Daily Dose Of Jazz…
Chris Biscoe was born on February 5, 1947, in Pensford, Somerset, England and in 1963 taught himself to play alto saxophone and then started playing tenor, soprano, baritone, and also comparatively rare alto clarinet. Before he became a notable presence on the UK Jazz scene, he was a computer programmer.
From 1970 to 1973 Biscoe played with National Youth Jazz Orchestra in London, doing gigs with various other London-based bands of that period, including Redbrass. He worked with several notable jazz musicians during the Seventies such as Harry Beckett, Ken Hyder, Didier Levallet, Chris McGregor, Andy Sheppard, Graham Collier, Danilo Terenzi, Pete Hurt, Tommy Chase, Pete Saberton, Barry Guy, Dave Holdsworth, and Pete Jacobsen.
In 1979, Chris had a long-term association with Mike Westbrook touring throughout Europe and playing international festivals in Australia, Singapore, Hong Kong, Canada and the USA. In the same year, he also formed a quartet featuring Peter Jacobsen, expanded to a quintet in 1980, a sextet in 1986, and reformed as a quartet in 1987. During the Eighties he also recorded two albums.
During the late 1980s and 1990s, Biscoe toured and recorded with George Russell, Andy Sheppard, Liam Noble, Gail Thompson’s Jazz Africa, Harry Beckett, and also played in France with Didier Levallet’s groups and the collective band called Zhivaro. In 1991, he released a second cassette, Modern Alarms, and also recorded in the Dedication Orchestra in the Spirits Rejoice project.
Between 1997 and 2000, he became the first English musician to join the Orchestre National de Jazz. Multi-instrumentalist Chris Biscoe plays the alto, soprano, tenor and baritone saxophone, the alto clarinet, piccolo, and flute and continues to play and record.
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Daily Dose Of Jazz…
Duke Dejan was born Harold Andrew Dejan into a Creole family in New Orleans, Louisiana on February 4, 1909. He took clarinet lessons as a child before switching to the saxophone, and became a professional musician in his teens, joining the Olympia Serenaders and then the Holy Ghost Brass Band. He played regularly in Storyville, at Mahogany Hall, and on Mississippi riverboats.
During World War Two he played in Navy bands. Afterwards, Duke worked in the mail office of the Lykes Brothers Steamship Company for 23 years while maintaining a parallel musical career, leading his own band, Dejan’s Olympia Brass Band, from 1951. The band often appeared at Preservation Hall, recorded nine albums, and also toured internationally, making 30 concert tours of Europe and one of Africa. The band was featured in the James Bond movie Live and Let Die and in many television commercials.
Suffering a stroke in 1991 left him unable to play the saxophone but he continued as a bandleader and singer until shortly before his death on July 5, 2002 at the age of 93. Alto saxophonist and bandleader Harold Dejan best remembered as the leader of the Olympia Brass Band, including during the 1960s and 1970s when it was considered the top band in the city.
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Daily Dose Of Jazz…
Charlie Holmes was born on January 27, 1910 near Boston, Massachusetts. He began playing alto saxophone at age 16 and emulated the style of his childhood friend, Johnny Hodges. He began playing professionally a week later and after moving to New York City he worked for a variety of groups, including Luis Russell in 1928.
Between 1929 and 1930 he recorded with Red Allen and is best known for composing Sugar Hill Function. He would work with Russell again a few times and in 1932 joined the Mills Blue Rhythm Band. He was a member of John Kirby’s Sextet, Cootie Williams’ Orchestra, and Louis Armstrong’s band for much of the next two decades. He left music in 1951 and did not return for twenty years, only to work in Clyde Bernhardt’s Harlem Blues & Jazz Band and later played for the Swedish band Kustbandet.
Never taking on the role of a leader in any recording or group, swing era saxophonist Charlie Holmes, who also played clarinet and oboe for the Boston Civic Symphony Orchestra, passed away on September 19, 1985 in Stoughton, Massachusetts.
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Daily Dose Of Jazz…
Wilton “Bogey” Gaynair was born on January 11, 1927 in Kingston, Jamaica, Gaynair was raised at Kingston’s Alpha Boys School, where fellow Jamaican musicians Joe Harriott, Harold McNair and Don Drummond were also pupils of a similar age.
Beginning his professional career playing in Kingston’s clubs backing such performers as George Shearing and Carmen McRae, he traveled to Europe in 1955, basing himself in Germany because of the plentiful live work that was offered. Bogey recorded only three times as a bandleader and two of those recordings came during visits to England, 1959’s Blue Bogey and Africa Calling in 1960, on Tempo Records but the latter went unreleased until 2005 due to the label’s demise.
Gaynair returned to Germany shortly after recording these sessions where he remained based for the rest of his life. He concentrated on live performance with such bands as the Kurt Edelhagen Radio Orchestra and played at the opening ceremony of the 1972 Summer Olympics in Munich. He was involved in extensive session work and was a guest artist on Ali Haurand’s Third Eye in 1977 but only recorded one more jazz album under his own name, Alpharian 1982. Among the numerous artists he performed with included Gil Evans, Freddie Hubbard, Shirley Bassey, Manhattan Transfer, Horace Parlan, Bob Brookmeyer, and Mel Lewis.
In September 1983, he suffered a stroke during a concert, and from then until his death, he was unable to play the instrument. Tenor saxophonist Wilton Bogey Gaynair passed away on February 13, 1995 in Cologne, Germany, aged 68.
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Daily Dose Of Jazz…
Allen Eager was born in New York City on January 10, 1927 and grew up in the Bronx. He could read at the age of three, learned to drive at the age of 9 with the help of his mother after she caught him driving a garbage truck near the hotels that his parents owned in the Catskill Mountains. He took clarinet lessons with David Weber of the New York Philharmonic at the age of 13. He briefly played with Woody Herman at the age of 15, and at the same age, he took heroin for the first time.
By sixteen he was playing in Bobby Sherwood band, then went on to play with Sonny Dunham, Shorty Sherock, and Hal McIntyre. Eager was then with Herman again for a year in 1943, Tommy Dorsey, and Johnny Bothwell in 1945. After World War II he became a regular on the 52nd Street in New York City leading his own ensemble from 1945–47. His recording debut as a leader was for Savoy Records in 1946 with pianist Ed Finckel, bassist Bob Carter, and drummer Max Roach.
Influenced by Lester Young, his playing style on tenor saxophone was, along with contemporary saxophonists Zoot Sims, Stan Getz, Al Cohn and others. Adopting the musical forms pioneered in bebop, he also adopted the drug dependency of a lot of the bebop players in the 1940s. Allen was a member of several bands led by black musicians including Coleman Hawkins, Fats Navarro, Tadd Dameron and Charlie Parker and recorded with trumpeter Red Rodney for Keynote Records in 1947.
He would go on to play with Gerry Mulligan, Terry Gibbs in 1952, and shortly after with Buddy Rich. He then briefly abandoned music and drugs, becoming a ski and horse riding instructor. In the Fifties, he returned to again led his own ensemble as a saxophonist, frequently playing with Howard McGhee. He lived in Paris for a couple of years, then returned to the U.S. in 1957, Eager recorded The Gerry Mulligan Songbook under Mulligan’s leadership, which was his last recording for 25 years.
After this, he essentially retired from jazz, pursuing skiing, competitive auto racing, and LSD experiments with Timothy Leary. In the late Sixties he settled in Florida with his family, played with Frank Zappa in the 1970s, and in 1982 Eager made a comeback with an album for Uptown Records, entitled Renaissance. He toured with Dizzy Gillespie in 1983, and with Chet Baker. Tenor and alto saxophonist Allen Eager passed away from liver cancer on April 13, 2003 in Daytona Beach, Florida.
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