Daly Dose Of Jazz…
Mulgrew Miller was born August 13, 1955 in Greenwood, Mississippi. Growing up in a home with a piano he played tunes on the piano from the age of six, playing by ear. He had piano lessons from the age of eight and during his childhood he played blues and R&B for dances, and gospel music in a church. His principal influence on piano at this stage of his life was Ramsey Lewis.
While in high school, Miller formed a trio that played at cocktail parties and around the age of fourteen after hearing Oscar Peterson on the Joey Bishop Show he decided to become a jazz pianist. After graduating from Greenwood High School, he attended Memphis State in 1973 on a band scholarship. He played euphonium and met pianists Donald Brown and James Williams who introduced him to the music of well-known players such as Wynton Kelly, Bud Powell, and McCoy Tyner.
He would go on to study with Madame Margaret Chaloff but left her tutelage to play with Ricky Ford and Bill Pierce. By 1976 he was the substitute for the regular pianist in the Duke Ellington Orchestra but left in in 1980 after being recruited by vocalist Betty Carter, then joined Woody Shaw’s band from 1981 to 1983, with whom he made his 1981 he made his studio recording debut, on Shaw’s United. During the early 1980s he also accompanied vocalist Carmen Lundy and played and recorded with saxophonist Johnny Griffin.
Mulgrew joined Art Blakey’s Jazz Messengers in 1983 under the recommendation of Terence Blanchard and Donald Harrison. Although struggling to fit in with the dominating rhythm section his playing matured during his tenure. His recording career as a leader began in 1985, with Keys to the City, the first of Miller’s several Landmark Records recordings. He left Blakey to become Tony Williams’ pianist in 1986 and remained busy forming his own bands Wingspan and later Trio Transition with Reggie Workman and Freddie Waits
He would go on to work with Wallace Roney, Frank Morgan, Benny Golson, Steve Nelson and Donald Byrd, and toured internationally and domestically with the New York Jazz Giants with Jon Faddis, Tom Harrell, Lew Tabackin, Bobby Watson, Ray Drummond and Carl Allen. He continued to accompany and record with vocalists including Dianne Reeves and Cassandra Wilson, and played and recorded with saxophonist Joe Lovano.
For several years after he had turned 40, Miller concentrated on composing and playing his own music. In 1997 he toured Japan with 100 Golden Fingers, a troupe of 10 pianists, then joined bassist Niels-Henning Orsted Pederson in 1999 to record duets based on 1940s performances by Duke Ellington and Jimmy Blanton. He signed with Maxjazz producing albums as a leader with Derrick Hodge, Rodney Green, Karriem Riggins, as well as trio projects and touring with bassist Ron Carter and guitarist Russell Malone, and as sideman with John Scofield, Kluvers Big Band, Yusef Lateef and Archie Shepp.
As an educator Mulgrew became heavily involved in music education as the Director of Jazz Studies at William Patterson University from 2005, and was the Artist in Residence at Lafayette College, from which he was awarded an honorary doctorate in Performing Arts. Pianist Mulgrew Miller’s list of accomplishments continued with his recording as a leader, working with his own trio and quintet until his passing on May 29, 2013 in Allentown, Pennsylvania from a stroke at the age of 57.
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Daily Dose Of Jazz…
Thurman Green was born on August 12, 1940 in Texas where he learned to play the trombone. He spent time playing in Los Angeles, California with swinging big bands including the Clayton-Hamilton Jazz Orchestra and was an occasional member of the Horace Tapscott Quintet, unfortunately one of the groups no one bothered to record. He was open-eared enough to play quite credibly in free settings now and then.
In 1962, Green and baritone saxophonist Hamiet Bluiett were jamming buddies at the Navy School of Music in Washington D.C. but they soon went their separate ways hoping to team up again some day. He wpould perform and record with Willie Bobo, Donald Byrd, Ella Fitzgerald, Bobby Hutcherson and Jean-Luc Ponty.
Some thirty-two years later, in 1994, Bluiett who had been recording for the Mapleshade label was able to give his old friend his first opportunity to lead his own record date, Dance of the Night Creatures. It is a shame that it took over four years for the music to finally come out because on June 19, 1997, bebop trombonist Thurman Green suddenly died at age 57.
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Daily Dose Of Jazz…
Bill Heid was born August 11, 1948 in Pittsburgh, Pennsylvania and came of age hanging out in the clubs that proliferated the Hill District like the Hurricane Bar and the Crawford Grill. With all the jazz greats regularly playing in town during the Sixties he took every opportunity to sit in on piano and learn from these masters. In addition he had hometown natives Ahmad Jamal, Art Blakey, Errol Garner, George Benson, Eddie Jefferson, Mary Lou Williams and Stanley Turrentine to learn from.
Bill took these lessons and experiences and headed West to Detroit and on to Chicago, building a solid blues resume, touring and recording as a pianist with Jimmy Witherspoon, Koko Taylor, Alberta Adams and Fenton Robinson amongst many others. He also played jazz piano on two major Impulse/MCA recordings for Chicago guitarist Henry Johnson.
As an organist Heid has produced several jazz albums as a leader during the mid to late Nineties for Muse/Westside and Savant labels. He spent a number of years in Japan and has toured all over the world as a Jazz Ambassador for the U.S. State Department. Soul jazz and hard bop pianist and organist Bill Heid currently performs at different venues in the Washington, DC area.
Dose A Day – Blues Away
Daily Dose Of Jazz…
Léonardo Gandelman was born Leonardo Gandelman on August 10, 1956, in Rio de Janiero, Brazil. He spent his childhood studying classical music and by age sixteen he was a soloist with the Brazil Symphony Orchestra. He furthered his studies on saxophone, composition and arrangements at Berklee College of Music.
Returning home in 1979 he began his professional career combining Brazilian rhythms and jazz. Eight years later he launched his solo career and to date has participated in over 800 recordings.
Leo has played with Luis Santos, guest appeared in Titas’ single Telecisao and is famous for composing Brazilian telenovelas, films and series soundtracks. He has performed at Lincoln Center and festivals such as Hollywood Rock and the Montreux Festival. The Jornal do Brasil has voted him the most popular instrumental artists 15 consecutive years.
Composer, arranger and saxophonist Leo Gandelman has performed with Caetano Veloso, Chico Buarque, Milton Nascimento, Luiz Melodia, Leny Adrade, Ney Matogrosso, Joel Nascimento and Leila Pinheiro as well as with the Bahia Symphony Orchestra, the Ribeirai Preto Symphony Orchestra and the Young Orchestra of Caracas. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Mike Davis was born on August 9, 1972 in Rosenberg, Texas not far from Houston. Mike grew up in a small Texas town not far outside of Houston called Rosenberg. Though music was in his blood from a very early age, he didn’t begin seriously playing an instrument until around age 14. His began with the bass and soon was playing in his high school big band as well as in the Symphonic band. He borrowed other instruments from the school and began to practice and experiment with clarinet, trombone, trumpet, French horn, drums and piano. Ultimately the bass was his best fit as he discovered his first great jazz album – Chick Corea’s ‘Now He Sings-Now He Sobs’.
Davis studied bass, theory and jazz with Dave Foster, Eric Late, Shelly Berg and Bruce Dudley. He played gigs in Houston with his first influential peers – Todd Harrison, Mike Wheeler, Harry Shepard, Joe LoCascio, Tony Campisi, Woody Witt, Clark Erickson, Ted Wenglisnski. In 1993 Mike began studying jazz, classical bass, arranging, composition, improvisation, table and North Indian classical music. During this time Mike performed regularly with Dave Zoller, Pete Peterson and the Collection Jazz Orchestra, Allison Wedding, Pablo Mayor and many others. He was a regular member of the bands Little Jack Melody and his Young Turks, Sol Caribe and The Great Escape. Mike also formed his original avant-garde ensemble Sand with guitarist Niclas Höglind, saxophonist Jacob Duncan and drummer Chris Michael.
In 1998 Mike moved to New York City and focused on jazz performance playing with the likes of Lynne Arriale and Steve Davis, Cheryl Pyle, Tom Chang, Rez Abbasi, Dave Phelps, the SoHa Big Band, Jonathan Kreisberg, Dave Wood, Billy Eric and Mike Freeman. He moved into the pop rock and folk genres as a producer, editor and mixer but eventually returned to his own creative endeavors. Launching Tmpf Records he released three albums, I See Better With My Eyes Closed, It Won’t Get Dark and Fortunes and Hat-tricks, Vol. 1, as a leader of a quartet, duo and trio respectively.
Over the years bassist Mike Davis has perform and recorded with Airto Moreira, Norah Jones, Steve Gadd, Ed Thigpen, Doc Cheatham, Bobby Womack, Ellen Greene, Peter Erskine and Poncho Sanchez to name a few. He continues to compose, perform, collaborate and record.
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