Daily Dose Of Jazz…
Herbie Mann was born Herbert Jay Solomon on April 16, 1930 in Brooklyn, New York and while attending Lincoln High School in Brighton Beach, failed a music class. Be that as it may his first professional gig was in the Catskills at age 15. During the 1950s was primarily a bop flutist, playing in combos with artists such as Phil Woods, with occasional forays into bass clarinet, tenor sax and solo flute.
An early pioneer in the fusing of jazz and world music, he has incorporated elements of African, Afro-Cuban, Brazilian, Reggae, Middle-Eastern and Eastern European styles into his music. During the Sixties he was jazz’s preeminent flutist with his emphasized groove approach coming to the fore on his albums Memphis Underground and Push Push due to the rhythm section locked in one perception. It was mid-60’s period that he hired a young Chick Corea to play in some of his bands.
Mann’s shift to a more smooth jazz during the Sixties brought criticism from purist but allowed him to remain relevant as interest in jazz waned. He worked with Cissy Houston, Duane Allman, Larry Coryell, Donald “Duck” Dunn and Chuck Rainey, along with Al Jackson and Bernard Purdie out of Muscle Shoals in Alabama. His #1 dance hit Hijack stayed on the charts for three consecutive weeks in 1975.
In this period Mann had a number of songs cross over to the pop charts, a rarity for a jazz musician. He has provided music for the animated short film Afterlife, founded his own label, Embryo Records, that produced jazz albums, such as Ron Carter’s Uptown Conversation, Miroslav Vitous’ first solo album, Infinite Search; and Phil Woods and his European Rhythm Machine at the Frankfurt Jazz Festival. In 1996, Mann collaborated with Stereolab on the song “One Note Samba/Surfboard” for the AIDS-Benefit album Red Hot + Rio. Herbie Mann’s last appearance was on May 3, 2003 at the New Orleans Jazz and Heritage Festival at age 73, passing away that same year on July 1, 2003 after a long battle with prostate cancer.
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Daily Dose Of Jazz…
Nicole Mitchell was born on February 17, 1967 in Syracuse, New York where she was raised until age eight, when her family moved to Anaheim, California. She began with piano and viola in the fourth grade; however, she was classically trained in flute and played in youth orchestras as a teenager. Her initial college major in math was superseded by jazz while in college and took to busking in the streets playing jazz flute. After two years at the University of California, San Diego, in 1987 she transferred to Oberlin College.
In 1990 a move to Chicago saw her playing once again on the streets and working for third World Press and meeting members of the Association for the Advancement of Creative Musicians. Mitchell soon started playing with the all-women ensemble Samana under the AACM umbrella. Over the next several years she moved to New Orleans, became a mother, returned to school earning her BA and Masters, met and extensively began playing with Hamid Drake, then worked with saxophonist David Boykin prior to starting her group the Black Earth Ensemble” and co-hosting the Avant-Garde Jazz Jam Sessions in Chicago.
Releasing her debut album “Vision Quest” in 2001, she has been named “Rising Star” flautist for 2004 -2006 by Down Beat and by Down Beat International Critics Poll in 2010 & 2011. As an educator, Nicole has taught at Northern Illinois, Chicago State, Northeastern Illinois University, Wheaton College and the University of Illinois at Chicago; and has been co-president of the AACM since 2006.
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Daily Dose Of Jazz…
Steve Wilson was born February 9, 1961 in Hampton, Virginia. As a teenager, Wilson played in various R&B and funk bands and after a year of playing with Stephanie Mills he attended Virginia Commonwealth University. By 1987 he moved to New York, where he established himself as a sideman performing with American Jazz Orchestra, the Mingus Big Band and the Smithsonian Jazz Orchestra among others.
Wilson toured Europe in 1988 with Lionel Hampton and was a member of “Out Of The Blue”, an ensemble featuring young Blue Note musicians. An accomplished flautist and alto and soprano saxophonist, he also plays the clarinet and piccolo and has played and recorded with the Dave Holland Quintet, the Chick Corea Origin Sextet, with Japanese composer Yoko Kanno, has been a member of the Seatbelt’s New York Musicians, the Blue Note 7 and has performed as a soloist for Queen Elizabeth II and Prince Philip.
In 1997 he formed the Steve Wilson Quartet and has performed together for over a decade and produced two CDs. He also heads a larger ensemble, Generations, which performs jazz classic and original compositions.
He has held teaching positions in several schools and Universities, as well as holding jazz clinics, notably at the Manhattan School of Music, SUNY at Purchase, Columbia University, has been artist-in-residence at Hamilton College, Old Dominion and University of North Carolina and continues to maintain a busy career as a session musician both in studio and on tour.
Daily Dose Of Jazz…
Bill Easley was born in Orlean, New York on January 13, 1964 and began playing saxophone professionally with his parents at the age of thirteen. He moved to New York City in 1964 and was a part time student at the Julliard School of Music while getting his feet wet in the uptown Jazz Scene. The U.S. Draft Board had other plans and Bill did his military service with the 9th Army Band in Fairbanks Alaska.
He worked with George Benson in the late 60s closing out the decade playing such legendary jazz spots as Minton’s Playhouse, the Plugged Nickel, The jazz Workshop and The Hurricane. He would move to Memphis working and recording with Isaac Hayes in the 70s, and performing other studio work at Stax and Hi Records, big bands, show bands and jazz clubs during which he continued his formal education at Memphis State University.
It was in the mid 1970s that Easley first toured with the Duke Ellington Orchestra under Mercer Ellington. By 1980 he was back in New York City with the promise of a job on Broadway. His Broadway credits include; Sophisticated Ladies, The Wiz, Black and Blue, Jelly’s Last Jam, Swingin’ On A Star, Play On, Fosse, and most recently, The Wild Party.
The move to return to New York City provided recording sessions for Sunnyside and Milestone playing with the likes of Sir Roland Hanna, Jimmy McGriff, Jimmy Smith, Ruth Brown, James Williams, Mulgrew Miller, Grady Tate and Billy Higgins among others. Saxophonist, Flautist and clarinetist Bill Easley continues his legacy of recording and performing.
