Requisites

Doin’ Allright ~ Dexter Gordon | By Eddie Carter

This morning’s discussion came up after dinner a few nights ago, when I chose a few titles to play and considerreviewing for our jazz members. After listening, I’d settled on one of my favorite tenor saxophonists, Dexter Gordon. Doin’ Allright (Blue Note BLP 4077/BST 84077) was released in 1961 and is his Blue Note debut, celebrating his comeback from personal struggles and incarceration. The album showcases Gordon at his very best, backed by Freddie Hubbard on trumpet, Horace Parlan on piano, George Tucker on bass, and Al Harewood on drums. I own the 1992 Toshiba-EMI Japanese Stereo reissue in the Blue Note 4000 Series Ultra Collection, sharing the original catalog number.

The album opens with a classic by George and Ira Gershwin, I Was Doin’ All Right. The quintet gets things going with an easy medium groove on the melody. Dexter makes a relaxed entrance for the first solo, followed by Freddie, who swings smoothly and confidently in the second statement. Horace comes in last, complementing the horns with a laid-back reading before the group returns to reprise the theme and fade out gradually. You’ve Changed by Carl Fischer and Bill Carey slows down to a ballad tempo for an emotionally sensitive melody by Dexter. He continues communicating his heart and soul in the opening statement. Freddie speaks next in a warm, emotional tone, and Horace has a deeply expressive moment before the front line returns and slowly takes the song out.

Dexter’s For Members Only ends the first side with an infectious ensemble theme that gets things started. Dexter goes right to work with a relaxing opening statement. Freddie is next, swinging effortlessly with a bright tone and articulate, precise notes. Horace takes his turn last with a laid-back solo ahead of the ensemble’s restatement of the melody and close. Society Red, a funky blues by Dexter Gordon, gets the second side underway with the quintet’s easy-flowing melody. Freddie puts together the first appetizer of this soulful meal. Dexter then shares a rich, bluesy flavor, simmered to perfection, inviting the listener to savor every note. Horace adds a delightful touch of seasoning, and George adds the final ingredient, wrapping up a musical feast that feels like home ahead of the close.

It’s You or No One by Sammy Cahn and Jule Styne wraps up the album on a brisk note, beginning with Dexter’s introduction before the quintet’s lively theme. Dexter takes center stage first with an energetic solo. Freddie adds some bite with the second statement. Horace follows, delivering exuberant verses with an aggressive impact. George takes a short, robust walk in the fourth reading, and Al brings plenty of heat in the finale preceding the group’s return to take the song out. Alfred Lion produced the session, and Rudy Van Gelder managed the recording console. The album’s sound quality is demonstration-class, with a stunning soundstage that if you close your eyes, you’ll swear the musicians are playing right in front of your sweet spot. The front and back covers are glossy, and the record is absolutely quiet until the music starts.

If you’re in the mood for a terrific hard bop album to enjoy anytime of the day or evening, I highly recommend you check out Doin’ Allright on your next record store visit. It makes a great introduction for jazz newcomers discovering Dexter Gordon, and a title I’m sure will also please seasoned fans. It also proves that the tenor saxophonist was not only back, but definitely Doin’ Allright!

~ I Was Doin’ All Right, You’ve Changed – Source: Wikipedia.org © 2026 by Edward Thomas Carter

CALIFORNIA JAZZ FOUNDATION

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LEESA RICHARDS

Miami vocalist, songwriter, vocal teacher, arranger and producer Leesa Richards celebrates the 40th Anniversary of The Sunshine Jazz Organization. Bringing her voice to the Historic Lyric Theater stage for one night only, she’ll give tribute to the legendary women of jazz featuring the new canon chamber collective.

Not only is this talented women the above, her journey began as a dancer with Whitney Houston , then captured the role of Mary Magdalene in the national touring company of the Broadway musical, Jesus Christ Superstar, earning critical acclaim which led to featured performances throughout the US and Europe. She is the founder and director of an outstanding youth theater company.

Conductor: Waldrion Dunkley

Tickets: $ TBD

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CHRISTIAN MCBRIDE TRIO

Bass genius Christian McBride honors his mentor and greatest inspiration, the legendary Ray Brown, with an all-star trio of Ray Brown Trio alumni — pianist Benny Green and drummer Gregory Hutchinson.

A major figure in the development of bebop and hard bop in the 40s and 50s, Brown was among the most prolific and versatile bassists in jazz history who gained fame through his notable associations with Oscar Peterson, Ella Fitzgerald, and Dizzy Gillespie.

He led a series of remarkable trios in the 1990s and 2000s featuring Green and Hutchinson, whose recordings for the Telarc label stand as benchmarks for the time-honored format.

In addition to his own lengthy histories with both Green and Hutchinson, McBride appeared on Brown’s live 1997 bass summit release SuperBass and 2001 follow-up SuperBass 2 (along with fellow legend John Clayton). He pays tribute to the master with this special performance.

Cover: $45.00 ~ $135.00

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THE COOKERS

The Cookers take their name from Night of the Cookers, the famous 1965 recorded trumpet summit between Lee Morgan and Freddie Hubbard at Brooklyn’s Club La Marchal. Formed by trumpeter and organizer David Weiss, the group brings together some of the most storied musicians in jazz, players who came up in the 1960s and 70s working alongside the very architects of the music.

Drummer Billy Hart and trumpeter Eddie Henderson were both members of Herbie Hancock’s groundbreaking Mwandishi group. Bassist Cecil McBee anchored Charles Lloyd’s celebrated quartet alongside Keith Jarrett and Jack DeJohnette. Pianist George Cables held the piano chair in bands led by Sonny Rollins, Joe Henderson, Freddie Hubbard, Dexter Gordon, and Art Pepper. Saxophonist Donald Harrison, a recently named NEA Jazz Master, came up performing with Art Blakey, Roy Haynes, and Herbie Hancock.

Together these musicians have contributed to well over a thousand recordings across the history of jazz, and the chemistry between them, forged over decades of shared history on bandstands around the world, is unmistakable. Critics have praised The Cookers for embodying the serious commitment it took to thrive on the New York jazz scene of decades past, and audiences consistently describe their live performances as electrifying, a rare opportunity to witness musicians who don’t simply play the music, but live inside of it. This is a true once in a lifetime chance to experience some of the last living architects of modern jazz in an intimate room.

The Side Door Jazz Club is a dedicated jazz listening room located inside the historic Old Lyme Inn, 85 Lyme Street, Old Lyme, CT. Tickets are reserved seating. Guests dining at the Old Lyme Inn prior to the show receive 10% off their dinner bill.

The Band:
Eddie Henderson – Trumpet
David Weiss – Trumpet
Donald Harrison – Alto Saxophone
Azar Lawrence – Tenor Saxophone
George Cables – Piano
Cecil McBee – Bass
Billy Hart – Drums

Cover: $38.57

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BILL CHARLAP TRIO

Bill Charlap was born in New York City into a deeply musical family, his father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, a Grammy nominated vocalist who toured with Benny Goodman. Charlap began playing piano at age three and never looked back. In the late 1980s he joined Gerry Mulligan’s quintet, and in 1995 secured one of the most coveted piano chairs in jazz with the Phil Woods Quintet. Since then he has performed with an extraordinary range of the music’s leading artists, including Tony Bennett, Wynton Marsalis, Ron Carter, Dee Dee Bridgewater, Houston Person, and Barbra Streisand.

Charlap is widely regarded as one of the most gifted interpreters of the American songbook working today. Time magazine has written that he “approaches a song the way a lover approaches his beloved, no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” His acclaimed trio, celebrated for its telepathic interplay and deep swing, has been together for decades and has released nearly 20 albums together. In 2016, his collaboration with Tony Bennett, The Silver Lining: The Songs of Jerome Kern, won the Grammy Award for Best Traditional Pop Vocal Album. From 2004 through 2023 he served as Artistic Director of New York City’s Jazz in July Festival at 92NY, and he currently serves as Director of Jazz Studies at William Paterson University.

Joining him for this special four night engagement are bassist David Wong and drummer Dennis Mackrel, two of the most respected rhythm section players in jazz. This is a rare and extraordinary opportunity to experience one of the true masters of jazz piano in an intimate setting.

Bill Charlap – Piano
David Wong – Bass
Dennis Mackrel – Drums

Cover: $38.5

Showtimes:
Thursday~ Saturday: 8:00pm ~ 10:00pm
Sunday: 3:00pm ~ 5:00pm

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