Jazz Poems

POEM IN WHICH I MAKE THE MISTAKE 

OF COMPARING BILLIE HOLIDAY TO A

COSMIC WASHERWOMAN

We were driving back from the record store at the mall

when Terrance told me that Billie Holiday

was not a symbol for the black soul.

He said, The night is not African American either for

your information,

it is just goddamn dark,

and in the background

she was singing a song I never heard before

moving her voice like water moving

along the shore of a lake

reaching gently into the crevices, touching the pebbles

and sand.

Once through the dirty window of a train

on the outskirts of Hoboken, New Jersey,

I swear I saw a sonnet written high up in a

concrete wall,

rhymed quatrains rising from the

dyslexic alphabet of gang signs and obscenities

and Terrance said he saw a fresco

of brown and white angels flying

on a boarded-up building in Chinatown

and everybody knows

there’s a teenager genius somewhere out there,

a firebrand out of Ghana by way of Alabama,

this very minute in a warehouse loft,

rewriting Moby-Dick-The Story of the Great 

Black Whale

When he burst out of the womb

of his American youth

with his dictionary and his hip-hop shovel,

when he takes his place on stage

dripping the amniotic fluid of history,

he won’t be any color we ever saw before,

and I know he’s right, Terrance is right, it’s

so obvious

But here in the past of that future,

Billie Holiday is still singing

a song so dark and slow

it seems bigger than her, it sounds very heavy

like a terrible stain soaked into the sheets,

so deep that nothing will ever get it out,

but she keeps trying,

she keeps pushing the dark syllables under the water

then pulling them up to see if they are clean

but they never are

and it makes her sad

and we are too

and it’s dark around the car and inside also is very

dark

Terrance and I can barely see each other

in the dashboard glow.

I can only imagine him right now

pointing at the radio

as if to say, Shut up and listen.

TONY HOAGLAND | 1953~2018

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Jazz Poems

STARDUST

Lady sings

the blues

the reds, whatever

she can find—

short

changed, a chord—

God bless

the child

that’s got his own

& won’t mind

sharing some—

“BILLIES BOUNCE”

“BILLIES BOUNCE”

Miss Holiday’s up

on four counts

of possession, three-

fifths, the law

—locked up—

licked—the salt

the boot—refused

a chance to belt

tunes in the clubs—

ex-con. Man,

she got it

bad—Brother

can you spare

a dime

bag? MEANDERING

WARMING UP

A RIFF—

she’s all scat,

waxing—

SIDE A

SIDE B

OOH

SHOO DE

OBEE—

detoxec, thawed

in time

for Thanksgiving—live

as ammo, smoking

—NOV. 26 1945—

Day cold as turkey

KEVIN YOUNG

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Jazz Poems

GYRE’S GALAX

Sound variegated through beneath lit

Sound variegated through beneath lit

through sound beneath variegated lit

sound variegated through beneath lit

Variegated sound through beneath lit dark

Variegated sound through beneath lit dark

sound variegated through beneath lit

variegated sound through beneath lit dark

Through variegated beneath sound lit

Through variegated beneath sound lit

through variegated beneath sound lit

through variegated beneath sound lit

Through variegated beneath sound lit

Through variegated beneath sound lit

through beneath lit

through beneath lit

through beneath lit

through beneath lit

Thru beneath

Thru beneath

Thru beneath

through beneath lit

Thru beneath

through beneath lit

Thru beneath

through beneath lit

Thru beneath

Thru beneath

through beneath lit

Thru beneath

Thru beneath

through beneath lit

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Thru beneath

Through beneath lit

Twainly simple of amongst

twainly simple of amongst

Twainly simple of amongst

twainly simple of amongst

Twainly simple of amongst

twainly simple of amongst

In lit black viewly

viewly

viewly

in viewly

viewly

viewly

in viewly

viewly

in viewly

viewly

in viewly

viewly

viewly

viewly

in viewly

viewly

In lit black viewly

   

in dark to stark

In dark to stark

In dark to stark

    

in dark to stark

In dark to stark

    

in dark to stark

In dark to stark

In above beneath

In above beneath

In above beneath

    

above beneath lit

above beneath

above beneath

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath lit

above beneath

above beneath

above beneath

above beneath

above beneath lit

above beneath

above beneath

above beneath lit

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath

above beneath lit

N. H. PRITCHARD 

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

 

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Jazz Poems

LEAVING SATURN

Sun Ra & His Year 2000 Myth Science

Arkestra at Grendel’s Lair Cabaret, 1986

Skyrocketed—

My eyes dilate old

Copper pennies.

Effortlessly, I play

*

Manifesto of the One

Stringed Harp. Only

This time I’m washed

Ashore, shipwrecked

*

In Birmingham.

My black porcelain

Fingers, my sole

Possession. So I

*

Hammer out

Equations for

A New Thing

Ogommetelli.

*

Ovid & Homer

Behind me, I toss

Apple peelings in

The air & half-hear

*

Brush strokes,the up

Kick of autumn

Leaves, the Arkestra

Laying down for

*

New dimensions,

I could be at Berkeley

Teaching a course—

Fixin’s How to Dress

*

Myth or Generations

Spaceships in Harlem

Instead, vibes from Chi-

Town, must be Fletcher’s

*

Big Band Music—oh,

My brother, the wind—

I know this life is

Only a circus. I’m

*

Brushed aside: a naïf,

A charlatan, too avant-

Garde. Satellite music for

A futuristic tent, says

*

One critic. Heartbreak 

In outer space, says

Another, —lunar

Dust on the brain.

*

I head to New York

New York loves

A spectacle wet pain

Of cement, sweet

*

Scent of gulls swirling

Between skyscrapers

So tall, looks like war

If what I’m told is true

*

Mars is dying, it’s after

The end of the world.

So, here I am,

In Philadelphia,

*

Death’s headquarters,

Here to save the cosmos,

Here to dance in a bed

Of living gravestones.

MAJOR JACKSON 

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Jazz Poems

THELONIOUS SPHERE MONK

Cold, the day you leave

you can use that hat.

Ahh Monk, the station fades

as the suburbs begin

you bent the notes right

they will not lose their ring.

I see your shuffle dance

up from the 5 Spot piano

and hear you, wordless, sing.

BILL CORBETT

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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