Daily Dose Of Jazz…
Punch Miller was born Ernest Miller on June 10, 1894 in Raceland, Louisiana and learned to play the trumpet as a child. He was also known as Kid Punch Miller in New Orleans, Louisiana, where he was based from 1919 to 1927,
He moved to Chicago, Illinois and worked with various bands, including Jelly Roll Morton and Tiny Parham, as well as appearing on a number of recordings. His lifestyle and the decline of Dixieland or New Orleans jazz led to his return to mostly doing festivals and falling out of the limelight. This changed with the rising importance of the Preservation Hall Jazz Band and he returned to national attention.
He returned to New Orleans, playing at Preservation Hall and leading a band under his own name, in addition to playing with other groups. In 1963 he toured Japan with the clarinetist George Lewis.
Trumpeter Punch Miller, who was the subject of the television documentary Til the Butcher Cuts Him Down, passed away on December 2, 1971 in New Orleans.
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Daily Dose Of Jazz…
Ted Daniel was born June 4, 1943 in Ossining, New York and studied trumpet in elementary school. He began his professional career playing local gigs with his childhood friend, guitarist Sonny Sharrock. He briefly attended Berklee School of Music and Southern Illinois University, before a tour of duty with U.S. Army Bands. After his discharge from the Army, Daniel attended Central State College in Ohio, on a full music scholarship, where he met and studied with Dr. Makanda Ken McIntyre. After a year, Daniel returned to New York City and eventually received a bachelor of music degree in theory and composition from the City College of New York.
Beginning his recording career while studying in Ohio he returned briefly to New York to record Sonny Sharrock’s first album Black Woman. His second recording was with the band Brute Force that he co-led with his brother, Richard. The recording was titled Brute Force on the Embryo label and was produced by Herbie Mann. Since then, Daniel has participated in more than 30 published recordings with such artists as: Archie Shepp, Dewey Redman, Andrew Cyrille, Sam Rivers, Billy Bang, Tatsuya Nakamura and Henry Threadgill.
Daniel has produced three albums under his own name: The Ted Daniel Sextet on Ujamaa Records, Tapestry on Sun Records, and In The Beginning on Altura recordings. This recording features a twelve-piece ensemble including such artist as Oliver Lake, Arthur Blythe, Charles Tyler and David Murray. Eventually this ensemble evolved into a larger group called “Energy”.
As an educator Ted has held workshops at Amherst College, Bennington College, Williams College and the University of Hosei in Tokyo, Japan. He has also conducted a seminar in Madrid, Spain, as well as work in his community conducting summer music workshops for high and college age students.
Daniel has received a NEA compositional grant, was awarded Talent Deserving Wider Recognition from Downbeat Magazine. Presently, trumpeter Ted Daniel is writing and performing with his new group, the International Brass and Membrane Corporation (IBMC).
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Daily Dose Of Jazz…
Hilaria Kramer was born June 1, 1967 in Frauenfeld, Switzerland and began to play trumpet, when she was ten years old. From 1983, she attended the vocational school department of Jazz school St. Gallen, where she studied under Benny Bailey and Art Lande.
Finished with her studies she then went to Italy and worked with the Claudio Fasoli Quintet, with Gianluigi Trovesi. She has performed with Steve Lacy, Enrico Rava, Joe Henderson, Bob Mover, Sal Nistico, Chet Baker or Sangoma Everett.
In 1988, she led a recording session of her debut album, Hilaria Kramer Quartet and released the following year on the Unit Records label. In 1991, she performed on the TV program Ladies in Jazz with singers like Nina Simone and Carmen McRae.
In the years to follow she has performed with Uli Scherer toured around Europe, has recorded 18 albums, and was awarded the Jazz Prize of the Fondation Suisa for her contributions and her work in various organisations to support Swiss jazz. Trumpeter, composer and band leader Hilaria Kramer continues to perform, record and tour.
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Harry Beckett was born Harold Winston Beckett on May 30, 1935 in Bridgetown, Saint Michael, Barbados and learned to play music in a Salvation Army band. Moving to the United Kingdom in 1954, he already had an international reputation and in 1961, he played with Charles Mingus in the film All Night Long. The 1960s saw Harry working and recording as a member of bassist and composer Graham Collier. By 1970 he was leading his own groups and recording for Philips, RCA and Ogun Records among other labels.
He was a key figure of important groups in the British free jazz/improvised music scene, including Ian Carr’s Nucleus, the Brotherhood of Breath and The Dedication Orchestra, London Jazz Composers Orchestra, London Improvisers Orchestra, John Surman’s Octet, Django Bates, Ronnie Scott’s Quintet, Kathy Stobart, Charlie Watts, Stan Tracey’s Big Band and Octet, and Elton Dean’s Ninesense.
He has also recorded with Keef Hartley, Jah Wobble, David Sylvian, Barry Guy/The London Jazz Composers’ Orchestra, Oliver Nelson and David Murray. Not limiting himself to jazz , Beckett toured abroad with Johnny Dyani, Chris McGregor, Keith Tippett, John Tchicai, Joachim Kühn, Dudu Pukwana’s Zila, George Gruntz’s Bands, Belgian quintet The Wrong Object, Pierre Dørge’s New Jungle Band and Annie Whitehead’s Robert Wyatt project, Soupsongs, which also featured Phil Manzanera and Julie Tippetts, among other jazz and rock luminaries.
In 1972 he won the Melody Maker Jazz Poll as Top Trumpeter in Britain and was a member of the Orchestre National de Jazz between 1997 and 2000. His dub-oriented album, The Modern Sound of Harry Beckett, was released on On-U Sound in 2008. Trumpeter and flugelhornist and composer Harry Beckett passed away on July 22, 2010 after suffering a stroke.
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Marvin Stamm was born May 23, 1939 in Memphis, Tennessee and began playing trumpet at age 12. He attended Memphis State University and then went on to matriculate through North Texas State University where he was a member of the One O’Clock Lab Band.
After graduation he played with Stan Kenton’s Mellophonium Orchestra from 1961 to 1963, and then with Woody Herman from 1965 to 1966. For the next six years he performed as a member of the Thad Jones and Mel Lewis Orchestra from until 1972, and went with Benny Goodman from 1974 to 1975.
During the Seventies he began a decades-long career as a prolific studio and session musician, recording with Bill Evans, Quincy Jones, Donald Fagen, Oliver Nelson, Duke Pearson, Wes Montgomery, Freddie Hubbard, Stanley Turrentine, Grover Washington, Jr., Patrick Williams, Michel Legrand, Lena Horne, Frank Foster, Average White Band, Paul Desmond, Frankie Valli, Deodato, Les DeMerle, and George Benson, and played the flugelhorn solo on Uncle Albert/Admiral Halsey by Paul McCartney.
In the 1980s he played with John Lewis’ American Jazz Orchestra, the Bob Mintzer Band, the George Gruntz Concert Jazz Band, Louie Bellson’s Big Band, Maria Schneider’s band and since 2002 the trumpeter has been a member of the Westchester Jazz Orchestra.
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