Daily Dose Of Jazz…

Harvey William Mason was born on February 22, 1947 in Atlantic City, New Jersey. He began taking formal drum lessons at the age of seven, playing in various school bands and ultimately buying his first drum kit at 16. He went on to attend Berklee College of Music then on to and graduate from the New England Conservatory of Music.

While in Boston, Harvey worked at Triple A Studios recording everything from jingles to religious albums, molding him into a versatile first-call session musician. Early gigs included four months with Erroll Garner in 1970 and a year with George Shearing from 1970-1971. Soon after leaving Shearing he moved to Los Angeles, California and quickly became established in the studios and working in films and television.

In addition to his work through the years with Minnie Riperton, The Sylvers, Earth, Wind & Fire and Carlos Santana, Mason has often been part of the jazz world. He played with Herbie Hancock’s Headhunters, co-composing the hit Chameleon in 1973, Gerry Mulligan, Freddie Hubbard, Donald Byrd, Grover Washington, Jr., George Benson, Gary Bartz, Bobbi Humphrey, Ralph MacDonald, Chick Corea, Lee Ritenour, Victor Feldman and Bob James, Gene Harris, Eddie Henderson, Bobby Hitcherson and Joe Henderson, among numerous others.

By 1998, Harvey was paying tribute to Art Blakey’s Jazz Messengers in some local Los Angeles club gigs. By the turn of the millennium he was continuing with his steady session work, releasing two albums with Trios and With All My Heart and has since revisited his ’70s Headhunters roots. He is a mainstay in the fusion genre as a member of the group Fourplay along with Chuck Loeb, Nathan East and Bob James, whose success led their debut album to hit and stay at the top of the charts for 34 weeks.

He has worked with Michael Colombier, Michel Legrand, Miles Davis, Dave Grusin, Thom Newman, John Williams, Lalo Schifrin, Isaac Hayes, Johnny Pate and Alan Silvestri on such films as Purple Rain, Dingo, Three Days of the Condor, The Fabulous Baker Boys, On Golden Pond, The Player, The Lion King, Mission Impossible 1,2 & 3, Ratatouille and Dream Girls. In addition he composed the music for the films The Color Purple, Only The Strong and Deadly Takeover.

Multi-Grammy nominated and winning drummer and composer Harvey Mason continues to stretch his musical diversity across four decades and many jazz genres.


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Frank Butler was born on February 18, 1928 in Kansas City, Missouri. A drummer from childhood he later moved west, becoming associated in large way with the West Coast school.

Never becoming well known or publicly popular Butler was highly regarded by fellow musicians. He performed and recorded with Duke Ellington, Dave Brubeck, John Coltrane and Art Pepper in the decades of the Fifties and Sixties.

In the mid-to-late 1950s, he was a member of the Curtis Counce Quintet and recorded with Joyce Collins, Ben Webster, Hampton Hawes, Elmo Hope, Fred Katz and Harold Land. By the Sixties he was co-leading a group with Curtis Amy, and recording with Phineas Newborn, Miles Davis on Seven Steps To Heaven.

However, sidelined for many years by his heroin addiction, he did not record an album under his own name until the 1970s. During this period he also recorded with Dolo Coker, Kenny Drew and Teddy Edwards. Drummer Frank Butler passed away on July 24, 1984 in Ventura, California at the age of 56.


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Chick Webb was born William Henry Webb on February 10, 1905 in Baltimore, Maryland. Suffering from tuberculosis of the spine as a child, it left him short of stature and with a badly deformed spine, causing him to appear hunchbacked. His doctor suggested playing an instrument would loosen up his bones and after saving up his newspaper boy money bought a set of drums and was playing professionally by age 11.

At the age of 17 Chick moved to New York City, took drum lessons from Tommy Benford and by 1926 was leading his own band in Harlem. He alternated between band tours and residencies at New York City clubs through the late 1920s and by 1931 his band became the house band at the Savoy Ballroom. He became one of the best-regarded bandleaders and drummers of the new swing style.

Webb couldn’t read music but memorized the arrangements played by the band and conducted from a platform in the center. Although his band was not as influential and revered in the long term, it was feared in the battle of the bands, with the Savoy often featured “Battle of the Bands” where Webb’s band always came out on top over Goodman’s or Basie’s band. He was crowned the first King of Swing and didn’t lose until 1937 to Duke Ellington.

In 1935 he began featuring a teenaged Ella Fitzgerald and the two electrified the Swing Era with hits like Van Alexander’s A-Tisket A-Tasket. By 1938, Webb’s health began to decline; for a time, however, disregarding his own discomfort he continued to play, refusing to give up touring so that his band could remain employed during the Great Depression. Finally, following a major operation at John Hopkins Hospital, drummer and bandleader William Henry “Chick” Webb passed away from spinal tuberculosis at age 34 on June 16, 1939, in Baltimore, Maryland.

His death hit the jazz/swing community very hard and after his death Ella Fitzgerald led the band until it disbanded when she left to focus on her solo career in 1942.


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Ray Alexander was born on February 7, 1925 in Lynbrook, Long Island, New York. His mother was a concert pianist who began him on the instrument as a very young child. Asthma ended his ambitions to be a trumpeter but after hearing Gene Krupa his interest turned towards drums. He education also came from listening to Big Sid Catlett, Art Tatum, Dizzy Gillespie and Charlie Parker in the clubs.

Ray started his musical career as a drummer, playing with Claude Thornhill, Bobby Byrne, the Dorsey Brothers, Stan Getz, Joe Venuti, Mel Torme, Johnny Smith, Chubby Jackson, Stuff Smith and numerous others. Switching to the vibraphone he worked with George Shearing, Charlie Barnett, Bil Evans, Anita O’Day and Mel Lewis, as well as his own quartet.

In the early ’70’s he joined with Mousey Alexander and formed the Alexanders the Great quartet which was booked frequently at the new Half Note uptown, as well as gained notoriety and bookings through the city.

By 1983 Ray put out an album called “Cloud Patterns“, recorded live at Eddie Condon’s featuring Albert Daily on piano, Harvie Swartz on bass, Ray Mosca on drums and Pepper Adams on baritone saxophone. He would go on to work with Kenny Barron, Warren Vache Jr., Bob Kindred, Harvie Swartz, Oliver Jackson, Mac Chrupcala, John Anter and Marshall Wood, tour England and nearby European countries. Vibraphonist and drummer Ray Alexander passed away on June 9, 2002 in new Hyde Park, New York as a result of complications from elective surgery.


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Jimmy “Craw” Crawford was born on January 14, 1910 in Memphis, Tennessee. For nearly 14 years from 1928 to 1942 he was the drummer of the Jimmie Lunceford big band. Playing with a strong, solid pulsation, his style became a classic trademark of the Lunceford sound and was a key factor in establishing the unique Lunceford beat.

In the 1950s, Crawford worked as a pit drummer on Broadway. He also recorded with numerous notable artists such as Ella Fitzgerald, Dizzy Gillespie, Count Basie, Sy Oliver, Bing Crosby, Benny Goodman, Kenny Burrell, Quincy Jones, Eddie Heywood and Frank Sinatra among others.

Swing era drummer Jimmy Crawford, who was notably Paul Motian’s favorite drummer, passed away on January 28, 1980 in New York City.


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