alone, improvising,
Hitting the notes, ringing the changes,
It’s clipped phrasing and dry ice in summer,
Straining against the rhythms, speeding it up,
Loping forward and looping back, finding the curl
In the wave, the mood in the air. It’s
Splintered tones and furious double timing.
It’s leaving the other instruments on stage
And blowing freedom into the night, into the faces
Of emptiness that peer along the bar, ghosts
Shallow hulls of nothingness, Hatred of God.
Hatred of white skin that never turns black.
Hatred of Patti, of Dianne, of Christine.
A daughter who grew up without him, a stranger.
Years of being strung out, years without speaking.
Pauses and intervals, silence. A fog rolling
Across the ocean, foghorns in the distance.
A lighthouse rising from the underworld.
A moon swelling in the clouds, an informer,
A twisted white mouth of light. Scars carved
And criscrossed on his chest. The memory
Of nodding out, the dazed drop-off into sleep.
And then the curious joy of surviving, joy
Of waking up in a dusky room to a gush
Of fresh notes, a tremoring sheet of sound.
Jamming again. Careening through the scales
For the creatures who haunt the night.
Bopping through the streets in a half-light
With Laurie on his arm, a witness, a believer.
The night is going to burst inside him.
The wind is going to break loose forever
From his lungs. It’s the fury of improvising,
Of going on alone. It’s the fierce clarity
Of each note coming to an end, distinct,
Glistening. The alto’s full-bodied laughter
The white grief-stricken wail.
EDWARD HIRSCH
from Jazz Poems ~ Selected and Edited by Kevin Young
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Jazz Poems
LUSH LIFE
I used to visit all the very gay places,
Those come-what-may places,
Where one relaxes on the axis of the wheel of life
To get the feel of life
From jazz and cocktails.
The girls i knew had sad and sullen gray faces,
With distingué traces
That used to be there.
You could see where
They’d been washed away
By too many through the day
Twelve o’clock tails.
Then you came along
With your siren song
To tempt me to madness.
I thought for a while
That your poignant smile
Was tinged with the sadness
Of a great love for me.
Ah, yes, I was wrong,
Again, I was wrong!
Life is lonely again,
And only last year
Ev’rything seemed so sure.
Now life is awful again,
A troughful of hearts could only be a bore.
A week in Paris will ease the bite of it.
All I care is to smile in spite of it.
I’ll forget you, I will,
While yet you are still
Burning inside my brain.
Romance is mush, stifling those who strive.
I’ll live a lush life in some small dive,
>And there I’ll be, while I rot with the rest
Of those whose lives are lonely too.
BILLY STRAYHORN
from Jazz Poems ~ Selected and Edited by Kevin Young
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Jazz Poems
ALABAMA, c. 1963:
A BALLAD BY JOHN COLTRANEBut
Shouldn’t this state have a song?
Long, gliding figures of my breath
Of breath
Lost?
Somebody can’t sing
Because somebody’s gone
Somebody can’t sing
Because somebody’s gone.
Shouldn’t this landscape
Hold a true anthem
What
You can’t do?
Whom
You can’t invent?
Where
You can’t stay?
Why
You won’t keep it?
But
Shouldn’t this state
Have a song?
And shall we call it
My face will murder me?
And shall we call it
I’m not waiting?
CORNELIUS EADY
from Jazz Poems ~ Selected and Edited by Kevin Young
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Jazz Poems
FOUR BONGOS: TAKE THE A TRAIN for Vinnie
The drummer wears suspenders to look like an old-timer, and plays a salsa “Caravan,” bad boy from the panyard with an evil, evil beat. The conga man chants Yoruba and shakes his sweat loose on a girl up front. His hand worries the drum like a live fish trashing. Call the bassist “Pops,” with his grizzly goatee, his Banshee yelp, his rhumba step. The hall is fluorescent. “Take a Train,” Lawrence Welk called that tune, and played. Ellington hovers above this group like changeable weather, in gabardine. ELIZABETH ALEXANDERfrom Jazz Poems ~ Selected and Edited by Kevin Young
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