Daily Dose Of Jazz…
Leroy Vinnegar was born on July 13, 1928 in Indianapolis, Indiana and the self-taught bassist established his reputation in Los Angeles during the 50s and 60s. His trademark was the rhythmic “walking” bass line, a steady series of ascending or descending notes, and it brought him the nickname “The Walker”. Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison’s 1972 album, Saint Dominic’s Preview.
He recorded extensively as both a leader and sideman and came to public attention in the 1950s as a result of recording with Lee Konitz, Andre Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff. He played bass on Previn and Manne’s My Fair Lady album, one of the most successful jazz records ever produced. He also performed on another of jazz’s biggest hit albums, Eddie Harris and Les McCann’s “Swiss Movement” released in 1969.
Moving to Portland, Oregon in 1986, the Oregon State Legislature honored him in 1995 by proclaiming May 1st as Leroy Vinnegar Day. The bassist died from a heart attack at the age of 71 in Portland on August 3, 1999.
More Posts: bass
Daily Dose Of Jazz…
Major Holley was born on July 10, 1924 in Detroit, Michigan and started his music lessons playing violin and tuba at a young age. He started playing bass while serving in the Navy. In the latter half of the 1940s he played with Dexter Gordon, Charlie Parker, and Ella Fitzgerald. In 1950 he and Oscar Peterson recorded duets, and he also played with Peterson and Charlie Smith in a trio setting.
In the mid-1950s Major moved to England, working at the BBC. Upon returning to America he toured with Woody Herman in 1958 and with Al Cohn/Zoot Sims in 1959-60. A prolific studio musician, he played with Duke Ellington in 1964 and with the Kenny Burrell Trio, Coleman Hawkins, Lee Konitz, Roy Eldridge, Michel Legrand, Milt Buckner, Jay McShane and Quincy Jones during the Sixties and Seventies.
He was also noted for singing along with his arco (bowed) bass solos, a technique Slam Stewart also used. Holley and Stewart recorded together on two albums during the 1970s.
Never one far from the educational process, informal or formal, Holley was a professor and taught at the Berklee College of Music from 1967 to 1970. Upright jazz bassist Major Holley passed away on October 25, 1990 in Maplewood, New Jersey.
More Posts: bass
Daily Dose Of Jazz…
Reggie Workman was born Reginald Workman on June 26, 1937 in Philadelphia, Pennsylvania has been lauded for his work with both John Coltrane and Art Blakey. The double bassist, known for his avant-garde jazz and hard bop playing was a member of jazz groups led by Gigi Gryce, Roy Haynes, Wayne Shorter and Red Garland.
It was in 1961 that Workman joined Coltrane’s quartet, replacing Steve Davis and became a part of Trane’s “Live At The Village Vanguard” sessions, which has since become a legendary album. He also worked along with second bassist Art Davis on “Ole Coltrane”.
After a European tour Workman left the quartet and went on to play with James Moody, Yusef Lateef, Pharoah Sanders, Herbie Mann, Thelonious Monk, and became a Jazz Messenger. He has recorded several albums as a leader and with Archie Shepp, Lee Morgan and David Murray.
Reggie Workman has recorded seven albums as a leader and nearly four-dozen as a sideman working with Booker Little, Oliver Lake, Duke Jordan, Bobby Hutcherson and Grant Green among many others. He is currently a professor at The New School for Jazz and Contemporary Music in New York City.
More Posts: bass
Daily Dose Of Jazz…
Chuck Rainey was born Charles Walter Rainey III on June 17, 1940 in Cleveland, Ohio. His youthful pursuits included violin, piano and trumpet but switched to baritone horn in order to join the Lane College traveling ensemble while matriculating. But it was while on active military duty that he learned the rhythm guitar, however, his lack of improvisational skills led him to pick up the bass. He soon found steady work as a studio bassist in New York, recording and touring with many of the greats of the time.
Through the 1970s he played with Jerome Richardson, Grady Tate, Mose Allison, Gato Barbieri, Gene Ammons and Eddie Vinson. He was a member of the King Curtis All Stars, toured with the Beatles second U.S. run and had firmly established himself as New York City’s “first call” session bass guitarist.
In 1972, he released his first solo album “The Chuck Rainey Coalition” consisting of notable session musicians Richard Tee, Warren Smith, Specs Powell, Eric Gale, Bernard Purdie, Herb Lovelle, Cornell Dupree and Billy Butler. He moved to Los Angeles that same year working with Quincy Jones and his big band but continued as a studio musician playing for Betty Davis, Steely Dan and Aretha Franklin.
Rainey’s style has always been to provide a rhythmic and melodic bottom that works with the drummer for the benefit of the song. His books on bass study refer to ”sensitivity to music” and a dedication to studying the fundamentals of music theory. While his “sideman” philosophy of bass has not brought him the level of recognition of star players such as Jaco Pastorious, Rainey is by far more recorded than his more famous contemporaries.
More Posts: bass
Daily Dose Of Jazz…
Charnett Moffett was born June 10, 1967 in New York City. His first name is a combination of his father’s name, drummer Charles Moffett and that of Ornette Coleman. Taking up the bass in his childhood, he attended Fiorello H. La Guardia High School for Music and Arts in New York City, later studied at Mannes College of Music and the Juilliard School of Music.
In 1983, he played on saxophonist Branford Marsalis’ debut as a leader, Scenes in the City, and the following year he joined the Wynton Marsalis quintet, appearing on the1985 acclaimed Black Codes (From the Underground). During the Eighties, he also played on Stanley Jordan’s best-selling 1985 Blue Note debut, Magic Touch, and went on to play with Tony Williams on two Blue Note albums.
In 1987, Moffett signed with Blue Note Records and debuted as a leader that year with his first of three albums for the label, Beauty Within, which featured his father and older brothers Codaryl Moffett on drums and Mondre Moffett on trumpet, Kenny Garrett on alto saxophone, and Stanley Jordan on guitar.
This led to a career as a free-lance bassist, performing and recording with Stanley Jordan, Ornette Coleman, McCoy Tyner, Kenny Garrett, Mulgrew Miller, Courtney Pine, Arturo Sandoval, Lew Soloff and Sonny Sharrock.
Charles Moffett, who plays the bass, piccolo bass, double bass, bass guitar has played and recorded as a leader in addition to Blue Note with Manhattan, Evidence and Piadrum record labels. With eleven albums under his belt as a leader and set to release an album for Motema, the former member of the Manhattan Jazz Quintet is currently performing with Melody Gardot.
More Posts: bass