Daily Dose Of Jazz…
James Delano Zollar was born July 24, 1959 in Kansas City, Missouri and studied after high school at San Diego City College, then at the University of California, San Diego . At the same time, he played in various radio and jazz bands and conducted his own quintet. By 1972 he had moved to San Francisco, California to study improvisation with Woody Shaw.
In 1984, he moved to New York City, played in the Cecil McBee band, and was involved in several big band projects by David Murray in the 1990s. During the decade he worked in the big band of Joe Haider & Bert Joris, recorded with Sam Rivers on his Inspiration album, played with JM Rhythm Four of Jürg Morgenthaler in Zurich and played in the Tom Harrell big band on Time’s Mirror.
By the turn of the century he was working on several projects with clarinetist Don Byron such as Bug Music and You Are # 6. He released his debut recording as a leader, Souring with Bird, on the Naxos Jazz label. James worked with Jon Faddis and the Carnegie Hall Jazz Orchestra and with Wynton Marsalis and the Lincoln Center Jazz Orchestra.
Zollar appeared in Robert Altman’s film Kansas City and is known for his use of the plunger effect of the early trumpeters of the Duke Ellington Orchestra, in whose successor bands he also played. He also performed in Madonna’s music video My Baby’s Got a Secret and in Malcolm D. Lee’s film The Best Man. Trumpeter and pianist James Zollar continues to perform and record.
Daily Dose of Jazz…
James Edward Weidman, Jr. was born in Youngstown, Ohio on July 23, 1953 to a saxophonist father who led his own band. He began playing piano when he was eight years old and eventually became the electric organist in his father’s group.
Attending Youngstown State University after graduating James spent two years playing locally before he moved to New York City in 1978. There he worked with Pepper Adams, Cecil Payne, Sonny Stitt and Bobby Watson, then became Abbey Lincoln’s pianist in 1982. This association continued into the early Nineties.
He went on to work with Steve Coleman, from 1987 to 1992 replacing Geri Allen in his Five Elements band, and with Jay Hoggard later in the 1980s. Throughout the 1990s he worked with Cassandra Wilson, Talib Kibwe, Kevin Mahogany, Belden Bullock, Max Roach, Woody Herman, Gloria Lynne, Archie Shepp, James Moody, Greg Osby, Slide Hampton, Dakota Staton and Marvin “Smitty” Smith.
Pianist and organist James Weidman who has released several albums as a leader in is a member of Joe Lovano’s Us Five band, continues to perform, tour and record.
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Daily Dose Of Jazz…
René Urtreger was born July 16, 1934 in Paris, France and began his private piano studies at the age of four, and then at the Conservatory. He studied with an orientation toward jazz, playing in a small Parisian club, the Sully d’Auteil, conducted by Hubert Damisch. The Sully boasted an orchestra of talented students including Sacha Distel and Louis Viale.
In 1953, Urtreger won first prize in a piano contest for amateurs, and from that moment decided to be a professional musician. 1954 saw him accompanying saxophonist Don Byas and trumpeter Buck Clayton in a Parisian concert. Their collaboration in the “Salon du Jazz” became one of the most highly requested French performances by the American musicians that toured the French capital.
After serving in the military from 1955 to 1957, René would play in a club on the left bank of the Seine, the famous Club Saint-Germain and again he collaborated with Miles Davis and Lester Young. His work so impressed the latter that he accompanied Young for a short tour of Europe in 1956, however the following year in December, he was part of Davis’s group which recorded the soundtrack to the film Ascenseur pour l’échafaud (Elevator to the Gallows).
The late 1950s had him working with Lionel Hampton, Stan Getz, Chet Baker, Dexter Gordon, Sonny Rollins and Ben Webster, among others. His canon of jazz work is still widely regarded as sensitive with a full, dense sound of swing. The Academie du Jazz of France formally recognized his accomplishments in 1961 with the Prix Django Reinhardt for outstanding jazz artist of the year. This win subsequently led to him providing soundtracks for films by Claude Berri and others.
Reappearing on the Paris jazz scene he resumed his career as a small-ensemble accompanist with Lee Konitz, Aldo Romano or Barney Wilen. He was featured at “Le Jazz Cool, Le Jazz Hot: A Celebration of Modern Jazz in Los Angeles and France” at the Getty Museum in Los Angeles, California in 2007. Pianist René Urtreger is currently 83 years of age and continues to perform.
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Daily Dose Of Jazz…
Duke Burrell was born on born July 9, 1920 in New Orleans, Louisiana and worked throughout his career in the Crescent City. He performed and recorded with Louis Jordan, Johnny Otis and on the final recordings of clarinetist Barney Bigard and the Pelican Trio along with Barry Martyn. He would reunite with Bigard for an Ellington segment recording with bassist Bobby Stone, drummer Louis Bellson and trumpeter Ray Nance.
By 1973 Duke became a bandleader and the following year formed the Louisiana Shakers that included Sammy Rimington, Sam Lee, McNeil Breaux and Teddy Edwards in the quintet lineup. He went on to lead four recording sessions between 1973 and 1976.
Pianist, composer, arranger and bandleader Duke Burrell passed away on August 5, 1993 in Los Angeles, California.
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Daily Dose Of Jazz…
Louis Thomas Jordan was born on July 8, 1908 in Brinkley, Arkansas where his father was a music teacher and bandleader for the Brinkley Brass Band and the Rabbit Foot Minstrels. Losing his mother young, he studied music under his father, starting out on the clarinet, then piano and ultimately landed on the saxophone as his primary instrument. In his youth he played in his father’s bands instead of doing farm work when school closed. During his early career period he played the piano professionally, but alto saxophone became his main instrument. However, he would become even better known as a songwriter, entertainer and vocalist.
He briefly attended and majored in music at Arkansas Baptist College in Little Rock, but after a period with the Rabbit Foot Minstrels and with other local bands like Bob Alexander’s Harmony Kings, he went to Philadelphia and then New York. By 1932, Jordan was performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band.
1936 saw him joining the Savoy Ballroom orchestra, led by the drummer Chick Webb. A vital stepping-stone in his career, Louis introduced songs as he began singing lead, and often singing duets with up and comer Ella Fitzgerald. They would later reprise their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band.
He became famous as one of the leading practitioners, innovators and popularizers of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Jordan’s band also pioneered the use of the electronic organ.
Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. An actor and a major black film personality, he appeared in dozens of “soundies” or promotional film clips, made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him.
With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock-and-roll genres with a series of highly influential 78-rpm discs released by Decca Records. These recordings presaged many of the styles of black popular music of the late 1940s, 1950s and 1960s and exerted a strong influence on many leading performers in these genres.
Known as The King of the Jukebox for his crossover popularity with both black and white audiences of the swing era, Louis was a prolific songwriter who wrote or co-wrote many songs that stayed in the top of the Billboard charts and that were influential classics of 20th-century popular music.
Pioneering alto saxophonist, pianist, clarinetist, singer, actor, songwriter and bandleader Louis Jordan, one of the most successful black recording artists of the 20th century, passed away on February 4, 1975 at age 66 in Los Angeles, California.
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