NICOLE HENRY, SENEGAL APOSTOLO & JOHN MARQUIS

Esther Mae Armbrister Park welcomes the Nicole Henry Quintet, the Senegal Apostolo Trio and the John Marquis Trio for an evening of jazz celebrating Jazzin’ The Grove Spring Swing! The event is ree and open to the public. Bring your chairs, blankets and coolers for a fantastic evening of live jazz.

World class vocalist Nicole Henry’s versatile and emotionally driven performances have captivated audiences in twenty countries.  She has ensconced herself in the jazz ranks of acclaimed interpreters as she tours with her quartet or performing with orchestras and big bands. Her repertoire comes from the American Songbook, classic and contemporary jazz, popular standards, blues, and originals. Her numerous accolades include Traditional Jazz Performance, Best New Jazz Artist, and Best Solo Musician from Soul Train, HMV Japan Awards and Miami New Times, respectively. She was hailed as One of Eight Black Artists Making Waves in 2024 by Symphonic Distribution and BroadwayWorld Miami named her Vocalist of the Decade. 

Double bassist Senegal Apostolo is a Miami-based professional musician, bassist, and educator, known for his work with JazzSLAM, and has been featured in performances with the FIU Music Hour. A graduate of the FIU School of Music, he performs in jazz ensembles and provides music programming for children. He co-founded Miami-based music academy, Sol Music Studios, and conducts interactive musical programs for young children. His discography can be found on SoundCloud, Boomplay and Instagram.

Pianist John Marquis began playing at an early age and has been playing through his high school matriculation. Along with his bandmates, bassist Gavin Jules and drummer Dwayne James, they are soon to be graduating seniors from the renowned performing and visual arts Dillard Center for the Arts located within Dillard 6-12 Magnet School, located in Fort Lauderdale. To be accepted into the program each student had to audition and undergo a rigorous years of training that has prepared them for a career in the arts.

Cover: FREE

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VANESSA RUBIN

Revered as both a torchbearer and a storyteller, jazz vocalist Vanessa Rubin possesses a voice hailed for crystalline clarity, hearth-like warmth and playful lioness sass. The Cleveland native brings a wealth of diverse influences to her vocal performance from both the Trinidadian/Caribbean roots of her mother and traditional jazz by way of her Louisiana-born father. Rubin’s passion for rich musical stories are evidenced throughout her eight albums thus far plus numerous guest appearances.

Highlight s ongs include the evocative “Voyager II” from the pen of Teri Thornton, “Inside a Silent Tear” written by Blossom Dearie, a refashioned waltz version of John Coltrane’s “Giant Steps” lyricized by New York Voices and an arrangement of “Superwoman” by Stevie Wonder insipired by the Ahmad Jamal recording of “Poinciana”. So while she has one foot planted in tradition – sticking close to timeless melodies and exquisite vocal forms – Rubin waxes adventurous, embracing stories lesser told while employing lessons of acclaimed storytellers in song such as Carmen McRae, Shirley Horn, and Freddy Cole.

Bandmates:
Allyn Johnson ~ Piano
Kenny Davis ~ Bass
Alvester Garnet ~ Drums

Cover: $35.46 ~ $45.76

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Daily Dose Of Jazz…

Anita Gravine was born April 11, 1946 in Carbondale, Pennsylvania. An experienced but little-known singer, in the mid-’60s, she sang with the bands of Larry Elgart, Buddy Morrow, and Urbie Green. She made her solo debut with Dream Dancing on the Progressive label in the early ’80s.

This was followed by her release of I Always Knew in 1985 for the now defunct Stash Records that displayed her appealing voice, solid sense of swing, and versatility. Gravine’s third project Welcome to My Dream, although not a critical success, continues to prove she can handle both ballad and up-tempo songs with ease of voice and rhythmic assurance.

She has worked with arranger and pianist Mike Abene, George Mraz, Billy Hart and Tom Harrell. She released Welcome To My Dream for Jazz Alliance in 1993. In 2010 Anita released the last of her four albums “Lights! Camera! Passion! Jazz And The Italian Cinema”, and she continues to perform and tour.

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Daily Dose Of Jazz…

Alberta Hunter was born on April 1, 1895 in Memphis, Tennessee to Laura Peterson, a maid in a Memphis brothel and Charles Hunter, a Pullman porter who she never knew. She attended Grant Elementary School, off Auction Street, which she called Auction School, in Memphis. Having had a difficult childhood, and not happy with her new stepfather and family she left for Chicago, Illinois, around the age of 11, in the hopes of becoming a paid singer. She had heard that it paid 10 dollars a week but instead of finding a job as a singer she had to earn money by working at a boarding house that paid six dollars a week as well as room and board.

Hunter began her singing career in a bordello and soon moved to clubs that appealed to men, black and white alike. By 1914 she was receiving lessons from jazz pianist, Tony Jackson, who helped her to expand her repertoire and compose her own songs. Singing around Chicago, one of her first notable experiences as an artist was at the Panama Club where she honed her craft before a cabaret crowd. Her big break came when she was booked at Dreamland Cafe, singing with King Oliver and his band.

She first toured Europe in 1917, performing before adoring and respectful audiences in Paris and London. Her career as singer and songwriter flourished in the 1920s and 1930s, and she appeared in clubs and on stage in musicals in both New York and London. The songs she wrote include the critically acclaimed Downhearted Blues in 1922. She recorded several records with Perry Bradford from 1922 to 1927 as well as sessions on Black Swan, Paramount, Gennett, OKeh, Victor and Columbia. While still working for Paramount, she also recorded for Harmograph Records under the pseudonym May Alix.

Alberta eventually moved to New York City. She performed with Bricktop and recorded with Louis Armstrong and Sidney Bechet. She headed the U.S.O.’s first black show, performing in Casablanca, Korea and other theaters of war during World War II and after, until her mother’s death in 1957. It was at this point that she left music for a career in healthcare, working at Roosevelt Island’s Goldwater Memorial Hospital for 20 years. The hospital forced Hunter to retire because it believed she was 70 years old but was actually 82 years old. Deciding to return to singing, she had a regular engagement at a Greenwich Village club, becoming an attraction there until her passing away on October 17, 1984.

Her life was documented in Alberta Hunter: My Castle’s Rockin’, a 1988 TV movie, narrated by the pianist Billy Taylor, and in Cookin’ at the Cookery, a biographical musical by Marion J. Caffey, in which Ernestine Jackson portrays her. Vocalist and composer Alberta Hunter was inducted to the Blues Hall of Fame in 2011, the Memphis Music Hall of Fame in 2015 and her comeback album, Amtrak Blues, was honored by the Blues Hall of Fame in 2009.

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MARIE-CLAIRE GIRAUD

Marie-Claire Giraud celebrates the release of her new album, my big, bold & beautiful technicolor fantasy, in an intimate Lobby Stage performance that showcases her genre-spanning artistry. A Bronx-raised soprano of Dominican heritage, Giraud moves fluidly across jazz, opera, and musical theater, bringing a rich vocal palette and dynamic stage presence to each.

With recent and upcoming milestones including her feature film debut and appearances on international stages, this performance offers a vibrant preview of a landmark year for a singular New York artist.

Admission: Free | Part of Free Music at PAC NYC

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