The Jazz Voyager
Hot Club Rosario: 1268 Urquiza Street, Rosario, Argentina / Telephone: (341) 4250775 & 4480656
The Hot Club Rosario is a non-profit organization founded in Rosario, Argentina in 1956 with the goal of cultivating and disseminating jazz music in all its styles, from “traditional jazz”, “dixieland”, through “swing” and “be-bop” up to all expressions of contemporary jazz, such as “free jazz” and others.
Weekly jam sessions every Friday from 9:30 pm till midnight. Call ahead for dates or check their website at http://hot-club.com.ar/. The seat of the Hot Club Rosario is located in cafe, bar and restaurant next door to Hotel Imperio. Reservations: (341) 4250775 Contact: Gregorio Tisera, President Phone: (341) 448-0656
Daily Dose Of Jazz…
Donny McCaslin was born August 11, 1966 growing up in Santa Cruz, California. Inspired by his pianist/vibraphonist father, Donny began playing the saxophone at 12 and quickly progressing played in his father’s band. While in high school he toured the U.S., Japan and Europe with his own band and youth ensembles. He played the Monterey Jazz Festival for three years as a member of the Festival’s California All-Star Band.
Receiving a full scholarship to Berklee College of Music in 1984, it was during his matriculation that Donny came under the influence of Gary Burton, Herb Pomeroy, Billy Pierce, George Garzone and Joe Viola. He performed regularly around Boston and Cambridge with the True Colors Big Band and in 1987 joined Burton’s group and toured with him for four years.
Moving to New York in 1991 McCaslin replaced Michael Brecker in Steps Ahead, staying with them until ’94. He has played with the Gil Evans Orchestra, the George Gruntz Concert Jazz Band, Danilo Perez, Maria Schneider, and Santi DiBriano. In 2006 he joined the Dave Douglas Quintet.
His first release as a leader came in 1998 with “Exile and Discovery” and he has continued performing, recording and issuing releases under his own name with his latest 2012 release “Casting For Gravity”.
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From Broadway To 52nd Street
Miss Liberty brought to the stage its star Eddie Albert at the Imperial Theatre on July 15, 1949. The show ran for three hundred and eight performances with music composed by Irving Berlin. The song “You Can Have Him” became a jazz standard.
The Story: In 1885, New York Herald publisher James Gordon Bennett assigns novice reporter Horace Miller to find the woman who served as Frédéric Auguste Bartholdi’s model for the Statue of Liberty. In the artist’s Paris studio, Miller sees a photograph of Monique DuPont and mistakenly believes she was the one. Bennett arranges for her and her grandmother to accompany Horace back to New York City, where she becomes a media darling. When rival publisher Joseph Pulitzer discovers it was Bartholdi’s mother who actually posed for him, he exposes Monique as a fraud in his New York World. She faces deportation until a sympathetic Pulitzer comes to her rescue, paving the way for her to plan a future with Horace, who jilts his American girlfriend Maisie Doll in favor of the French beauty.
Jazz History: As the widely performed bebop or hot jazz began to wane in some sectors of the country, cool jazz began to emerge by the early 1950s. “Cool” was used to describe a kind of toned-down jazz. Later the term became associated with a number of white musicians who relocated to California where they could get day gigs at movie studios, unlike black musicians, while playing jazz at night. In this form it was called West Coast jazz. For white players to represent a kind of cool jazz is ironic since the idea of coolness has its roots in Black culture. Cool jazz contrasts with hot jazz in that it has limited vibrato, restrained timbre, stable dynamics, melodic calm, sophisticated harmonies that tempered the blues idiom.
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Arnett Cobb was born on August 10, 1918 in Houston, Texas. Taught to play piano by his grandmother, he went on to study violin before taking up the saxophone in high school. At fifteen he joined Louisiana bandleader Frank Davis, performing around Houston and throughout Louisiana during the summers. He continued his career in the mid-Thirties with the local bands of Chester Boone and Milt Larkin; the latter home to Illinois Jacquet, Wild Bill Davis and Eddie “Cleanhead” Vinson.
Arnett went on to replace Illinois in Lionel Hampton’s band in 1942 and is credited with the words and the music to “Smooth Sailing” which became a jazz standard in 1951, and sung by Ella Fitzgerald on her Lullabies of Birdland. After departing from Hampton’s band, Cobb formed his own seven-piece band, but suffering a serious illness in 1950, which necessitated spinal surgery, the group was disbanded.
Reforming the band upon recovery, in 1956 its success was again interrupted, this time by a car crash. This accident had long-term effects on his health, involving long hospital stays and making him permanently reliant on crutches. Nevertheless, Cobb worked as a soloist through the 1970s and 1980s in the U.S. and abroad, working with Jimmy Heath and Joe Henderson in Europe during the late Eighties.
Arnett Cobb, tenor saxophonist, passed away in his hometown in March 24, 1989 at the age of 70.
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Daily Dose Of Jazz…
Jack DeJohnette was born August 9, 1942 in Chicago, Illinois and studied drums and piano. He first became known as a member of Charles Lloyd’s band, along with pianist Keith Jarrett. He played with Bill Evans in 1968 on the acclaimed Bill Evans at the Montreux Jazz Festival and from 1969 to 1972 played with Miles Davis.
The 70s saw Jack recording for Milestone/Prestige and ECM appearing widely on ECM also as a sideman. Since then he has recorded for MCA, Blue Note and Kindred Rhythm. He led several groups since the early-1970s, including Compost, a jazz-rock group that produced two albums; then went on to lead sessions that produced the albums “Directions”, “New Directions” and “Special Edition”.
He has worked with a host of jazz lions to numerous to list but suffice it say they range from Eddie Gomez to Dave Holland to Arthur Blythe, David Murray and Chico Freeman. He is a dazzling improviser and a clear stylistic successor of Roy Haynes, and two of the greatest drummers of the 1960s, Tony Williams and Elvin Jones.
Since 2003, Jack has been part of Trio Beyond with organist Larry Goldings and guitarist John Scofield that paid tribute to The Tony Williams Lifetime Trio and he also appears as a member of the Bruce Hornsby Trio. He has been nominated for several Grammy Awards and in 2009 DeJohnette received the Grammy for Best New Age Album “Peace Time”. He has been awarded an NEA Jazz Masters Fellowship for his significant lifetime contributions to the enrichment of jazz and the further growth of the art form.
Jack DeJohnette successfully incorporates elements of free jazz and world music while maintaining the deep grooves of jazz and R&B drummers. His exceptional experience of time and style, combined with astounding improvisational ingenuity, make him one of the most highly regarded and in-demand drummers. He also occasionally appears on piano, on his own recordings and has built a catalogue too immense to cite as he continues to perform, record and tour.
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