Daily Dose Of Jazz…

Bent Jædig, born September 28, 1935 in Copenhagen, Denmark. He first studied clarinet before playing saxophone. In the 1950s, he settled in Germany and led a band with trombonist Rudi Fuesers, later joining another band with trombonist Peter Herbolzheimer in Munich, Germany.

By the 1960s, he returned to Denmark and worked with trumpeter Allan Botschinsky and pianist Bent Axen, with whom he recorded for Denmark’s Debut label. Bent would go on to play with the Dollar Brand Quintet which included Don Cherry. As a side-man he was constantly in demand and worked with Tete Montoliu, Jimmy Woode, Philly Joe Jones/Dizzy Reece, and Louis Hjulmand.

Jædig recorded his first album as a leader in 1967 titled, Danish Jazzman, with Axen, Botschinsky, Dusko Goykovich, Niels-Henning Ørsted Pedersen and Alex Riel. He would later form a trio, played in a duo and recorded live shows in 2002 which were compiled for a release from Timeless Records.

In the Seventies and 1980s he worked with Wild Bill Davison, Art Farmer, Stan Getz, the Thad Jones Big Band, Duke Jordan, Horace Parlan, Sahib Shihab, and Ernie Wilkins Almost Big Band. He was also a member of the Erling Kroner Tentet, played in the Danish Radio Big Band, and recorded on the Miles Davis album Aura. In 1987, Jædig was a member of Pierre Dørge’s New Jungle Orchestra.

At the end of the 1990s he was performing in a quintet. Tenor saxophonist and flutist Bent Jædig transitioned on June 9, 2004. Saxophonist Charles Davis recorded the album Charles Davis Plays the Music of Bent Jædig in 2006.

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Daily Dose Of Jazz…

Romano Bruno Mussolini was born on September 26, 1927 in Villa Carpena, Forlì,Italy. He was the fourth child and youngest son of Il Duce, Benito Mussolini. He studied music as a child, playing classical pieces with his father on the violin. After World War II, he started playing jazz under the alias Romano Full.

By the mid-1950s, he formed a trio and in 1956 released a self-titled record featuring Lilian Terry on vocals and trumpeter Nunzio Rotondo on RCA Records. The Sixties saw him form the Romano Mussolini All Stars, which became one of Italy’s foremost jazz bands.

The All Stars recorded a well-received record Jazz Allo Studio 7 in 1963 with At the Santa Tecla following a year later. Romano’s band toured internationally with Dizzy Gillespie, Duke Ellington, Helen Merrill and Chet Baker, among others. In the 1990s he recorded two more albums, Perfect Alibi and Soft and Swing.

His playing style has been described as “like a slightly melancholic Oscar Peterson. Occasionally inspired, he was always efficient; he made the refrains run on time.

Pianist Romano Mussolini, who was also a painter and film producer, transitioned on February 3, 2006, at the age of 78, in a hospital in Rome, Italy from heart problems.

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Samuel “Savoirfaire” Williams was born on September 22, 1973 in Chicago, Illinois. At the age of three he began playing violin at his parents’ church and two years later joined a group of child prodigies under the tutelage of Suzuki Violin instructor, Betty Haag. His first performance was at Chicago’s Orchestra Hall during a public television broadcast which became an annual event spanning more than 35 years.

He attended the Merit School of Music in Chicago, studying music theory while participating in youth orchestras including the City Youth Symphony, Chicago Youth Symphony Orchestra, Protégé, All-City and All-State. He took private lessons from Afro-Panamanian musician Joseph Williams when he was 16. During this time he played lead for the City Youth String Ensemble’s viola section, then received a scholarship at Interlochen where he sat in with vibraphonist Milt Jackson.

Meeting and performing with Wynton Marsalis while working at the Chicago Symphony Center, Williams continued his studies and busked on the streets to pay for violin lessons. During one of his street performances, guitarist Kenny Burrell observed his skill and invited him to collaborate with himself, Willie Pickens and Larry Gray on a Bebop performance at Chicago’s Jazz Showcase.

In 2000, he was voted into the Chicago Chapter of the Association for the Advancement of Creative Musicians (AACM), which earned him the moniker “Savoirfaire.” That same year, he began an apprenticeship with luthier Martin Sheridan to learn the art of violin-making, later owning the violin shop and managing it for three years.

After self-releasing three live albums, Bob Koester discovered his work and in 2004 Delmark Records produced the internationally acclaimed release Running Out of Time. Over the years, Savoirfaire has been invited to record with a plethora of artists in various genres and at international Jazz festivals.

In 2015, Williams founded the Chicago Gypsy Project with guitarist Dave Miller and bassist Charlie Kirchen. He continues to perform with his group Savoirfaire Jazz Quartet as well as busking on the streets, and in various venues throughout Chicago.

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Cuong Vu was born on September 19, 1969 in Saigon, Vietnam and immigrated to Seattle with his family when he was six. At 11 he began to play the trumpet and later received a scholarship from the New England Conservatory of Music.

After graduation, in 1994 Vu moved to New York City and formed the group Ragged Jack with Jamie Saft, Andrew D’Angelo, and Jim Black. Since that time he has worked with Laurie Anderson, David Bowie, Dave Douglas, Myra Melford, Gerry Hemingway, and Mitchell Froom.

While a member of the Pat Metheny Group, he won two Grammy Awards for Best Contemporary Jazz Album: Speaking of Now and The Way Up. Cuong worked with Metheny mainly as a trumpeter, but also contributed vocals, guitar and various small percussion.

As an educator, he serves as chair and professor in the jazz studies department of the University of Washington’s School of Music. Trumpeter Cuong Vu has recorded eleven albums as a leader, thirty-three as a sideman, and continues to lead his own band with bassist Stomu Takeishi and drummer Ted Poor.

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Herman Davis Burrell was born September 10, 1940 in Middletown, Ohio and grew fond of jazz at a young age after meeting Herb Jeffries. He studied piano and music at the University of Hawaii from 1958 to 1960, then starting in 1961 he attended the Berklee College of Music in Boston, Massachusetts. 1965 saw him walking across the stage to receive  degrees in composition/arranging and performance. While in Boston, he played with Tony Williams and Sam Rivers.

After graduation Dave moved to New York City, where he worked and recorded with Grachan Moncur III, Marion Brown, and Pharoah Sanders. He also started the Untraditional Jazz Improvisational Team with saxophonist Byard Lancaster, bassist Sirone, and drummer Bobby Kapp. Three years later he co-founded The 360 Degree Music Experience with Moncur and Beaver Harris, recording two albums with the group. The following year, Burrell began an association with Archie Shepp, with whom he would play the 1969 Pan-African Festival in Algiers, Algeria. They would go on to record nearly twenty albums.

Burrell’s debut as a leader was an album titled High Won-High Two that was released in 1968.  This was followed by Echo and La Vie de Bohème recorded in Paris in 1969, and Round Midnight for Nippon Columbia.

In 1978, with Swedish poet and lyricist Monika Larsson he composed a jazz opera entitled Windward Passages, with an album of the same name, based on the opera, released in 1979. Their touring and recording collaborations resulted in four more albums. He would later appear on seven David Murray albus recorded between 1988 and 1993.

Burrell tours and performs as a soloist and as a leader of a duo, trio, and larger ensembles. His recordings have received high praise  from Down Beat, Village Voice, Jazz Times and others. Into the new millennium he has continued to perform, record and release several albums including a live recording in Italy. In 2022, pianist Dave Burrell donated his archive to the Center for American Music in the University of Pittsburgh Library System. He continues to be active in jazz.

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