Daily Dose Of Jazz…

Ed Cherry was born on October 12, 1954 in New Haven, Connecticut. Learning to play guitar as a child by the time he moved to New York in 1978 he was playing with Dizzy Gillespie. This relationship lasted until 1992, performing in Gillespie’s quartet, big band and with The United Nation Orchestra, which recorded the Grammy Award-winning “Live at Royal Festival Hall”.

In 1993 Cherry released his first recording as a leader, “First Take” as well as performing with Paquito D’ Rivera’s small group and recording “Havana Cafe”. He worked with composer/saxophonist Henry Threadgill for two years with the group “Very Very Circus”, and released his second project as a solo artist titled “A Second Look”. During that same period worked with Hammond B3 organist John Patton recording 3 critically acclaimed sessions.

From 1997 to 1998, Ed worked in Roy Hargrove’s “Crisol” Latin jazz band, which performed in Havana, Cuba, worked with baritone saxophonist Hamiett Bluiett, and toured Europe in 2001 with his own group. He has performed at numerous festivals around the world, backs vocalist Paula West, leads his own trio, has been an educator at Essex Community College, the Henry Street Settlement in New York City, Montclair State University and currently at the Jazzmobile. He continues to perform and record.

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Daily Dose Of Jazz…

Howard Roberts was born on October 2, 1929 in Phoenix, Arizona and began playing guitar at age 8. By age15 he was playing professionally locally. 1950 saw him moving to Los Angeles where he began playing with musicians like Bobby Troup, Chico Hamilton and Barney Kessell. Around 1956, Bobby Troup signed him to Verve Records and he decided to concentrate on recording, both as a solo artist and session musician.

Roberts played rhythm guitar, lead guitar, bass and mandolin in the studio, for television and movie projects on such projects as The Twilight Zone, The Munsters, I Dream of Jeannie. He would work on Julie London’s Blue Moon recording, with Peggy Lee, George Auld, Shelley Fabares, Chet Atkins, Dean Martin, The Monkees, Roy Clark and many others.

In 1961, Howard designed a signature guitar with a round sound hole and single pickup that was originally produced by Gibson’s Epiphone division. Two years later he recorded his first two albums of nine with Capitol, before signing with ABC/Impulse Records. From the late 1960s, Roberts began to focus on teaching, traveling around the country giving guitar seminars, and writing several instructional books.

For some years he also wrote an acclaimed column “Jazz Improvisation” for Guitar Player magazine and founded the Guitar Institute of Technology and Playback Publishing. Guitarist Howard Roberts died of prostate cancer in Seattle, Washington on June 28, 1992, leaving a jazz catalogue of more than two-dozen albums as a leader and sideman.

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Daily Dose Of Jazz…

Laurindo Almeida was born Laurindo Jose de Araujo Almeida Nobrega Neto was born in the village of Prainha, Brazil on September 2, 1917. A self-taught guitarist, during his teenage years, he moved to São Paulo, worked as a radio artist, staff arranger and nightclub performer. At 19, he worked his way to Europe playing guitar in a cruise ship orchestra. While in Paris, he attended a performance at the Hot Club by Stephane Grappelli and Django Reinhardt, who became a lifelong artistic inspiration.

Returning to Brazil, Laurindo composed, performed and became known for playing classical Spanish and popular guitar. He moved to the United States in 1947 when one of his songs “Johnny Peddler” became a hit record by the Andrew Sisters. Once in Los Angeles, Almeida immediately went to work in film studio orchestras.

Almeida was first introduced to the jazz public as a featured guitarist with the Stan Kenton band in the late 1940s during the height of its success. His recording career enjoyed auspicious early success with the 1953 recordings now called Brazilliance No. 1 and No. 2 that was widely regarded as “landmark” recordings. Almeida and Shank’s combination of Brazilian and jazz rhythms in which Almeida coined the term “samba-jazz”. He would go on to have a classical solo recording career with Capitol Records beginning in 1954, winning a Grammy at the first awards ceremony.

Almeida won five career Grammys, toured, recorded and performed with the Modern Jazz Quartet, Charlie Byrd, Baden Powell, Stan Getz, Herbie Mann, Larry Coryell, Ray Brown, Shelly Manne and Jeff Hamilton to name a few. In addition he performed on more than 800 motion picture and television soundtracks such as The High Chaparral, Peter Gunn, Funny Girl, The Godfather and Unforgiven. He has been inducted into Fanfare’s Classical Recording Hall of Fame, received the Latin American & Caribbean Cultural Society Award and was awarded the “Comendador da Ordem do Rio Branco” by the Brazilian government.

Guitarist, composer and educator Laurindo Almeida was taught, recorded and performed until the week before passing away on July 26, 1995 at age 77 in Van Nuys, California.

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Daily Dose Of Jazz…

Sonny Sharrock was born Warren Harding Sharrock on August 27, 1940 in Ossining, New York. He began his musical career singing doo-wop in his teen years. One of few guitarists in the first wave of free jazz in the 1960s, Sonny was known for his incisive, heavily chorded attack, his highly-amplified bursts of wild feedback, and for his use of saxophone-like lines played loudly on guitar.

He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders’s 1966 effort, “Tauhid”, made several appearances with flautist Herbie Mann and also made an un-credited guest appearance on Miles Davis’s “A Tribute to Jack Johnson”, perhaps his most famous cameo.

Sharrock released three albums as a leader in the late ’60s through the mid-’70s: Black Woman, Monkey-Pockie-Boo and Paradise. Following the last release he went into semi-retirement for much of the 1970s until bassist and producer Bill Laswell coaxed him out to play on a 1981 effort, Memory Serves. He would go on to join punk/jazz band Last Exit, record and perform with the improvisational group Machine Gun and would record another seven albums under his own name, such as, a solo project Guitar, the metal-influenced Seize the Rainbow, and the well-received Ask The Ages featuring Pharoah Sanders and Elvin Jones.

Best known for composing the soundtrack to “Space Ghost: Coast To Coast for the Cartoon Network, with more than thirty-two albums to his credit as a leader and sideman, guitarist Sonny Sharrock passed away of a heart attack on May 26, 1994 at age 53.

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Daily Dose Of Jazz…

Mimi Fox was born on August 24, 1956 in New York City and started playing drums at nine and guitar when she was ten. She was inspired by the wide variety of music enjoyed by her family – show tunes, classical, Dixieland, Motown – and her own youthful inclination towards pop, folk, and R&B. By the time she was fourteen, she bought her first jazz album, John Coltrane’s classic Giant Steps, changing the course of her musical life. She began touring right out of high school and eventually settled in the San Francisco Bay area where she became a sought after player.

Mimi has released seven albums but her “Perpetually Hip” released in 2006 reached #23 on the Billboard “Top Jazz Albums” chart. This two-disc set contains standards and new tunes written by Fox, with one disc featuring solo recordings while the other is with a band composed of bassist Harvie S, drummer Billy Hart and pianist Xavier Davis.

As a composer, Mimi has received numerous grants, writing and performing original scores for orchestras, documentary films and dance projects. A dedicated educator and clinician, she is Chair of the Guitar Department, a faculty advisor and instructor at The Jazzschool for Musical Study and Performance in Berkeley, California and an Adjunct Professor at New York University. Guitarist Mimi Fox continues to compose, perform and tour.

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