Daily Dose Of Jazz…
Robert Philip Militello a.k.a. Bobby M. was born on March 25, 1950 in Buffalo, New York. He was groomed by the legendary Sam Scamacca at Buffalo’s iconic Lafayette High School in the 1960s.
During the Seventies, Militello went on tour with Maynard Ferguson and returned to Buffalo in the early 1980s to work as a freelance musician.
Moving to Los Angeles, California he spent the rest of the 1980s and early 1990s as a member of orchestras led by Bill Holman and Bob Florence. He toured and recorded with Dave Brubeck from 1982 to 2012.
Saxophonist and flautist Bobby Militello leads a quartet that performs concerts dedicated to Brubeck.
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Daily Dose Of Jazz…
Hank Roberts was born on March 24, 1954 in Terre Haute, Indiana. By the early Eighties made a number of recordings for the defunct JMT label, was a featured member of the Bill Frisell Quartet, and was an important voice in many groups of saxophonist Tim Berne.
Roberts also recorded three discs with the Arcado String Trio, an improvisational chamber group featuring Mark Feldman, violin, and Mark Dresser, double bass.
The 1990s saw him leaving Frisell’s group and discontinued touring. He sporadically released records, including with the progressive folk group Ti Ti Chickapea. Leaving his hiatus in 2008, Hank began touring and performing regularly, releasing Green on the Winter & Winter label. Stefan F. Winter’s subsequent label to JMT. Three years later they released his Everything Is Alive, as well as re-releasing his entire JMT catalogue.
Cellist and vocalist Hank Roberts, who emerged with the downtown New York City jazz scene of the 1980s, continues to be associated with its post-modern tendencies.
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Requisites
Live From Los Angeles ~ Oliver Nelson’s Big Band | By Eddie Carter
Submitted for your approval this morning is a 1967 live album by Oliver Nelson’s Big Band, Live From Los Angeles (Impulse A-9153/AS-9153). It was recorded at Marty’s on The Hill over three nights during a six-day engagement. Oliver was a brilliant arranger, composer, and multi-instrumentalist. The band members are Bobby Bryant, Conte Candoli, Buddy Childers, and Freddy Hill on trumpet; Lou Blackburn, Billy Byers, Pete Myers, and Ernie Tack on trombone; Gabe Baltazar and Frank Strozier on alto saxophone; Bill Perkins and Tom Scott on tenor saxophone, Oliver Nelson on soprano saxophone, arranger and conductor, Jack Nimitz on baritone saxophone, Frank Strazzeri on piano, Mel Brown on guitar, Monty Budwig on bass, and Ed Thigpen on drums. My copy is the 1967 U.S. Mono release.
Side One opens with Miss Fine, an original by Oliver Nelson named in honor of his sister. The band begins at a medium beat, with their ensemble playing admirably tight during the opening and concluding chorus. Freddy Hill delivers a captivating performance in the song’s only interpretation, mesmerizing both the audience and the listener. Milestones by Miles Davis is a high-energy swinger from the start, setting a brisk pace for the big band’s theme. Frank Strozier bursts out of the gate quickly, followed by an intense exchange with Tom Scott. Tom takes flight last with a spirited performance leading to the final theme and ending.
Frank takes center stage in the next tune, I Remember Bird by Leonard Feather, a gentle ballad that begins with the saxophonist presenting the theme and its restatement while the band supports in the background. As the only soloist, he provides delicate softness in a gorgeous interpretation, preceding a beautiful conclusion. Night Train by Jimmy Forrest, Lewis Simpkins, and Oscar Washington is one of two tunes Oliver recorded with Jimmy Smith and Wes Montgomery a year earlier. The ensemble opens and closes similarly. Mel Brown is the featured soloist and serves a healthy portion of soul food for the ears until the band takes it out.
Oliver Nelson’s Guitar Blues gets Side Two underway, giving Mel another opportunity to shine. The band sets things in motion with a feisty melody, then Mel shows up and shows out in an outstanding performance, culminating in the theme’s reprise and a spirited finale. Down By The Riverside is an African-American spiritual that initially received a jazzy makeover from Jimmy, Wes, and Oliver on their collaborative album. After the band establishes the theme in this version, the driving force consists of four trumpeters: Bobby Bryant, Freddy Hill, Conte Candoli, and Buddy Childers, who take four successive solos that nearly bring the house down before the band wraps things up.
The band’s theme, Ja Da by Bob Carleton, brings the album to a gentle close. The slow-paced melody sets the mood for Lou Blackburn’s lone solo while the ensemble provides a warm and heartfelt backdrop. The trombonist’s performance creates a rich tapestry of sound, leading to an elegant theme restatement. Bob Thiele produced Live From Los Angeles, and Wally Heider was the recording engineer. The album’s sound quality is exceptional, immersing the listener in the big band’s performances and making you feel like you’re in the audience. The album adheres to Impulse’s high standards, featuring laminated gatefold covers, distinctive spine color, stunning photography, insightful liner notes, and outstanding music.
Oliver Nelson was also a master of the alto and tenor saxophones. Throughout his career, he arranged numerous albums for jazz and pop musicians and vocalists, showcasing a style combining traditional big band elements with modern jazz innovations. He also recorded for Argo, Flying Dutchman, Prestige, and Verve Records. After moving to the West Coast in 1967, Nelson became sought after for scoring background music for films and television shows. The jazz community deeply mourned his untimely death from a heart attack at the age of forty-three. If you’re in the mood for a terrific big-band live album, I recommend Oliver Nelson’s Big Band Live From Los Angeles the next time you’re record shopping. It’s a thrilling release that promises endless listening pleasure for jazz enthusiasts like me!
~ Jimmy & Wes: The Dynamic Duo (Verve Records V-8678/V6-8678) – Source: Discogs.com
~ Ja Da, Milestones, Night Train – Source: Wikipedia.org
© 2025 by Edward Thomas Carter
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Daily Dose Of Jazz…
Michael Nickolas was born on March 23, 1962 in Southington, Connecticut. A move to Boston, Massachusetts in 1980 had him attending the Berklee College of Music. After graduating Cum Laude in 1984, the guitarist became a founding member and leader of one of Boston’s most successful local acts, High Function. The group played extensively at clubs and colleges throughout New England and toured Switzerland, New York City, and recorded an eight song album in Chicago, Illinois.
After leaving High Function, he co-found and played guitar for the Boston Music Award winning R&B band, Universal Language. In addition to performing, Michael was teaching himself the art of recording, and built a home recording studio, worked as a freelance recording engineer, and has been published numerous times in the international periodical, Recording Magazine.
His home studio, Studio Nine Productions, has clients working on everything from voice over narration sessions to digital audio editing and CD creation. As a composer, Nickolas has licensed original music for NBC, ABC and CBS television’s daytime programming. In prime time, as well as Showtime.
Guitarist Michael Nickolas continues to perform, compose, record and engineer.
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Daily Dose Of Jazz…
Sonny Burke was born Joseph Francis Burke on March 22, 1914 in Scranton, Pennsylvania and grew up in Detroit, Michigan. He attended St. Ambrose High School, where he was All-State fullback. After one year at the University of Detroit, he transferred to Duke University, where he formed and led the jazz big band known as the Duke Ambassadors.
During the Thirties Burke was a big band arranger in New York City, worked with Sam Donahue’s band, and in the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955 he wrote, along with Peggy Lee, the songs to Disney’s Lady and the Tramp, and with John Elliot for Disney’s Toot, Whistle, Plunk and Boom, which won the 1953 Oscar for Best Short Subject – Cartoons.
He wrote the music for a number of popular songs, including Black Coffee and Midnight Sun, co-written with jazz vibraphonist Lionel Hampton. The song’s lyrics were added later by Johnny Mercer. He was an active arranger, conductor and A&R man at major Hollywood record labels, especially Decca Records where he worked with Charles “Bud” Dant.
Sonny would go on to become musical director of Warner Bros. Records / Reprise Records, and was responsible for many of Frank Sinatra’s albums, producing Sinatra’s My Way, Petula Clark’s This Is My Song, written by Charles Chaplin for his movie, A Countess From Hong Kong.
Burke was the bandleader for recordings of leading singers that included Dinah Shore, Bing Crosby, The Andrews Sisters, The Mills Brothers, Ella Fitzgerald, Mel Tormé and Billy Eckstine.
Arranger, composer, big band leader and producer Sonny Burke died from cancer on May 31, 1980, in Santa Monica, California, aged 66.
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