Daily Dose Of Jazz…

Oscar Perez was born on August 21, 1974 in Queens, New York City and from the age of seven he has been expressing himself on a piano. Raised on his father’s Cuban folk music, his piano lessons and playing in the church band made his commitment to the music his life before the ninth grade. Attending LaGuardia High School for the Performing Arts, jazz would take him on his musical and personal journey.

He studied with Robert Harris of Juilliard and Edgar Roberts of New York University before matriculating through the University of North Florida. Under the American Music Scholarship, he studied with jazz pianists Harry Pickens and Kevin Bales,  and it was here that he began composing for small group and big band. He went on to study with Danilo Perez at the New England Conservatory in Boston, Massachusetts, weekend gigging in New York City, and a Master’s Degree at the Aaron Copland School of Music at Queens College in New York under the guidance of Sir Roland Hanna. While studying composition and arranging with Phillip Michael Mossman, he got many writing and arranging opportunities.

By his early twenties he was sharing the stage with Bunky Green, George Russell, Curtis Fuller and George Garzone and has played with Wycliffe Gordon, Christian McBride, Eddie Allen, Mike Lee, Steve Turre, Dave Stryker, Melissa Walker, Phoebe Snow and Charenee Wade. With saxophonist Adrian Cunningham he recorded Professor Cunningham And His Old School.

He was appointed music director for St Edward’s Church in Harlem, and the accompanist for the Nightingale/Bamford Gospel Choir. He recorded his debut CD Nuevo Comienzo in 2016 with his quintet, Afropean Affair, featuring guest artists trombonist Wycliffe Gordon and guitarist Peter Bernstein.

As an educator and performer he has taught and played at the Kupferberg Center at Queens College, the Juilliard School, Jazz Connections Camp at Montclair St. University, Carnegie Hall, the New York Pops, JazzHouse Kids and Jazz at Lincoln Center. He received the 2006 ASCAP/IAJE Commission in honor of Billy Strayhorn and premiered the work at the 2007 International Association of Jazz Education Convention. He was a finalist in the 2014 Jacksonville Jazz Piano Competition. Pianist Oscar Perez continues to compose, perform and record.

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Daily Dose Of Jazz…

Carl Perkins was born August 16, 1928 in Indianapolis, Indiana and as a child suffered with polio. Overcoming a slightly crippled left hand he learned to play piano, holding his arm sideways over the keyboard. His early professional playing came touring with the big bands of Tiny Bradshaw and Big Jay McNeely but then he settled and worked mainly in Los Angeles, becoming a West Coast fixture from 1949 on.

Best known for his performances with the Curtis Counce Quintet, he performed alongside tenor saxophonist Harold Land, trumpeter Jack Sheldon and drummer Frank Butler. In 1954 Carl performed with the Clifford Brown-Max Roach group, and recorded with Frank Morgan in 1955.

Perkins recorded on as a leader for Savoy, Duotone, and Pacific Jazz labels between 1949 and 1957 and for the Boplicity label between 1955-56 titled “Introducing Carl Perkins”. He composed the jazz standard “Grooveyard” that was recorded in a 1958 session led by Harold Land.

Over the course of his short career absent of fame and beleaguered with drug addiction, Perkins recorded with Chet Baker, Art Pepper, Dizzy Gillespie, Jim Hall and Dexter Gordon to name a few.

Carl Perkins, known to be one of the best hard bop pianist of his day, died due to an untimely drug overdose at age 29 on March 17, 1958 in Los Angeles, California.

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Daily Dose Of Jazz…

Hank Jones was born Henry Jones on July 31, 1918 in Vicksburg, Mississippi but grew up in Pontiac, Michigan.  Raised in a musical family, his mother sang, his two older sisters studied piano and his two younger brothers— Thad played trumpet and Elvin, drums. He studied piano at an early age and came under the influence of Earl Hines, Fats Waller, Teddy Wilson and Art Tatum.

By age 13 Jones was performing locally in Michigan and Ohio and while playing with territory bands in Grand Rapids and Lansing in 1944 he met Lucky Thompson who invited Jones to work in New York City at the Onyx Club with Hot Lips Page.

In New York he mastered the bop style and worked with John Kirby, Howard McGhee, Coleman Hawkins, Andy Kirk, and Billy Eckstine. In 1947 he began touring with Jazz at the Philharmonic and from 1948 to 1953 he was accompanist for Ella Fitzgerald.  During this period he made several historically important recordings with Charlie Parker that included “The Song Is You”, from the Now’s the Time album.

This led to engagements with Artie Shaw, Benny Goodman, Lester Young, Cannonball Adderley and Wes Montgomery. In addition to being the “house pianist” at one time on the Savoy label, Hank was the staff pianist for CBS studios from 1959 through 1975 backing such artists as Frank Sinatra, and for Marilyn Monroe when she sang her famous Happy Birthday for President Kennedy, and pianist and conductor for the Broadway musical Ain’t Misbehavin’.

During the late 1970s and the 1980s, Jones continued to record prolifically with John Lewis, Tommy Flanagan, Ron Carter, Tony Williams, Buster Williams, Eddie Gomez, Al Foster, Jimmy Cobb, Art Farmer, Benny Golson and Nancy Wilson to name a few as his list of jazz collaborators is extensive.

Jones has racked up an impressive catalogue of recordings numbering over sixty as a leader and more as a sideman, worked with Roberta Gambarini at the Monterey Jazz Festival, with Diana Krall on the compilation “We All Love Ella”, was nominated for five Grammys and was honored with a Lifetime Achievement Award, was inducted into the society of NEA Jazz Masters, and was awarded the National Medal of Arts among other accolades. Pianist Hank Jones passed away at a hospice in Manhattan, New York, on May 16, 2010.

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Daily Dose Of Jazz…

Sonny Clark was born Conrad Yeatis Clark on July 21, 1931 in Herminie, Pennsylvania, learned to play the piano and by age 12 was living in Pittsburgh. When visiting an aunt in California at age 20, he decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, began working with clarinetist Buddy De Franco in 1953, subsequently touring the U.S. and Europe until 1956. It was then he became a member of The Lighthouse All-Stars, led by bassist Howard Rumsey.

Wishing to return to the east coast, Clark served as accompanist for singer Dinah Washington in 1957, allowing him to relocate to New York City. He became an often-requested sideman partly because of his rhythmic comping. Frequently recording for Blue Note Records, Sonny held a sideman chair for such luminaries as Kenny Burrell, Donald Byrd, Paul Chambers, John Coltrane, Dexter Gordon, Art Farmer, Curtis Fuller, Grant Green, Philly Joe Jones, Hank Mobley, Charles Mingus, Lee Morgan and Billie Holiday among a host of others.

As a leader Clark recorded albums Dial “S” For Sonny, Sonny’s Crib, Sonny Clark Trio with Paul Chambers and Philly Joe Jones, Cool Struttin’ and Sonny Clark Trio with George Duvivier and Max Roach.

Pianist Sonny Clark, who mainly worked in the hard bop idiom, died of a heart attack in New York City on January 13, 1963. It is thought by some commentators that his drug and alcohol abuse contributed to his premature death.

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Daily Dose Of Jazz…

Cliff Jackson was born Clifton Luther Jackson on July 19, 1902 in Culpepper, Virginia. Learning to play stride piano he played in Atlantic City until moving to New York City in 1923. He played with Lionel Howard’s Musical Aces in 1924, recorded with Bob Fuller and Elmer Snowden, led his own ensemble, the Krazy Kats, for recordings in 1930, and following this group’s dissolution he played extensively as a solo pianist in several New York nightclubs.

During this time Jackson accompanied singers such as Viola McCoy, Lena Wilson, Sara Martin and Clara Smith. He recorded with Sidney Bechet in the early Forties and would record as a soloist or leader by mid-decade and again in the Sixties. His greatest success came as house pianist at Cafe Society from 1943-5; but he also toured with Eddie Condon, and played with Garvin Bushell, J.C. Higginbotham and Joe Thomas.

Cliff married singer Maxine Sullivan, had his powerful stride piano style showcased on such solo recordings as “Limehouse Blues”, and his left-hand techniques highlighted and explained in detail in books Ricardo Scivales’ method Jazz Piano: Left Hand. Stride pianist Cliff Jackson passed away of heart failure on May 24, 1970 in New York City.

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