Daily Dose Of Jazz…

Israel López Valdés was born into a family of musicians on September 14, 1918 in Havana, Cuba. Better known as Cachao, a nickname and stage name given to him by his grandfather, as an 8-year-old bongo player, he joined a children’s son Cubano septet directed by a 14-year old Roberto Faz. A year later, already on double bass, he provided music for silent movies in his neighborhood theater, in the company of a pianist who would become a true superstar, the great cabaret performer Ignacio Villa, known as Bola de Nieve.

His parents made sure he was classically trained, first at home and then at a conservatory. In his early teens, Lopez was already playing contrabass with the Orquesta Filarmónica de La Habana, of which Orestes was a founding member. Under the baton of guest conductors such as Herbert von Karajan, Igor Stravinsky, and Heitor Villa-Lobos, he played with the orchestra from 1930 to 1960.

He and his older brother Orestes were the driving force behind one of Cuba’s most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo.

In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. In 1961, Cachao went into exile. He crossed the Atlantic by boat, reaching Madrid thanks to Ernesto Duarte, who demanded him to play with his orchestra–Orquesta Sabor Cubano–and where he spent a few years touring the country until the orchestra finally broke up in 1963. Moving to the United States that same year, Cachao became a session musician and was one of the most in-demand bassists in New York City, along with Alfonso “El Panameño” Joseph and Bobby “Big Daddy” Rodríguez.

Joseph and López substituted for each other over a span of five years, performing at New York City clubs and venues such as the Palladium Ballroom, The Roseland, The Birdland, Havana San Juan and Havana Madrid. While Cachao was performing with Machito’s orchestra in New York, Joseph was recording and performing with Cuban conga player Cándido Camero. When Joseph left Cándido’s band to work with Charlie Rodríguez and Johnny Pacheco, it was Cachao who took his place in Cándido’s band. In the 1970s, Cachao fell into obscurity after moving to Las Vegas, Nevada and then later Miami, Florida releasing albums sporadically as a leader.

The 1990s saw his re-discovery by actor Andy García, who brought him back to the forefront of the Latin music scene with the release of a documentary and several albums. Throughout his career, he performed and recorded in a variety of music styles ranging from classical music to salsa.

Double bassist and composer Cachao Lopez, who rose to prominence during the boogaloo years, who recorded sixteen albums as a leader and another twenty as singles, collaborator, and sideman, passed away in Coral Gables, Florida at age 89 on March 22, 2008.

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