Daily Dose Of Jazz…

Cleopatra Brown was born on December 8, 1909 in De Kalb, Mississippi. She moved to Meridian, Mississippi when her father took a position as pastor and in his church she played piano as a child.

In 1919 her family moved to Chicago, Illinois and she began learning piano from her brother who worked with Pine Top Smith, playing boogie-woogie for dances. Around the time Cleo was 14 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.

From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records among other labels along the way and recording many humorous, ironic titles such as Breakin’ in a New Pair of Shoes, Mama Don’t Want No Peas and Rice and Coconut Oil, When Hollywood Goes Black and Tan, and The Stuff Is Here and It’s Mellow.

Cleo’s stride piano playing was often compared to Fats Waller and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and on Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.

Brown began to shy away from singing bawdy blues songs because of her deepening religious beliefs. In 1953, she was baptized, retired from music, and became a nurse in 1959. Jazz biographies frequently listed her as deceased due to her absence from music. The song Sweet Cleo Brown was recorded by Brubeck in tribute.

From the mid-1970s until 1981, she performed under the name of C. Patra Brown on radio shows in Denver, Colorado. She replaced boogie-woogie music with slower, inspirational music. She returned to record again, and performed on National Public Radio^.

Pianist and vocalist Cleo Brown, who was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship, and also performed and recorded under the name of Cleo Patra Brown,  died on April 15, 1995, in Denver, Colorado.

More Posts: bandleader,history,instrumental,jazz,music,piano,vocal

Daily Dose Of Jazz…

Connee Boswell was born Constance Foore Boswell on December 3, 1907 in Kansas City, Missouri but raised in New Orleans, Louisiana. With sisters Martha and Helvetia “Vet”, she performed in the 1920s and 1930s as the trio The Boswell Sisters. They came to be well known locally while still in their early teens, making appearances in New Orleans theaters and on radio. The girls started their career as instrumentalists but became a highly influential singing group via their recordings and film and television appearances.

They made their first recordings for Victor Records in 1925, which featured Connee singing in the style of her early influence, Mamie Smith. The sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans’ Orpheum Theatre. This led to a gig in Chicago, Illinois and then on to San Francisco, California. The desk clerk at the recommended hotel was Harry Leedy was part owner of Decca Records, became their manager on a handshake and later Connee’s husband.

The next stop was Los Angeles, California where they performed on local radio and “side-miked” for the soundies. National attention came with a move to New York City in 1930 and the making of national radio broadcasts. After a few recordings with Okeh Records, they recorded for Brunswick Records from 1931 to 1935.

Connee recorded as a solo artist and had several successful singles. In 1935, the sisters had a No. 1 hit with The Object of My Affection, and the group signed to Decca Records, but after just three releases two sisters called it quits in 1936. Connee, however, continued to have a successful solo career as a singer for Decca but also later recorded for the new Apollo label, RCA Victor, and Decca subsidiary, Design.

During the Forties she was a co-star on NBC Radio’s Kraft Music Hall, starred in her own radio show on the NBC Blue Network, The Connee Boswell Show, and featured on CBS Radio’s Tonight On Broadway, among numerous other radio appearances and films. She was a favorite duet partner of Bing Crosby, and they frequently sang together on radio, as well as recording several hit records as a duo in the 1930s and 1940s.

Vocalist Connee Boswell, who recorded ten albums as a leader and had fifteen hits reach the top 12 on the Billboard list, died on October 11, 1976 from stomach cancer at Mount Sinai Hospital in New York City at age 68.

More Posts: bandleader,history,instrumental,jazz,music,vocal

Daily Dose Of Jazz…

Scot Albertson was born on November 20, 1957 and raised in Norwalk, Connecticut. Early childhood saw him as a choir member of the Little Singers of Norwalk and would travel, sing and compete internationally with the choir for six years. After graduating college he served for six years as a police officer segueing for a year in Arizona on border patrol. Returning to Connecticut he started a very successful small business which sustained his lifestyle for nineteen years.

In 2000 he began taking vocal lessons with Richard Lissemore in New York City. Four and one half years later after intensive study, Scot released his debut album titled Got A Date With Fate with bassist Mark Egan, drummer Danny Gottlieb and producer, composer and pianist Jon Werking. Showcasing the music in 2005 at Danny’s Skylight Cabaret Room in New York City began his life as a career performer.

Since his debut performance, vocalist Scot Albertson has gone on to continue to perform around the city and metropolitan area.

More Posts: bandleader,history,instrumental,jazz,music,vocal

Daily Dose Of Jazz…

Fionna Duncan was born on November 5, 1939 in a temperance hotel in Garelochhead, Scotland a few weeks into the Second World War. The doctor had refused to come to the family home in Portincaple, on the shores of Loch Long, because a blackout was in operation. The youngest of three, she initially preferred to sing, although she later began to accompany herself on guitar and ukulele.

When she was six, the family moved to Rutherglen and it was there, thanks to Rutherglen Academy’s ballads and blues club, that she added folk and skiffle songs to the Gilbert & Sullivan operettas she sang at the local music society. By sixteen, while still at school, she was singing in talent competitions and with local jazz bands. One competition win resulted in an audition for television and the chance to make a recording.

A family trip to the United States had her singing on radio and television, and Riverside Records offered Fionna a recording contract. Not wanting to live in the States, a stipulation of the deal, she turned it down along with the chance to become label-mates with pianists Thelonious Monk and Bill Evans, and saxophonists Cannonball Adderley and John Coltrane. Back in Glasgow, Scotland appearances on the weekly TV show Skiffle Club with the Joe Gordon Folk Four, singing with the Steadfast Jazz Band, and another talent competition win and auditions, she met clarinettist Forrie Cairns.

With her mother’s blessing Fionna joined Cairns’ All-Stars whom she would go on to work into the 2000s. In 1959 she and Forrie were invited to join the Clyde Valley Stompers, a traditional jazz band and recorded the album, Have Tartan Will Trad.

She won the JazzBeat Award for Top Singer in 1960 met Louis Armstrong at his own insistence when they shared a bill, and also met Lena Horne and the Beatles. She continued touring until 1964, then took up residence in London, where she hosted the Georgian Nightclub in the West End, singing with Kenny Ball and Humphrey Lyttelton, among other prominent musicians of the time. Suffering five slipped discs and being hospitalized for a year, Fionna changed careers and trained as a hairdresser. However,  the lure of the microphone and telling stories in song pulled her back to performing.

In 1985 she put together her own group with her partner, bassist Ronnie Rae, Ronnie’s son John on drums and Brian Kellock on piano. Together they became the house trio for Fionna’s Vocal Jazz Workshops, where she became a supportive mentor. if also quite a tough critic to a veritable legion of budding jazz singers as her workshops developed into a regular feature at Glasgow Jazz Festival. The festival’s late-night club also benefited from Fionna’s ‘strict but fair’ hosting skills for several years.

Vocalist Fionna Duncan continued to sing and teach into her seventies, was voted Best Jazz Vocalist and received a Lifetime Achievement award at the Scottish Jazz Awards, died at 83 on December 6, 2022.

More Posts: bandleader,educator,history,instrumental,jazz,music,vocal

Daily Dose Of Jazz…

Mervyn Africa was born on October 18, 1950 in Cape Town, South Africa and studied music there and sang in the boys choir. Moving to the United Kingdom in 1981 he searched for work in the bands of fellow exiles, trumpeter Hugh Masekela, percussionist Julian Bahula and saxophonist Dudu Pukwana. With drummer Brian Abrahams and Russel Herman he was a co-founder of the Afro/jazz group District Six.

He put together a quartet consisting of bassist Michael Mondesir, trumpeter Dave Defries and percussionist Nana Tsiboe. Drawing from his rich cultural and musical background, he created a strong reputation as a solo performer, band leader and big in African jazz.

As a composer he is known for his piano improvisations and unique compositions, Mervyn’s influences range from classic and carnival music through to township jazz and Malay musical heritage.

Pianist and composer Mervyn Africa, also known for his 2010 portrayal in Master Harold and The Boy, remains a major presence on the London scene. 

More Posts: bandleader,history,instrumental,jazz,music,piano,vocal