
Daily Dose Of Jazz…
Kathy Brown was born April 18th in Mandeville, Jamaica and began playing the family piano at age 5. Initially self-taught in reading and playing by ear, she studied classical piano up to the sixth grade at the Royal School of Music in England. She took music as an elective in high school, college, while attaining her medical degree at the University of the West Indies and took classes in jazz piano after graduation.
Leading her bands Dr. Kathy Brown & Friends or Kathy Brown Band, she plays throughout Jamaica and has graced the stages of the Port Royal Music Festival, Ocho Rios Jazz Festival, Air Jamaica Jazz & Blues Festival, the Island Soul Festival in Toronto, Canada as well as performing in Suriname, Antigua and at the World Choir Games in Austria.
The pianist, composer, bandleader and recording artist, whose influences were Herbie Hancock, Joe Sample, Chick Corea, Chucho Valdes, Monty Alexander, Kenny Barron, and Michel Camilo, released her debut CD, Mission: A Musical Journey, which was nominated for Best Instrumental Album at the inaugural Jamaica Music Awards. Aside from performing as a jazz pianist and furthering her medical career, Dr. Kathy Brown is a vocalist and a member of the University Singers. When she puts on her educator hat she can be seen working with the East Queen Street Baptist and Nexus Performing Arts choirs.
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Requisites
Portrait In Jazz: This album contains Bill Evan’s greatest trio with wonderful interplay between piano and bass on Autumn Leaves and it introduces Evans’ Peri’s Scope. This is a gem of an album filled with standards but the interpretations are not the predictable routine.
Personnel: Bill Evans – piano, Scott LaFaro – bass, Paul Motian – drums
Record Date: Riverside / December 28, 1959
Songs: Come Rain or Come Shine, Autumn Leaves (take 1), Autumn Leaves (take 2), Witchcraft, When I Fall In Love, Peri’s Scope, What Is This Thing Called Love, Spring Is Here, Someday My Prince Will Come, Blue In Green (Take 3), Blue In Green (Take 2*)
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Daily Dose Of Jazz…
Herbie Hancock was born Herbert Jeffrey Hancock on April 12, 1940 in Chicago, Illinois. Illinois. Starting with a classical music education, he was considered a child prodigy, studied from age seven and played the first movement of Mozart’s Piano Concerto No. 5 with the Chicago Symphony at age eleven.
Through his teens he was influenced by the vocal group Hi-Lo’s, Herbie never had a jazz teacher, developing his ear and sense of harmony. Influenced by Clare Fischer, Bill Evans, Ravel and Gil Evans, his harmonic guru was Chris Anderson with whom he studied. In the Sixties he attended Grinnell College, moved to Chicago, began working with Donald Byrd and Coleman Hawkins, studied at the Manhattan School of Music, quickly gained a reputation and played sessions with Oliver Nelson and Phil Woods.
In 1962 Hancock recorded his first solo album Takin’ Off for Blue Note Records that contained the hit for both Hancock and Mongo Santamaria – Watermelon Man. More importantly it caught the ear of Miles Davis and landed him an introduction by Tony Williams and membership of the second great quintet in 1963. It was during the Davis years that Herbie found his voice and subsequently produced two of the decade’s most influential albums, Empyrean Isles and Maiden Voyage.
He has recorded a catalogue of nearly sixty albums as a leader dozens of sessions as a sideman, working with the likes of Wayne Shorter, Tony Williams, Grant Green, Bobby Hutcherson, Sam Rivers, Donald Byrd, George Coleman, Kenny Dorham, Hank Mobley, Lee Morgan and Freddie Hubbard among others. He has been the subject of five films, won an Oscar for “Round Midnight soundtrack, received 14 Grammy Awards, five Playboy Music Polls and was honored as a NEA Jazz Master in 2004 along with a host of other recognitions. He is currently occupies the Creative Chair for Jazz with the Los Angeles Philharmonic.
Hancock joined the University of California, Los Angeles faculty as a professor in the UCLA music department where he teaches jazz music. He has received a Kennedy Center Honors Award for achievement in the performing arts, won 14 Grammy Awards, 1 Oscar for the Original Soundtrack of ‘Round Midnight and has been honored as an NEA Jazz Master among numerous other accolades.
He is the 2014 Charles Eliot Norton Professor of Poetry at Harvard University. Holders of the chair deliver a series of six lectures on poetry, “The Norton Lectures”, poetry being “interpreted in the broadest sense, including all poetic expression in language, music, or fine arts.” His theme is “The Ethics of Jazz. Pianist Herbie Hancock continues to advance the jazz genre in new directions.
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Daily Dose Of Jazz…
Omar Sosa was born on April 10, 1965 in Camaguey, Cuba and began studying marimba at age eight, then switched to piano and studied jazz while attending the Escuela Nacional de Musica in Havana.
In 1993 Omar moved to Quito, Ecuador, then San Francisco, California two years later. The following years saw him deeply involved in the local Latin jazz scene and a long collaboration with percussionist John Santos. He made a series of recordings with producer Greg Landau, including the groundbreaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz.
Omar works outside jazz and Afro-Cuban traditions incorporating Latin rhythms, North African percussions, spoken word, rap and classical music. He music ranges from big band, improvisation and world to free jazz and avant-garde.
He won The 10th Annual Independent Music Awards in the Jazz Album category for Ceremony in 2011. Inspired by various musical elements and motifs from Kind Of Blue, Sosa wrote a suite of music honoring the spirit of freedom in Davis’ seminal work. The CD received a nomination for Best Latin Jazz Album at the 56th annual Grammy Awards.
In 2015 he returned to his Cuban roots with the release of Ilé. Joining him on the project were three musicians with whom Omar shares a close connection: fellow Camagüeyanos, Ernesto Simpson on drums, and Leandro Saint-Hill on alto saxophone, flute and clarinet, and Mozambican electric bassist Childo Tomas – collectively known as Quarteto AfroCubano. Pianist, composer and bandleader Omar Sosa has recorded with Carlos “Patato” Valdes, Pancho Quinto and numerous world musicians, worked on several film scores, and now lives in Barcelona, Spain.

Daily Dose Of Jazz…
Dorothy Donegan was born on April 6, 1922 and grew up in Chicago, Illinois. She began studying piano at the age of eight taking her first lessons from West Indian pianist Alfred N. Simms. Graduating from DuSable High School she went on to study at the Chicago Musical College and the University of Southern California.
In 1942 she made her recording debut, appeared in Sensations of 1945 with Cab Calloway, Gene Rodgers and W.C. Fields, worked in Chicago nightclubs and was Art Tatum’s protégé.
Dorothy’s flamboyance helped her find work in a field that was largely hostile to women. To a certain extent, it was also her downfall; her concerts were often criticized for having an excess of personality. Her outspoken view of sexism, along with her insistence on being paid the same rates as male musicians, limited her career. However limited, her career would overshadow her recordings until the 80s when recognition of her jazz recordings would gain notice.
Pianist Dorothy Donegan, who played stride piano, boogie-woogie, bop, swing and classical music was the first Black woman to play at Chicago’s Orchestra Hall, was a recipient of an American Jazz Master” fellowship from the National Endowment for the Arts and an honorary doctorate from Roosevelt University, passed away of cancer on May 19, 1998 in Los Angeles, California.
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