THE COOKERS

The Cookers take their name from Night of the Cookers, the famous 1965 recorded trumpet summit between Lee Morgan and Freddie Hubbard at Brooklyn’s Club La Marchal. Formed by trumpeter and organizer David Weiss, the group brings together some of the most storied musicians in jazz, players who came up in the 1960s and 70s working alongside the very architects of the music.

Drummer Billy Hart and trumpeter Eddie Henderson were both members of Herbie Hancock’s groundbreaking Mwandishi group. Bassist Cecil McBee anchored Charles Lloyd’s celebrated quartet alongside Keith Jarrett and Jack DeJohnette. Pianist George Cables held the piano chair in bands led by Sonny Rollins, Joe Henderson, Freddie Hubbard, Dexter Gordon, and Art Pepper. Saxophonist Donald Harrison, a recently named NEA Jazz Master, came up performing with Art Blakey, Roy Haynes, and Herbie Hancock.

Together these musicians have contributed to well over a thousand recordings across the history of jazz, and the chemistry between them, forged over decades of shared history on bandstands around the world, is unmistakable. Critics have praised The Cookers for embodying the serious commitment it took to thrive on the New York jazz scene of decades past, and audiences consistently describe their live performances as electrifying, a rare opportunity to witness musicians who don’t simply play the music, but live inside of it. This is a true once in a lifetime chance to experience some of the last living architects of modern jazz in an intimate room.

The Side Door Jazz Club is a dedicated jazz listening room located inside the historic Old Lyme Inn, 85 Lyme Street, Old Lyme, CT. Tickets are reserved seating. Guests dining at the Old Lyme Inn prior to the show receive 10% off their dinner bill.

The Band:
Eddie Henderson – Trumpet
David Weiss – Trumpet
Donald Harrison – Alto Saxophone
Azar Lawrence – Tenor Saxophone
George Cables – Piano
Cecil McBee – Bass
Billy Hart – Drums

Cover: $38.57

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Daily Dose Of Jazz…

Byron Stripling was born August 20, 1961 in Atlanta, Georgia and was educated at the Eastman School of Music in Rochester, New York, and the Interlochen Arts Academy in Interlochen, Michigan. An accomplished actor and singer, Stripling was chosen, following a worldwide search, to star in the lead role of the Broadway bound musical, “Satchmo”. He was featured in a cameo performance in “The Young Indiana Jones Chronicles”, and his critically acclaimed performance in the 42nd Street production of “From Second Avenue to Broadway”.

Stripling earned his stripes as lead trumpeter and soloist with the Count Basie Orchestra, under the direction of Thad Jones and Frank Foster. He has also played and recorded extensively with the bands of Dizzy Gillespie, Woody Herman, Lionel Hampton, Clark Terry, Louis Bellson, and Buck Clayton in addition to The Lincoln Center Classical Jazz Orchestra, The Carnegie Hall Jazz Band, and The GRP All Star Big Band.

He is the Columbus Jazz Orchestra Artistic Director and as a trumpet virtuoso, has ignited audiences performing at jazz festivals throughout the world. He has soloed with Boston Pops, Cincinnati Pops, Seattle Symphony, Baltimore Symphony, Minnesota Orchestra, St. Louis Symphony, Vancouver Symphony, Utah Symphony, The American Jazz Philharmonic and at the Hollywood Bowl.

Trumpeter Byron Stripling continues to perform and record.

 

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HERBIE HANCOCK

Herbie Hancock Celebrates Miles Davis Centennial

This concert features some of the biggest names in jazz, including two of Miles’ former bassists—Ron Carter, who was a member of the legendary Miles Quintet with Herbie, as well as Marcus Miller, who produced Miles’ electric band classic, Tutu, Grammy winning trumpeter and composer Terence Blanchard, former Miles Davis saxophonist Kenny Garrett, esteemed bassist Christian McBride, and conductor, arranger Vince Mendoza. All told, that’s 45 Grammys on one stage honoring an absolute titan of music.

The program will feature music from throughout Miles’ career, including his collaborations with Gil Evans on the landmark albums Miles Ahead and Porgy and Bess, as well as a reimagining of his iconic late ’60s quartet and his fusion era.

Tickets: $39.00 ~ $759 (fee included)

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Requisites

Central Avenue Reunion ~ Art Farmer, Frank Morgan, Lou Levy, Eric Von Essen, Albert “Tootie” Heath | By Eddie Carter

It’s wonderful to be back with you all after some time away to recuperate from two surgeries earlier this month. This morning’s album from the library, Central Avenue Reunion (Contemporary Records C-14057) spotlights two of my favorite artists, Art Farmer and Frank Morgan. Recorded live in 1989 over two memorable nights at Kimball’s East, it reunites Art Farmer on both flugelhorn (tracks: A2, A3, A4, B1) and trumpet (A1, B3), and Frank Morgan on alto saxophone (A1, A2, A4, B1 to B3). An outstanding rhythm section joins them: Lou Levy on piano, Eric Von Essen on bass, and Albert “Tootie” Heath on drums. I own the 1990 U.S. stereo release.

The set opens with Star Eyes by Gene De Paul and Don Raye. Art sets the solos in motion on muted trumpet, leading the group through the relaxing melody. Frank takes flight first with a spirited solo that’s crisp and precise. Art takes the second statement with smooth efficiency. Lou takes a cheerfully appealing turn, and Eric follows with a short walk towards the restatement of the theme. Farmer’s Market by Art Farmer takes off at a fast gallop for the quintet’s opening ensemble. Frank gets right down to business first, then Art sustains the momentum with passionate fire next. Lou follows with a vigorous statement, then all the soloists share a brisk exchange before the closing ensemble comes to a dead stop.

Art and the trio pay homage to George and Ira Gershwin with Embraceable You, opening with a gorgeous melody. Art begins with the first of two exceptionally gentle interpretations, showing off his sentimental side. Lou follows with a short solo filled with warmth and sensitivity. Art returns with a thoughtfully graceful reading, leading back to the soothing theme. Blue Minor by Sonny Clark brings the ensemble back for a medium-tempo melody. Frank sets the pace with a wailing opening statement. Art takes the wheel next and continues with a jubilant reading. Lou has the last word and neatly wraps up the solos before the theme returns.

I Remember You by Victor Schertzinger and Johnny Mercer begins with Lou’s lovely introduction, which segues into the quintet’s lively melody. Art is in top form first, with a good-hearted swing. Frank works out a few intriguing ideas next, then Lou’s piano flows like cool water in a relaxing river stream. Art and Frank share a brief conversation into the closing chorus. Don’t Blame Me by Jimmy McHugh and Dorothy Fields is a beautiful ballad from the thirties that begins elegantly, with Frank and the rhythm section’s melody moving like a couple’s Sunday evening stroll. He continues approaching the song’s only solo from the heart, anchored by the trio’s subtle support, into a gorgeous reprise and ending.

Sonny Clark’s Cool Struttin’ brings the set to a close with the ensemble’s collective midtempo theme, setting a good tone. Lou comes in first and skillfully navigates the rhythm section. Art takes the next spot on muted trumpet with carefree enthusiasm. Frank sparkles next with steady sureness, and Eric delivers a delightful finale before the group’s theme restatement earns the audience’s approval. Helen Keane produced Central Avenue Reunion. Danny Kopelson managed the recording console, and George Horn mastered the album. The sound quality is exceptional, placing the listener in the audience as the musicians perform.

If you’re searching for an exhilarating hard-bop live session to listen to after a long day, evening, or week, I invite you to join Art Farmer, Frank Morgan, Lou Levy, Eric Von Essen, and Albert “Tootie” Heath for a Central Avenue Reunion the next time you’re out record shopping. It’s a lively, spirited performance of standards and originals, with thoughtful arrangements and inspired solos that offers many hours of listening enjoyment and shouldn't be missed for a spot in your library!

~Donna Lee, Don’t Blame Me, Embraceable You, I Remember You, Star Eyes – Source: JazzStandards.com © 2026 by Edward Thomas Carter

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Eddie Gale was born Edward Gale Stevens Jr. on August 15, 1941 in Brooklyn, New York. Early in life, he studied trumpet with Kenny Dorham. In the early 1960s he was introduced to Sun Ra by drummer Scoby Stroman and spent many hours exposed to Sun Ra’s philosophy about music and life. That experience has enabled him to play ideas he could have never imagined or find in extreme books. Throughout the Sixties and Seventies Eddie toured and recorded extensively with Sun Ra until Ra’s death in 1993.

Helping to bring jazz into the 21st century, the trumpeter made numerous appearances with Oakland hip-hop outfit The Coup, whereby Gale’s trumpet could be heard engaging with the music’s break beats and turntables. In the late 1990s Eddie Gale also held regular creative music workshops at the Black Dot Café, an Oakland grassroots performance space ran by artist/activist Marcel Diallo and his Black Dot Artists Collective.

Trumpeter Eddie Gale, known for his work in free jazz, has recorded five albums as a leader and also recorded and performed as a sideman with Cecil Taylor, Sun Ra, Larry Young, Elvin Jones, John Coltrane, Jackie McLean, Booker Ervin and Illinois Jacquet among others. He continued to perform and record until his death on July 10, 2020, at the age of 78.

 

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