
TERENCE BLANCHARD
Malcolm X Jazz Suite Featuring Terence Blanchard, The E-Collective and Turtle Island Quartet
In celebration of the centennial of human rights and civil rights icon Malcolm X, NEA Jazz Master Terence Blanchard will perform his iconic Malcolm X Jazz Suite with his band, The E-Collective, and Grammy-winning Turtle Island Quartet. Blanchard created the project following the release of Spike Lee’s 1992 biopic Malcolm X, for which Blanchard wrote the score and performed most of the trumpet cues. A reworking of the score for quintet, the Jazz Suite has been updated and expanded and has rippled through Blanchard’s work for the past three decades.
Tickets: $52.65 – $152.10 (includes fees)
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KARLA HARRIS WITH JOE GRANSDEN BIG BAND
Atlanta-based jazz vocalist Karla Harris and celebrated big band leader Joe Gransden return with their beloved Valentine’s Day show—a swinging, soulful celebration for couples, families, and music lovers alike.
From romantic standards to heartwarming ballads, this performance is packed with charm, laughter, and unforgettable music. Karla captivates with vocals that can move seamlessly from tender to powerful, while Joe brings his signature trumpet style and smooth vocals—often compared to Chet Baker and Frank Sinatra. Together, they create a dynamic energy that makes this concert one of the season’s most anticipated traditions.
Tickets: $30.00 ~ $65.00
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ETIENNE CHARLES
Trinidad born Etienne Charles is a performer, composer and storyteller, who is constantly searching for untold tales and sounds with which to tell them. His lush trumpet sound, varied compositional textures and pulsating percussive grooves enable him to invoke trance, soothing and exciting listeners while referencing touchy and sometimes controversial subjects in his music. Highlighting marginalized communities and engaging with them has been his mission, evident with projects such as his Guggenheim Fellowship Project, Carnival: The Sound of a People Vol. 1, San Jose Suite, Creole Soul, Gullah Roots, Folklore and his latest commission, San Juan Hill – A New York Story.
His concerts engage, enlighten, educate and enrich audiences with energized multidisciplinary performance utilizing original composition, thematic improvisation, dance, short films and spoken word to create a holistic experience. A firm believer in music and performance as a tool for provoking thought and dialogue, Charles’s themes speak to the status quo while drawing parallels to history. His work is actively connecting the African diaspora and drawing lines to the regions at the roots of migrations, evident in his latest release, NAACP Image Award nominated Creole Orchestra which was named #1 Jazz album on Jazzweek’s top 100 of 2024 after spending seven weeks at #1 on the chart in the summer.
His dedication to music as a tool for social uplift has seen him named as a Laureate of the Arts and Letters, Anthony N. Sabga Awards, Caribbean Excellence (2025). He was conferred the title of Chevalier de l’Ordre des Arts et des Lettres by the French Ministry of Culture (2024) and was awarded a Congressional Citation from the United States (2012).
As a sideman he has performed with and/or arranged for Roberta Flack, Chucho Valdes, Marcus Roberts, Marcus Miller, Count Basie Orchestra, Frank Foster’s Loud Minority Big Band, Monty Alexander, Gregory Porter, Terri Lyne Carrington, René Marie, David Rudder, Machel Montano and many others. He has been commissioned as a composer and arranger by Alvin Ailey American Dance Theater (2025), Lincoln Center for the New York Philharmonic (2021), Savannah Music Festival (2017), Chamber Music America (2015 & 2021), the Charleston Jazz Orchestra (2012), the Chicago Jazz Ensemble (2011) and the Danish Radio Big Band (2025).
He currently serves as Professor of Studio Music and Jazz at University of Miami Frost School of Music
The Band:
Etienne Charles ~ Trumpet
Mikailo Kasha ~ Bass
Miles Turk ~ Drums
Tickets: $20.00, $30.00, $40.00, $50.00 +$5.50 processing and ticketing fee.
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Daily Dose Of Jazz…
Ingrid Jensen: From Subway Platforms to the World’s Greatest Stages
Born on January 12, 1966, in North Vancouver, British Columbia, Ingrid Jensen grew up in nearby Nanaimo, Canada, where she first picked up the trumpet as a child. What began as childhood curiosity blossomed into exceptional talent—so much so that scholarship offers poured in. Jensen made her way through Malaspina University before landing at the prestigious Berklee College of Music, where her distinctive voice on the trumpet truly began to emerge.
Hustle and Heart in the Big Apple< Like so many jazz dreamers before her, Jensen arrived in New York City determined to make her mark. Her early days weren't glamorous—she played in subway stations, trumpet case open for tips, honing her chops and building confidence one commuter at a time. It was the kind of apprenticeship that forges character as much as skill, and Jensen emerged from it ready to take on the jazz world.
Breaking Through
Her rise to prominence has been both steady and impressive. Jensen has signed with and released albums on respected labels including Enja, Justin Time, Universal, and ArtistShare. Her debut album, Vernal Fields, featuring drumming legend Lenny White, saxophonist George Garzone, and bassist Larry Grenadier, earned her a Juno Award—Canada’s highest musical honor. She’s been nominated for several more since, cementing her status as one of jazz’s essential voices.
A Musical Life in Motion
Today, Jensen divides her time between leading her own projects and serving as a featured soloist with the Grammy Award-winning Maria Schneider Jazz Orchestra—one of the most celebrated large ensembles in contemporary jazz. She’s also a sought-after educator, guest-teaching at prestigious universities around the world, sharing not just technique but the wisdom gained from decades on the bandstand.
Family Harmony
Music runs deep in the Jensen family. Ingrid occasionally collaborates with her sister, the accomplished saxophonist Christine Jensen, creating performances that showcase not just their individual artistry but the intuitive connection that only siblings can share.
A Who’s Who of Collaborators
ensen’s résumé reads like a jazz encyclopedia. She’s performed with Steve Wilson, Jeff “Tain” Watts, Dr. Lonnie Smith, Gary Bartz, Bob Berg, Terri Lyne Carrington, Geoffrey Keezer, Chris Connor, Clark Terry, Frank Wess, Dr. Billy Taylor, and the DIVA Big Band, among many others. Each collaboration has added another dimension to her musical vocabulary.
Beyond Jazz
Her trumpet has also crossed genre boundaries—she’s performed with British soul singer Corinne Bailey Rae on Saturday Night Live and even backed comedian Denis Leary, proving that great musicianship transcends stylistic borders.
Still Climbing
Ingrid Jensen continues to perform, record, and tour, bringing her warm tone, impeccable technique, and creative spirit to audiences worldwide. From those early days busking in New York subway stations to standing ovations on international stages, her journey is a testament to talent, perseverance, and an unshakeable belief in the power of music.
For anyone who loves the sound of a trumpet played with both virtuosity and soul, Ingrid Jensen is essential listening.
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Daily Dose Of Jazz…
Jimmy Maxwell: The Trumpet Master You’ve Heard a Thousand Times
Born on January 9, 1917, in Stockton, California, Jimmy Maxwell was practically born with a trumpet in hand—he picked up the instrument at the remarkable age of four. Even as a child prodigy, he understood the value of serious training, studying throughout the 1930s with a roster of legendary brass teachers, including the renowned Herbie Clarke.
A Young Gun in the Swing Era
During the vibrant 1930s, Maxwell’s precocious talent found him working alongside some of the biggest names in jazz: Gil Evans, Jimmy Dorsey, vocalist Maxine Sullivan, and bandleader Skinnay Ennis. His big break came when he joined the prestigious Benny Goodman Orchestra—a gig that announced his arrival as a world-class player.
The Golden Age of Television
In 1943, Maxwell transitioned to what would become a legendary three-decade run as a studio musician for NBC. Night after night, his trumpet graced America’s living rooms through The Perry Como Show, The Patti Page Show, The Pat Boone Show, and The Tonight Show. While many musicians might have settled into such comfortable work, Maxwell’s restless talent demanded more.
A Secret Weapon on Countless Sessions
Maxwell’s studio work was merely the foundation. In 1962, he toured the Soviet Union during the height of the Cold War—music as cultural diplomacy. He appeared on hundreds of recordings and commercials, becoming one of those invisible giants whose sound defined an era. As a sideman, he lent his brilliant tone to sessions with Woody Herman, Count Basie, Duke Ellington, Oliver Nelson, Gerry Mulligan, Maynard Ferguson, Quincy Jones, the New York Jazz Repertory Company, and Chuck Israels’ National Jazz Ensemble.
That Haunting Solo
Perhaps Maxwell’s most iconic moment came when he played the unforgettable trumpet solo for The Godfather soundtrack—that lonely, haunting theme that perfectly captured the film’s operatic melancholy. Millions heard it; few knew the master behind it.
Full Circle
Later in life, Maxwell returned to his roots, working with Dixieland jazz and swing ensembles and even reuniting with Benny Goodman for nostalgic performances. In 1977, he finally stepped into the spotlight as a leader, recording a session for Circle Records—a rare glimpse of Maxwell unfiltered.
Though he eventually retired from recording and performing, Maxwell never stopped teaching. From 1950 until 2001—an astonishing fifty-one years—he passed on his knowledge to new generations of brass players. When he passed away on July 20, 2002, the world lost not just a brilliant musician, but a patient mentor who had helped shape the sound of American music for over seven decades.
If you’ve watched television, heard a commercial, or listened to jazz from the mid-20th century, you’ve almost certainly heard Jimmy Maxwell’s trumpet—even if you never knew his name.
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