Daily Dose Of Jazz…
John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.
In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.
He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.
In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.
Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.
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Requisites
Crossings ~ Red Garland, Ron Carter and Philly Joe Jones | By Eddie Carter
It happened like this: after hearing Introducing Carl Perkins, I spent the remainder of the evening listening to several other trio albums while reading when I heard a title I hadn’t played in a while, which inspired this morning’s discussion. Crossings (Galaxy GXY-5106) is a 1978 release bringing together a dream team to record their first trio album. Red Garland is on piano, Ron Carter is on bass, and Philly Joe Jones is on drums. All three were members of the Miles Davis Quintet and have given jazz fans many incredible albums throughout their careers as leaders and sidemen. My copy is the original U.S. Stereo release.
Side One starts with a brief trio introduction, setting the stage for the melody of Solar by Chuck Wayne and Miles Davis. Red leads the way with a statement that sparkles with energy. Ron delivers precisely articulated choruses in the second solo. The pianist and Philly share the finale in an inspired interpretation, leading to the theme’s reprise. Railroad Crossing by Ron Carter is a smooth, easy-flowing tune. The bassist sets the tone with a concise introduction that seamlessly transitions to the trio’s melody. Carter begins with a leisurely opening statement; then, Garland gets into a down-home groove on the following solo ahead of the bassist’s return for the ending theme.
Never Let Me Go is a beautiful Jay Livingston and Ray Evans song. It was featured in the 1956 film noir The Scarlet Hour. Red opens with a short unaccompanied introduction that segues into the trio’s gorgeous theme. The pianist goes first with a delicately sultry performance, then hands the torch to Ron, who delivers a heart-warming presentation before the close. Oleo by Sonny Rollins gets underway with a short workout by Jones, leading to the ensemble’s quick theme. Garland ignites the fire in the first solo, and then Carter keeps the fires burning next. Jones adds more heat in the closer, preceding a captivating conclusion.
George and Ira Gershwin introduced But Not For Me in the 1930 Broadway musical Girl Crazy. The jazz standard starts Side Two with Ron leading the trio through the melody. The bassist masterfully manages the opening statement before making room for Red, who swings in the following reading. Ron returns to converse briefly with Philly ahead of the finish. Cole Porter’s classic Love For Sale begins with a lengthy solo piano introduction before the trio steps on the gas for the lively theme. Garland ignites the first solo with fiery choruses. Carter steps into the spotlight next and slows things down, and Garland returns for a vigorous exchange with Jones into the climax.
Orrin Keepnews produced Crossings, and Bruce Walford recorded and mixed the album at Fantasy Studios. David Turner mastered the album. The record’s sound quality possesses a vibrant soundstage, placing the musicians in your listening room with excellent fidelity. If you’re a fan of these jazz giants and enjoy a good piano trio album, I invite you to check out Crossings by Red Garland, Ron Carter, and Philly Joe Jones. The group’s musicianship shows three masters’ at work, and the six selections complement each other perfectly. The result is an album you can sit back, listen to and enjoy from the first note to the finale!
~ But Not For Me, Love For Sale, Oleo – Source: JazzStandards.com
~ Solar – Source: Wikipedia.org
© 2024 by Edward Thomas Carter
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MIKE CLARK, DAVE STRYKER, MIKE LEDONNE, ROB DIXON
A exhilarating jazz filled collaboration with drummer Mike Clark, guitarist Dave Stryker, organist Mike LeDonne, and saxophonist Rob Dixon. A night with original and fan favorite compositions, this swinging ensemble will get your toes tappin’ and fingers snappin’ with exceptional musicianship and innovation.
Mike Clark is a legendary drummer known for his innovative rhythmic approach and his contributions to jazz fusion and hip hop. His drumming is characterized by its intricate and syncopated rhythms, and he has influenced countless drummers. He was a key member of Herbie Hancock’s Headhunters band, which pioneered the jazz fusion genre. His rhythmic innovations were heavily sampled by hip-hop artists, and his influence continues to be felt today.
Dave Stryker is a renowned jazz guitarist known for his soulful playing and versatility. With a long career and numerous collaborations, he consistently delivers captivating performances that showcase his mastery of the instrument. If you appreciate great music and want to experience a truly unforgettable live show, seeing Dave Stryker is highly recommended.
Pianist/Organist Mike LeDonne is an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson, Ron Carter and Sonny Rollins. With his impressive technique and ability to blend different styles, he consistently delivers captivating performances. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.
Saxophonist Rob Dixon’s music is a dynamic blend of tradition and innovation. He quickly made a name for himself in New York City, collaborating with jazz legends like Count Basie, Tony Bennett, and Duke Ellington. Now Naptown bound and dubbed the Musical Mayor of Indianapolis, Dixon continues to push boundaries and inspire audiences worldwide with his unique blend of jazz and contemporary sounds.
Tickets: $20.00 – $40.00 + $3.50 fee
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BALTIMORE JAZZ COLLECTIVE
Founded in 2019 at Keystone Korner Baltimore, the Baltimore Jazz Collective is making its Homecoming Return! Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, bandleader, composer, educator and activist Sean Jones. With boundless passion, energy, and soul, Baltimore Jazz Collective explores the inner and outer frontiers of melody, harmony and time itself.
Sean Jones | Trumpet/Bandleader
Brinae Ali | Keys
Todd Marcus | Saxophone/Clarinet
Marc Cary | Piano
Blake Meister | Bass
Eric Kennedy | Drums
Cover: $35.00 ~ $45.00 + fee
Streaming: $15.00 + fee
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JON COWHERD
The pianist, composer and arranger is best known as the co-founder and co-director of Brian Blade and the Fellowship Band. He has worked extensively as an arranger, producer, songwriter and accompanist with a vast range of artists, such as Cassandra Wilson, John Scofield and Lizz Wright to Joni Mitchell, Brandi Carlile, Rosanne Cash, Norah Jones, Glen Hansard and more.
He is also a leader in his own right having released three acclaimed albums of his own. For this night, he performs in trio with an all-star rhythm section including drummer Brian Blade and bassist John Patitucci — the group from Cowherd’s most recent album Pride and Joy on Le Cowhich was named one of the year’s best by Downbeat critics, NPR.
The Band: Jon Cowherd, John Patitucci, Brian Blade
Tickets: $40.00~$145.00
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