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Benny Bailey was born Ernest Harold Bailey on August 13, 1925 in Cleveland, Ohio. Having some training in piano and flute in his youth, he switched to trumpet, concentrating on the instrument while at the Cleveland Institute of Music. He was influenced by his hometown colleague, Tadd Dameron, seven years his elder, and subsequently had a significant influence on other prominent Cleveland musicians including Bill Hardman, Bobby Few, Albert Ayler, Frank Wright and Bob Cunningham.
In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie, toured with Lionel Hampton and while on the European tour with Hampton, decided to stay and spend time in Sweden. This Swedish period saw him working with Harry Arnold’s big band. His preference for big bands over small groups associated him with several European big bands including the Kenny Clarke/Francy Boland Big Band.
For a while her worked with Quincy Jones returning to the States briefly in 1960. During this time, he worked with Tony “Big T” Lovano and recorded with Freddie Redd’s sextet invited to the studio as part of Freddie Redd’s sextet on the Blue Note Records album Redd’s Blues. Shortly thereafter, he returned to Europe first to Germany, and later to the Netherlands where he would settle permanently.
In 1969 he played on the Eddie Harris/Les McCann project Swiss Movement, recorded live at the Montreux Jazz Festival that included a memorable unrehearsed solo on “Compared To What”. Then in 1988 he worked with British clarinetist Tony Coe and kept producing albums until 2000 when he was in his mid-70s. He recorded 18 albums as a leader and another half-dozen as a sideman working with such luminaries as Eric Dolphy, Benny Golson, Randy Weston and Jimmy Witherspoon. Bebop and hard bop trumpeter Benny Bailey died at home in Amsterdam on April 14, 2005.
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Daily Dose Of Jazz…
Bill Coleman was born William Johnson Coleman on August 4, 1904 in Paris, Kentucky. In 1909 his family moved from Kentucky to Cincinnati and his first musical explorations were on clarinet and C melody saxophone, but he eventually settled on trumpet. He studied with Cincinnati trumpeter Theodore Carpenter and played in an amateur band led by trombonist J.C. Higginbotham. He began professional work in Cincinnati with bands led by Clarence Paige, Wesley Helvey and then Lloyd and Cecil Scott.
In 1927 he traveled to New York City and played with the Scott brothers to New York City, and continued to work with them until 1929, when he joined the orchestra of pianist Luis Russell. His first recording session was with Russell and he soloed on the tune “Feelin’ the Spirit”. Over the next couple of years he floated between Russell and Scott participating in recording sessions with each of them. By 1933 Bill was on his first European tour with Lucky Millinder, then in October returned to New York, worked with the bands of Benny Carter and Teddy Hill and sat in on a recording session with Fats Waller and laying down a number of memorable sides.
Coleman returned to Europe, played a residency in Paris with entertainer and vocalist Freddy Taylor, recorded with guitarist Django Reinhardt and made several freelance sessions under his own name. In late 1936 he traveled to Bombay, India playing with Leon Abbey’s Orchestra, then back to Paris to join saxophonist William T. Lewis. Returning to the States found him playing with Benny Carter, Teddy Wilson, Andy Kirk, Ellis Larkins, Mary Lou Williams, Sy Oliver, John Kirby, Lester Young, Billie Holiday and Coleman Hawkins.
Due to racial segregation Bill Coleman returned to France in 1948 and lived out his days there touring and performing in clubs and concert halls all over Europe. In 1974 he received the Ordre National du Merite and in 1978, he performed at the first Jazz in Marciac festival (along with tenor saxophonist Guy Lafitte, later becoming an honorary president of the festival organization.
Jazz trumpeter Bill Coleman passed away in Toulouse, France on August 24, 1981. His sound and phrasing were immediately recognizable with a style of the swing era musicians.
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Erskine Ramsay Hawkins was born on July 26, 1914 in Birmingham, Alabama and was named after a local industrialist who was rewarding parents with savings accounts for doing so. He played trumpet in the Industrial High School band directed by Fess Whatley, a teacher who trained numerous African-American musicians that went on to populate the orchestras of Duke Ellington, Lucky Millinder, Louis Armstrong and Skitch Henderson.
Dubbed “The 20th Century Gabriel”, Hawkins composed the jazz standard “Tuxedo Junction” in 1939 with saxophonist and arranger Bill Johnson. It became a hit during World War II rising on the national charts to #7 performed by his orchestra and #1 played by Glenn Miller’s. While a bandleader Erskine featured several female vocalist like Ida James, Delores Brown and Della Reese.
From 1967 to 1989 Hawkins played the lobby bar and show nightclub at The Concord Resort Hotel in Kiamesha Lake, New York. He was inducted in 1978 into the Alabama Jazz Hall of Fame. Erskine Hawkins, trumpeter and bandleader, died in Wilmington, New Jersey on November 11, 1993, at the age of 79.
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Bill Dillard was born on July 20, 1911 in Philadelphia, Pennsylvania and started playing the trumpet at age 12. He established his early reputation on recording sessions with jazz pioneer Jelly Roll Morton and at the age of 18, Dillard went on to record with Spike Hughes, Henry “Red” Allen, Bill Coleman, Coleman Hawkins, Roy Eldridge, Dizzy Gillespie and Django Reinhardt.
He made his theater debut in “Carmen Jones” and sang in several other Broadway productions, including “Regina,” “Beggars Holiday,” “A Temporary Island” and “Lost in the Stars.” He also appeared on television as Joe the bartender in the soap opera “Love of Life,” and as the King of Babylon in “Green Pastures.”
Dillard was well known for his work with the big bands of Benny Carter, Luis Russell and Teddy Hill. He also had a prolific acting career on Broadway. The trumpeter and vocalist imported to Denmark the sounds of early 20th century New Orleans but it wasn’t until he was 79 that he released his only album as a solo improviser that released in 1991 with the Michael Boving’s Rhythmakers.
Swing jazz trumpeter, actor and vocalist passed away just four years later on the Martin Luther King Jr. holiday, January 16, 1995.
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Secondo “Conte” Candoli was born on July 12, 1927 in Mishawaka, Indiana. Following in the footsteps of his older brother Pete, he learned to play the trumpet at a young age. By the summer of 1943 just before entering his junior year he sat in for the first time with the Woody Herman First Herd.
After graduation in 1945, he joined the band full-time where he sat side by side with brother Pete in the trumpet section. Conte immediately went on the road, where he stayed for the next ten years, with Woody as well as with the legendary bands of Stan Kenton, Benny Goodman and Dizzy Gillespie.
In 1954, after leaving Stan Kenton, Candoli formed his own group with sidemen Chubby Jackson, Frank Rosolino and Lou Levy. Moving to Los Angeles and for four years was a member of the Lighthouse All-Stars with Shorty Rogers, Bud Shank and Bob Cooper.
His Dizzy-inspired playing brought him many performing and recording opportunities with major jazz names and the top names in show business, such as Gerry Mulligan, Shelly Manne, Terry Gibbs, Teddy Edwards, Frank Sinatra, Bing Crosby, Sammy Davis Jr. and Sarah Vaughan.
Conte’s long relationship with The Tonight Show began in 1967 and he became a permanent fixture in the orchestra’s trumpet section when Johnny Carson moved the show to Burbank, California in 1972.
Trumpeter Conte Candoli was inducted into The International Jazz Hall of Fame in 1997. He died at the age of 74 on December 14, 2001 at Monterey Palms Convalescent home in Palm Desert, California following a long battle with prostate cancer.
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