Daily Dose Of Jazz…
Fay Victor was born on July 26, 1965 in Brooklyn, New York City. After spending her early childhood years in New York, Zambia, and Trinidad & Tobago, her mother settled in Long Island, New York where she spent her teenage years. After her mother’s sudden death, she re-discovered music and singing, and after a three-month stint at a club in Fukui City, Japan with pianist Bertha Hope, she decided to start a career as a jazz singer.
In 1996, Fay settled in Amsterdam, The Netherlands and performed and toured through the country, as well as Spain, Germany, the UK, Sweden, Russia, and India. While living in the Netherlands, Victor branched out into blues, songwriting, and forms of improvising outside the standard jazz canon.
Returning to the States in 2003, Victor has made her home in New York City. She has worked with the likes of Randy Weston, Roswell Rudd, Anthony Braxton, Misha Mengelberg, Vijay Iyer, Tyshawn Sorey, Wadada Leo Smith, Nicole Mitchell, Marc Ribot, Martine Syms, Daniel Carter, William Parker, Darius Jones, Wolter Wierbos, Ab Baars, Joe Morris, Sam Newsome, and Reggie Nicholson.
Victor has coined the term “freesong” to describe her vocal approach. In her jazz repertoire, he has specialized in the work of Thelonious Monk, Ornette Coleman, and Herbie Nichols.
Vocalist, composer, lyricist, and educator Fay Victor, who originally sang in the traditional jazz field, has expanded her repertoire to include blues, opera, free improvising, avant-garde, modern classical music, and occasional acting, continues to perform and record.
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Daily Dose Of Jazz…
Billy Strayhorn was born William Thomas Strayhorn on November 29, 1915 in Dayton, Ohio but the family moved to Pittsburgh, Pennsylvania shortly after his birth. Protecting him from his father’s drunken sprees his mother sent him to live with his grandparents in North Carolina, which is here he first became interested in music. He learned to play hymns on the piano and listening to records on her Victrola.
By high school he was back in Pittsburgh and began his music career studying classical music, writing a school musical, forming a trio that played daily on the radio and composing Life Is Lonely (renamed Lush Life), My little Brown Book and Something To Live For while still in his teens.
When the harsh reality of a black man making it in the white classical world shattered his 19-year-old ambitions, Strayhorn turned to the music of Art Tatum and Teddy Wilson and was guided into jazz. In 1938 he met Ellington, impressed him with an arrangement of a Duke piece, went to New York and collaborated with Ellington for the next quarter century. He composed Take The “A” Train, Chelsea Bridge, Day Dream, Such Sweet Thunder and A Drum I A Woman among others and the landmark score to the film Anatomy Of A Murder.
Billy was openly gay, participated in many civil rights causes, was a committed friend to Dr. Martin Luther King, influenced and help propel the singing career of Lena Horne, embarked on a solo career and continued to compose and arrange for Ellington.
Billy Strayhorn, composer, pianist and arranger whose compositions are known for the bittersweet sentiment and classically infused designs that set him apart from Duke succumbed to esophageal cancer on May 31, 1967. His final song “Blood Count”, composed while in the hospital, was the first track on Ellington’s memorial album for Strayhorn, …And His Mother Called Him Bill. The final track is a solo version of Lotus Blossom performed by Duke for his friend while the band was packing up.
Inspire A Young Mind
Daily Dose Of Jazz…
Frederick Eugene John “Gene” Lees was born in Canada on February 8, 1928 the eldest of four children. He began his writing career as a newspaper reporter in 1948 prior to moving to the U.S. and becoming a music critic at the Louisville Times in Kentucky. By the end of the Fifties he was editor of Down Beat magazine.
As a freelance writer, Lees wrote for Stereo Review, High Fidelity and the New York Times in the U.S. along with several Canadian publications like the Toronto Star and Maclean’s. As a biographer, Lees has written about Oscar Peterson, Lerner & Loewe, Henry Mancini, Woody Herman and about racism in jazz music in “Cats of Any Color: Jazz Black and White”.
Gene wrote nearly one hundred liner notes for artists as diverse as Stan Getz, John Coltrane and Quincy Jones. As a novelist he published “And Sleep Until Noon” in 1967 and his second book, “Song Lake Summer” was published in 2008. He won his first of five ASCAP-Deems Taylor Awards in 1978 for a series of articles published in High Fidelity about US music. Lees’ famous monthly “Jazzletter” was established in 1981, and contains musical criticism by Lees and others.
In the early 60s he studied composition by correspondence with the Berklee College of Music, piano with Tony Aless, guitar with Oscar Castro-Neves and became a lyricist translating and writing English lyrics for the Portuguese bossa nova tunes. He wrote the lyrics for Antonio Carlos Jobim’s Corcovado re-titled “Quiet Nights of Quiet Stars”, also “Someone To Light Up My Life”, “Song of the Jet”, “The Happy Madness” and “Dreamer”. He has said that Frank Sinatra’s recording of Quiet Nights was the definitive rendition. He also contributed lyrics to Milton Nascimento’s Bridges, Charles Aznavor Broadway concert, “One World, One Peace” – the poems of Pope John Paul II recorded by Sarah Vaughan and recorded Bridges – Gene Lees Sings Gene Lees.
Gene Lees, music critic, biographer, lyricist and journalist struggled with heart disease in his later years and died on April 22, 2010 in Ojai, California.
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