Jazz Poems

THE BUDDY BOLDEN CYLINDER

 

It doesn’t exist, I know, but I lovev

to think of it, wrapped in a shawl

or bridal veil, or, less dramatically,

in an old copy of the Daily Picayune,

and like a nunstaled, unhatched egg

from which, at the right touch, like mine,

the legendary tone, sealed these long years

in the amber of neglect, would peal and re-

peal across the waters. What waters do

I have in mind? Nothing symbolic, mind you.

I meant the sinuous and filth-rich

Mississippi across which you could hear

him play from Gretna, his tone was so loud

and sweet, with a moanin it like you were

in church, and on those old, slow, low-down

blues Buddy culd make the women jump

the way they liked. But it doesn’t exist,

it never did, except as a relic

for a jazz hagiography, and all

we think we know about Bolden’s music

is, really, a melancholy gossip

and none of it sown by Bolden, who

spent his last twenty-four years in Jackson

(Insane Asylum of Louisiana)

hearing the voices of people who spooked

him before he got there. There’s more than one

kind of ghostly music in the air, all

of them like the wind: you can see it

but you can see the leaves shiver in place

as if they’d like to turn their insides out.

 

WILLIAM MATTHEWS

 

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Jazz Poems

TOUCHING THE PAST Uptown New Orleans, 1940, And here was a man of the right color, Old enough to have been there, Who maybe heard. So I enquired From the old man doing his yard work “Ever hear Buddy Bolden play?” “Ah me,” he said, stopping his work, “Yes. But you mean King, King Bolden. That’s what we called him then.” He leaned on his rake a while, resting. “Used to play in Algiers, played so loud We could hear him clear ‘cross the river.” He seemed listening. “King Bolden, now, There was a man could play.” We stood there, Thinking about it, smiling. ROBERT SARGENT

from Jazz Poems | Selected and edited by Kevin Young

SUITE TABU 200

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Jazz Poems

WE REAL COOL THE POOL PLAYERS SEVEN AT THE GOLDEN SHOVEL We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon. GWENDOLYN BROOKS

from Jazz Poems | Selected and edited by Kevin Young

SUITE TABU 200

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Jazz Poems

JAZZ BAND


Play that thing, you jazz mad fools!

Boil a skyscraper with a jungle

Dish it to ‘em sweet and hot—

Ahhhhhhhhh


Rip it open then, sew it up, jazz band!

Thick bass notesfrom a moon faced drum

Saxophones moan, banjo strings hum

High thin notes from the cornet’s throat

Trombone snorting, bass horn snorting

Short tan notes from the piano

And the short tan notes from the piano


Plink, plank, plunk a plunk

Plink, plank, plunk a plunk

Chopin gone screwy, Wagner with the blues

Plink, plank, plunk a plunk

Got a date with Satan—ain’t no time to lose

Plink, plank, plunk a plunk

Strut it in Harlem, let Fifth Avenue shake it slow

Plink, plank, plunk a plunk

Ain’t goin’ to heaven nohow—

crowd up there’s too slow

Plink, plank, plunk a plunk

Plink, plank, plunk a plunk

Plunk

Do that thing, jazz band!

Whip it to a jelly

Sock it, rock it; heat it, beat it; then fling it at ‘em

Let the jazz stuff fall like hail on king and truck driver

queen and laundress, lord and laborer, banker and bum


Let it fall in London, Moscow, Paris, Hongkong,

Cairo, Buenos Aires, Chicago, Sidney

Let it rub hard thighs, let it be molten fire in the veins

of dancers

Make ‘em shout a crazy jargon of hot hosannas to a

Fiddle-faced jazz god

Send Dios, Jehovah, Gott, Allah, Buddha past in a high

stepping cake walk

Do that thing, jazz band!


Your music’s been drinking hard liquor

Got shanghied and it’s fightin’ mad

Stripped to the waist feedin’ ocean liner bellies

Big burly bibulous brute

Poet hands and bone crusher shoulders

Black sheep or white?


Hey, Hey!

Pick it, papa

Twee twa twee twa twa

Step on it, black boy

Do re mi fa so la ti do

Boomp boomp

Play that thing, you jazz mad fools!


FRANK MARSHALL DAVIS


from Jazz Poems | Selected and edited by Kevin Young

SUITE TABU 200

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Jazz Poems

HOMAGE TO LITERATURE When you imagine trumpet-faced musicians blowing again inimitable jazz no art can accuse nor canonadings hurt, or coming out of your dreams of dirigibles again see the unreasonable cripple throwing his crutch headlong as the headlights streak down the torn street, as the three hammerers go One, Two, Three on the stake, triphammer poundings and not a sign of new worlds to still the heart; then stare into the lake of sunset as it runs boiling, over the west past all control rolling and swamps the heartbeat and repeats sea beyond sea after unbearable suns; think poems fixed this landscape: Blake, Donne, Keats. MURIEL RUKEYSER

from Jazz Poems | Selected and edited by Kevin Young

SUITE TABU 200

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