Daily Dose Of Jazz…
Laurindo Almeida was born Laurindo Jose de Araujo Almeida Nobrega Neto was born in the village of Prainha, Brazil on September 2, 1917. A self-taught guitarist, during his teenage years, he moved to São Paulo, worked as a radio artist, staff arranger and nightclub performer. At 19, he worked his way to Europe playing guitar in a cruise ship orchestra. While in Paris, he attended a performance at the Hot Club by Stephane Grappelli and Django Reinhardt, who became a lifelong artistic inspiration.
Returning to Brazil, Laurindo composed, performed and became known for playing classical Spanish and popular guitar. He moved to the United States in 1947 when one of his songs “Johnny Peddler” became a hit record by the Andrew Sisters. Once in Los Angeles, Almeida immediately went to work in film studio orchestras.
Almeida was first introduced to the jazz public as a featured guitarist with the Stan Kenton band in the late 1940s during the height of its success. His recording career enjoyed auspicious early success with the 1953 recordings now called Brazilliance No. 1 and No. 2 that was widely regarded as “landmark” recordings. Almeida and Shank’s combination of Brazilian and jazz rhythms in which Almeida coined the term “samba-jazz”. He would go on to have a classical solo recording career with Capitol Records beginning in 1954, winning a Grammy at the first awards ceremony.
Almeida won five career Grammys, toured, recorded and performed with the Modern Jazz Quartet, Charlie Byrd, Baden Powell, Stan Getz, Herbie Mann, Larry Coryell, Ray Brown, Shelly Manne and Jeff Hamilton to name a few. In addition he performed on more than 800 motion picture and television soundtracks such as The High Chaparral, Peter Gunn, Funny Girl, The Godfather and Unforgiven. He has been inducted into Fanfare’s Classical Recording Hall of Fame, received the Latin American & Caribbean Cultural Society Award and was awarded the “Comendador da Ordem do Rio Branco” by the Brazilian government.
Guitarist, composer and educator Laurindo Almeida was taught, recorded and performed until the week before passing away on July 26, 1995 at age 77 in Van Nuys, California.
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Daily Dose Of Jazz…
Sonny Sharrock was born Warren Harding Sharrock on August 27, 1940 in Ossining, New York. He began his musical career singing doo-wop in his teen years. One of few guitarists in the first wave of free jazz in the 1960s, Sonny was known for his incisive, heavily chorded attack, his highly-amplified bursts of wild feedback, and for his use of saxophone-like lines played loudly on guitar.
He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders’s 1966 effort, “Tauhid”, made several appearances with flautist Herbie Mann and also made an un-credited guest appearance on Miles Davis’s “A Tribute to Jack Johnson”, perhaps his most famous cameo.
Sharrock released three albums as a leader in the late ’60s through the mid-’70s: Black Woman, Monkey-Pockie-Boo and Paradise. Following the last release he went into semi-retirement for much of the 1970s until bassist and producer Bill Laswell coaxed him out to play on a 1981 effort, Memory Serves. He would go on to join punk/jazz band Last Exit, record and perform with the improvisational group Machine Gun and would record another seven albums under his own name, such as, a solo project Guitar, the metal-influenced Seize the Rainbow, and the well-received Ask The Ages featuring Pharoah Sanders and Elvin Jones.
Best known for composing the soundtrack to “Space Ghost: Coast To Coast for the Cartoon Network, with more than thirty-two albums to his credit as a leader and sideman, guitarist Sonny Sharrock passed away of a heart attack on May 26, 1994 at age 53.
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Daily Dose Of Jazz…
Mimi Fox was born on August 24, 1956 in New York City and started playing drums at nine and guitar when she was ten. She was inspired by the wide variety of music enjoyed by her family – show tunes, classical, Dixieland, Motown – and her own youthful inclination towards pop, folk, and R&B. By the time she was fourteen, she bought her first jazz album, John Coltrane’s classic Giant Steps, changing the course of her musical life. She began touring right out of high school and eventually settled in the San Francisco Bay area where she became a sought after player.
Mimi has released seven albums but her “Perpetually Hip” released in 2006 reached #23 on the Billboard “Top Jazz Albums” chart. This two-disc set contains standards and new tunes written by Fox, with one disc featuring solo recordings while the other is with a band composed of bassist Harvie S, drummer Billy Hart and pianist Xavier Davis.
As a composer, Mimi has received numerous grants, writing and performing original scores for orchestras, documentary films and dance projects. A dedicated educator and clinician, she is Chair of the Guitar Department, a faculty advisor and instructor at The Jazzschool for Musical Study and Performance in Berkeley, California and an Adjunct Professor at New York University. Guitarist Mimi Fox continues to compose, perform and tour.
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Daily Dose Of Jazz…
Malachi Favors was born August 22, 1927 in Lexington, Mississippi. He began playing double bass at age fifteen and began performing professionally upon graduating high school. His early performances included work with Dizzy Gillespie and Freddie Hubbard. But by 1965, he was a founding member of the AACM – Association for the Advancement of Creative Musicians and a member of Muhal Richard Abrams’ Experimental Band.
Malachi was a protégé of Chicago bassist Wilbur Ware. His first known recording was a 1953 session with tenor saxophonist Paul Bascomb and four years later recorded with pianist Andrew Hill. He began working with Roscoe Mitchell in 1966 and this group eventually became the Art Ensemble of Chicago, for which he is most prominently known. Favors also worked outside the group, with artists including Sunny Murray, Archie Shepp and Dewey Redman.
Favors’ most notable records include “Natural and the Spiritual”, “Sightsong” andthe 1994 Roman Bunka collaboration and recording at the Berlin Jazz Fest of the German Critics Poll Winner album “Color Me Cairo”.
At some point in his career Malachi added the word “Maghostut” to his name and because of this he is commonly listed on recordings as Malachi Favors Maghostut.
Most associated musically with bebop, hard bop and particularly free jazz, Favors not only plays the double bass but electric bass, guitar, banjo, zither, gong and other instruments. Malachi Favors died of pancreatic cancer in Chicago, Illinois on January 30, 2004 at the age of 76.
Daily Dose Of Jazz…
Ron Escheté was born on August 19, 1948 in Houma, Louisiana and after receiving his first guitar at the age of 14, joined a quartet and was working clubs in Louisiana before he had even graduated from high school. His early influences were jazz masters Jim Hall, Howard Roberts and Wes Montgomery. He attended Loyola University where he majored in classical guitar and minored in flute, and studied with classical guitarist Paul Guma.
Shortly after Escheté left Loyola he was tapped to tour with Buddy Greco and while touring with Greco, he set his sites on the Los Angeles music scene. In 1970 Ron relocated to California, worked and recorded with vibraphonist Dave Pike. In 1975 he joined forces with pianist Gene Harris and quickly establish his reputation as a premier accompanist.
Over the decades, Escheté, who plays a seven-string guitar, has worked with jazz musicians and vocalists such as Ella Fitzgerald, Sarah Vaughn, Diana Krall, Dizzy Gillespie, Milt Jackson, Ray Brown, Bill Cunliffe, Sam Most, Ernestine Anderson, Mort Weiss and many more.
No stranger to television, Escheté has appeared on the Tonight Show, the Merv Griffin Show and the Mike Douglas Show as well as playing nearly every notable jazz venue in Southern California including the Catalina Bar and Grill, The Jazz Bakery, Steamers, Donte’s, Carmelo’s, The Parisian Room and The Lighthouse to name a few.
Guitarist Ron Escheté, quintessential sideman and innovative leader with some 36 albums to his credit, continues to tour, perform and record as he currently heads his own trio with Todd Johnson on bass and Kendall Kay on drums.
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