Daily Dose Of Jazz…

Charlie Hunter was born on May 23, 1967 in Rhode Island but by age four his mom packed him and his younger sister in an old yellow school bus and headed west. After several years living on a commune in Mendocino County they settled in Berkeley, California and graduating from Berkeley High School and taking lessons from guitar teacher Joe Satriani.  At eighteen he moved to Paris, becoming  a professional busker, working 8 to 12 hours a day to make ends meet.

Returning to the Bay area, he played a seven-string guitar and organ in Michael Franit’s political rap group, The Disposable Heroes of Hiphoprisy. Since the 1993 debut of his self-titled Charlie Hunter Trio with John Ellis on sax and Jay Lane on drums, he has recorded seventeen albums. He co-founded Garage A Trois, a jazz fusion band with Stanton Moore and Sherik, has collaborated with Bobby Previte on the ongoing project Groundtruther, and has recorded and toured with Previte’s The Coalition of the Willing.

Charlie has recorded with Christian McBride, has played in the band T.J. Kirk, that merged the music of Thelonious Monk, James Brown and Rahsaan Roland Kirk. He is an inaugural member of the Independent Music Awards judging panel to support independent artists, and over the years has performed and recorded with Erik Deutch, Tony Mason, Eric Kalb, Ben Goldberg, Ron Miles, Scott Amendola, and Curtis Fowlkes, continuing to perform, compose and tour.

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Daily Dose Of Jazz…

Jackie King was born on March 22, 1944 in San Antonio, Texas and took his first music lessons from his guitarist father, starting on mandolin and quickly switching to guitar, playing left handed. By the time he was 12, he was performing professionally around his hometown.

In the 1960s, childhood friend Doug Sahm convinced him to join him in San Francisco’s burgeoning psychedelic music scene. With saxophonist Martin Fierro, he formed the Shades of Joy, a jazz-rock fusion group that released a pair of albums, including music for the soundtrack of the cult film El Topo.

In demand as a sideman and session player, King backed Chet Baker and Sonny Stitt and recorded on albums by Merl Saunders and other artists. At the invitation of jazz guitarist and educator Howard Roberts, he joined the teaching staff of the Guitar Institute of Technology in Los Angeles, California. A year later he started his own Southwest Guitar Conservatory in San Antonio. And after seven years, he closed the school to devote more time to his performing career as a soloist and with Nelson’s band.

Jackie received an honorary master’s degree from San Francisco State University, served on the board of the Music Teachers’ Association of California, taught jazz guitar clinics, lectured at the Berklee School of Music and was featured in a series of instructional books and DVDs. He also wrote articles in Jazz Times, All About Jazz and Just Jazz Guitar.

During his career, he shared stages with such guitarists as Jerry Garcia, Stevie Ray Vaughan, Les Paul, Barney Kessel, Tal Farlow, Pat Martino, Herb Ellis and Lenny Breau. In 1999, he released the solo album “Moon Magic” and recorded an as yet unreleased album with jazz pianist Marian McPartland.

Guitarist, songwriter and educator Jackie King, who was equally at home playing jazz, rock or country music, passed away on January 27, 2016 after suffering a heart attack at his home in San Rafael, California. He was 71.

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Daily Dose Of Jazz…

Bobby Broom was born Robert Broom Jr. on January 18, 1961 in New York City and began studying the guitar at age 12, taking lessons in the American Folk music style. A year later, he studied with jazz guitarist Jimmy Carter in Harlem where he took weekly lessons for the next two years.

His interest in jazz began in earnest at age 15 and as a result he began his research, study and practice of the jazz art. Broom attended the Laguardia High School of Performing Arts where he played in the jazz ensemble. He received an award for Outstanding Jazz Improvisation during his senior year.

Broom began his career while still in high school, performing at New York clubs with Charlie Parker’s pianists, Al Haig and Walter Bishop Jr. By 1977 he was playing with Sonny Rollins and Donald Byrd at Carnegie Hall. He went to Berklee School of Music in 1978, then returned to New York the next year in order to pursue his career while attending Long Island University.

 At this time he began working in New York as guitarist for Art Blakey and The Jazz Messengers, Dave Grusin, Hugh Masekela and Tom Browne and landed his own recording contract with GRP Records. He earned three DownBeat Critics Poll nods from 2012 to 2014 as one of the world’s foremost jazz guitarists.

He has performed with Max Roach, Stanley Turrentine, Kenny Garrett, Miles Davis, Dr. Lonnie Smith, Charles Earland, Dr. ohn, Ron Carter, Dianne Reeves, Eon Blake, Eric Alexander, Ron Carter and Ramsey Lewis among others. He has recorded as a leader with The Deep Blue Organ Trio, The Bobby Broom Organi-Sation and his trio with Kobie Watkins and Makaya McCraven..

In the mid 1980s Broom relocated and as an educator, Broom began his work in 1982 for Jackie McLean, Director of African American Music at Studies for the Hartt School of Music at the University of Hartford. Over the years he has also been a lecturer/instructor at the American Conservatory of Music, Chicago Musical Colege-Roosevelt University, DePaul University and North Park University. He currently instructs and coaches Chicago area high school students for the Ravinia Festival Organization’s community outreach — Jazz Scholar Program, as well as the Thelonious Monk Institute.

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Daily Dose Of Jazz…

Lonnie Liston Smith, Jr. was born into a musical family on December 28, 1940 in Richmond, Virginia. With his father a member of Richmond Gospel music group The Harmonizing Four, as a child he was privy to groups such as the Swan Silvertones and the Soul Stirrers with a young Sam Cooke at his house. He learned piano, tuba and trumpet in high school and college, graduating from Morgan State University in Baltimore, Maryland with a degree in music education.

Influenced by Charlie Parker, John Coltrane and Miles Davis, while still a teenager at college, Smith became well known locally as a backing vocalist and pianist. He played the Baltimore area with Gary Bartz, Grachan Moncur, Mickey Bass, backed Betty Carter and Ethel Ennis and played in the house band at the Royal Theatre.

1963 saw him moving to New York, once again with Carter for a year followed by Rahsaan Roland Kirk and recording Here Comes The Whistleman. After this stint with Kirk he joined Art Blakey’s Jazz Messengers sharing the piano seat with Mike Nock and Keith Jarrett and then with Max Roach. He would go on to play with Pharoah Sanders improvising and pushing the creative boundaries of free jazz. It is at this point that Smith began experimenting with electric keyboards:

In 1969 Lonnie also backed Sanders vocalist Leon Thomas on his first album Spirits Known and Unknown, played with Gato Barbieri on The Third World, and with Miles Davis for On The Corner. He formed the Cosmic Echoes in 1973 with Cecil McBee, George Barron, Joe Beck, David Lee, James Mtume, Sonny Morgan, Badal Roy and Geeta Vashi. The group blended fusion, soul and funk on several recordings for Flying Dutchman Records over the next twelve years.

After the crossover success of the 1970s, he moved into the smooth jazz format, however, public interest slowly waned. By the mid-Eighties he returned to his acoustic roots with McBee and Al Foster recording a session of standards for Bob Thiele’s Startrak label. But dealing with the labels bottom line he returned to smooth jazz working with Phyllis Hyman and Stanley Turrentine. He also delved into hip-hop working with rapper Guru on his groundbreaking Jazzmatazz, Vol. 1. Pianist and keyboardist Lonnie Liston Smith established his own label Loveland, gathered greater recognition with Sony International distributing his Cosmic Echoes years, and has since continued to compose, record and tour to festivals worldwide.

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Daily Dose Of Jazz…

Carlos Garnett was born on December 1, 1938 in Red Tank, Panama Canal Zone. He became interested in jazz music after hearing the music of Louis Jordan and James Moody in film shorts He taught himself to play the saxophone as a teenager and played with soldiers from the nearby United States Army base. In 1957 he started playing in calypso and Latin groups.

After moving to New York in 1962 Garnett played in a rock ‘n’ roll group led by Leo Price. Around this time he also started learning music theory, being self-taught and having always played by ear. Jazz trumpeter Freddie Hubbard hired him in 1968 and introduced him to many New York musicians. His first recording was Hubbard’s 1969 album A Soul Experiment that contained two of his original compositions.

By the late 1960s and early 1970 Carlos played with Art Blakey’s Jazz Messengers, Charles Mingus and Miles Davis. He led his own group called the Universal Black Force, recording five albums between 1974 and 1977. In 1982 suffering from depression and drug abuse, he experienced a spiritual awakening and stopped playing music for years. He began performing again in 1991 and released the albums Fuego En Mi Alma, Under Nubian Skies and Moon Shadow.

In 2000 Garnett moved back to Panama, where he continues to perform actively and has assumed the role of Maestro, “Teacher”, to pass on to the next generation of young musicians in Panama, the music of jazz.

He has recorded with Russell Gunn, Dee Dee Bridgewater, Onaje Allan Gumbs, Mtume, Guilherme Franco, Norman Connors, Billy Hart, Kenny Kirkland, Anthony Jackson, Brad Jones, Andrew Hill and Pharoah Sanders.

As he continues to perform, he has performed in Japan, Austria and at three editions of the annual Panama Jazz Festival. The 9th Annual Panama Jazz Festival in 2012, organized by Panamanian pianist Danilo Perez, was dedicated to tenor saxophonist Carlos Garnett in recognition of his contribution to music.

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