The Jazz Voyager
Jumping on a quick flight from LaGuardia to BWI to be in the audience at what has become a venerated jazz spot in Baltimore, Maryland, the Keystone Korner. Its founder, Todd Barkin, created the iconic location in San Francisco next to the North Beach police station, thus the origin of its name as a play on words on Mack Sennett’s slapstick “Keystone Kops” films. Moving east, he made a prudent decision to bring that same atmosphere to serve great music to the Baltimore, Washington and northern Virginia area.
The purpose for this travel itinerary is to see one of my favorite pianists and to be part of his 50th birthday celebration with 50 SHADES OF O. The Orrin Evans Trio with special guest vocalist Lisa Fischer will take us on an adventurous evening of music. Evans and his 2x Grammy-nominated Captain Black Big Band released and will be performing music from their new studio album, Walk A Mile In My Shoe!
Orrin Evans Tickets: $45.00 ~ $55.00 + fee | Streaming: 6:00pm Only ~ $15.00 + fee
Keystone Korner Baltimore address is 1350 Lancaster Street, 21231. For more information visit keystonekornerbaltimore.com.
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BRUNO HUBERT
Bruno Hubert is one of Canada’s most lyrical and expressive jazz pianists, with a deep sense of swing, lush harmonies, and beguiling melodic lines. His conception, while highly original and utterly genuine, is evocative of, at once, Erroll Garner, Keith Jarrett, Herbie Hancock, Bill Evans and other luminaries of jazz. While he is careful to stress that he is not a composer, he nevertheless presents a cornucopia of medley-like arrangements of jazz standards, soul, rock and pop influenced pieces, often in a lively night club environment.
Mr. Hubert has been quietly underpinning the Vancouver jazz scene for over twenty years now and while he has a number of recordings under his own name, he is also a key associate of other top jazz musicians such as Juno Award winner Brad Turner (Trumpet), Juno nominated vocalists Jaclyn Guillou and Denzal Sinclaire, Seamus Blake and others. Earlier in his career he collaborated with such musical luminaries as Gino Vannelli, and Nora Jones.
The Trio: Bruno Hubert – piano, James Megar – bass, Joe Poole – drums
Tickets: $5.00 ~ $10.00
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JOEY CALDERAZZO TRIO
One of the most distinguished pianists of his generation, Joey Calderazzo has released 13 albums as a bandleader and has risen from child prodigy to elite jazz musician. A member of Branford Marsalis’ band and leader of his own trio, Calderazzo has collaborated with legends such as Michael Brecker, Jack DeJohnette and Dave Holland, exploring jazz through composition, improvisation and performance.
His trio, featuring bassist Orlando Le Fleming and drummer Donald Edwards, exemplifies his commitment to improvisation and swing, captured perfectly on Live From The Cotton Club Tokyo, Volume I . Early collaborations with Michael Brecker and groundbreaking solo recordings for Blue Note Records were key moments in Calderazzo’s career, leading him to a more lyrical, rhythmically diverse, and subtle approach to piano playing.
Originally trained as a classical pianist, Calderazzo studied jazz greats such as Art Tatum, Herbie Hancock and Chick Corea, drawing inspiration from their work to create his own unique style. Albums such as Haiku and Amanecer showcase his solo piano explorations, fusing tradition with his personal voice.
Line-up:
Joey Calderazzo – piano
Orlando Le Fleming – bass
David Hawksing – drums
Admission: Unknown
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Daily Dose Of Jazz…
Zue (C. Alvin) Robertson was born on March 7, 1891 in New Orleans, Louisiana. His first instrument was the piano, and switched to playing the trombone at the age of 13. He performed in circus bands and traveling revues, including Kit Carson’s Wild West Show. He was part of the Olympia Band around 1914 and was a trombonist for Manuel Perez, Richard M. Jones, and John Robichaux.
Robertson was an early influence on Kid Ory, giving him lessons, and the two practised together. After moving to Chicago, Illinois in 1917 he played at the De Luxe Café, and by the mid-1920s he was playing with leaders of the stature of Jelly Roll Morton, with whom he recorded Some Day Sweetheart/London Blues in 1923, and King Oliver in 1924.
He recorded two sides with the Levee Serenaders in 1928 and plus the two from 1923, are his only recordings. After moving to New York City in 1929, Robertson concentrated on playing the organ and the piano, and stopped playing the trombone the following year. A few years later he moved to California, where he played piano and added the bass during the years he spent in the 1930s.
Trombonist Zue Robertson, who also played piano, organ, and bass, died in 1943 in Los Angeles, California.
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ANTHONY WONSEY TRIO
Chicago native Anthony Wonsey is one of the most innovative jazz pianists on the planet. His dynamic compositions and imaginative arrangements make him a much in demand player internationally. Anthony’s introduction to music began at a young age via the influence of his mother Darlene, a classically trained pianist, lessons from trumpeter Zilner Randolph,( musical director for Louis Armstrong’s band) and many moments in his family’s basement with his father Anthony, a Chicago postal worker/jazz fan who schooled his son, via a staticky AM radio, on the music he loved.
His progression flourished, resulting in a full scholarship to the prestigious Berklee College of Music in Boston. While a student, he played locally with Roy Hargrove and Antonio Hart; toured with Kenny Garrett and Nneena Freelon, followed by a staggering move when recruited by the legendary drummer Elvin Jones to join his group. Wonsey relocated from Boston to NYC and played with Jones’ Jazz Machine for five years. Mulgrew Miller and James Williams also became mentors.
Singers and instrumentalists welcome to the jam session
The House Band: Anthony Wonsey~Piano, Will Lyle~Bass, Diego Voglino~Drums
No Cover | One drink minimum. | Complimentary vegan food and brownies
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