Daily Dose Of Jazz…

Pete Candoli was born Walter Joseph Candoli in Mishawaka, Indiana on June 28, 1923. And his professional career began 13 years later when he became a member of the American Federation of Musicians. Quickly finding a spot as lead trumpeter, by 1940 had become a member of Sonny Dunham’s band, a year later in Tommy Dorsey’s band and during this time from ’41 to ’43 he performed in three films – Las Vegas Nights, Girl Crazy and Upbeat In Music. By 1944 he was playing with the Teddy Powell and bringing his younger brother Conte into the major leagues of big band.

After 1945, Candoli worked with several bands including Stan Kenton’s, then drifted into the West Coast jazz and studio scenes. Despite his range, he rarely played lead, reserved instead for feature roles and became a sought after studio musician and favorite collaborator of many influential musicians and performers, including Peggy Lee, Henry Mancini and Frank Sinatra.

Pete was inducted into The International Jazz Hall of Fame in 1997, the “Big Band Hall of Fame” in 2003 and won the Down Beat, Metronome and Esquire “All American Band Trumpet Bronze Award”, and Look magazine named him one of the seven all-time outstanding jazz trumpet players—the others being Louis Armstrong, Bix Biederbecke, Harry James, Bunny Berigan, Dizzy Gillespie and Bobby Hackett.

Candoli’s solo work is notable for his eloquent roles, supportive of the efforts of others, was adroit in the use of staccato and had a reputation for his high-note ability, that was used in West Side Story’s Dance at the Gym sequence. Trumpeter Pete Candoli passed away from complications due to prostate cancer on January 11, 2008.


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Dewey Jackson was born on June 21, 1900. A trumpeter and cornetist, he began playing professionally at an early age, with the Odd Fellows Boys’ Band in 1912, then Tommy Evans from 1916-17 and George Reynold’s Keystone Band.

He played the riverboats with Charlie Creath and then led his own Golden Melody Band from 1920 to 1923. He continued to be a regular performer on riverboats into the early 1940s, heading his own groups and working as a sideman for Creath and Fate Marable. His only major stint off boats during this time was in 1926, when he played for four months with Andrew Preer at the Cotton Club in New York City.

Jackson played little in the 1940s but returned to work in the 1950s with Singleton Palmer and Don Ewell. He recorded only four sides as a leader in 1926. Among his sidemen were Pops Foster, Willie Humphrey, Don Stovall, Morris White and Clark Terry.

Dewey Jackson passed away on January 1, 1994.


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Tom Harrell was born on June 16, 1946 in Urbana, Illinois but by 5 was growing up in San Francisco. He started playing trumpet at eight and within five years, started playing gigs with local bands. Graduating from Stanford University with a music composition degree, he joined Stan Kenton’s orchestra, touring and recording with them throughout 1969.

After leaving Kenton, the post-bop trumpeter played with Woody Herman, Azteca, Horace Silver, the Sam Jones-Tom Harrell Big Band, the Lee Konitz Nonet, George Russell and the Mel Lewis Orchestra. Through the ‘80s he became a pivotal member of the Phil Woods Quintet making seven albums with the group.

Harrell is also plays flugelhorn and is a  composer and arranger who has collaborated and recorded albums with Bill Evans, Dizzy Gillespie, Ronnie Cuber, Bob Brookmeyer, Lionel Hampton, Bob Berg, Bobby Shew, Joe Lovano, Charlie Haden’s Liberation Orchestra, Art Farmer, Charles McPherson and Kathleen Battle among others.

Since 1989 Harrell has led his own groups, usually quintets but has expanded ensembles such as chamber orchestra with strings and big bands. He has appeared at virtually every major jazz club and festival venues, and recorded under his own name for such record labels as RCA, Contemporary, Pinnacle, Blackhawk, Criss Cross, Steeplechase, Chesky and HighNote Records.

The Grammy-nominated artist has arranged and composed for Carlos Santana, Arturo O’Farrill, Metropole Orchestra and other big bands as well as his compositions being recorded by Ron Carter, Kenny Barron, Tom Scott, Chris Potter, Steve Kuhn and Hank Jones to name a few. In recent years he has formed and recorded with piano-less sextet “Colors Of A Dream” and piano-less quartet TRIP.

Despite his well-documented schizophrenia, Tom Harrell has successfully coped with the illness through medication and has become an influential figure in the jazz world. Throughout his career he has won numerous awards and grants, including multiple Trumpeter of the Year awards from Down Beat magazine, SESAC Jazz Award, BMI Composers Award, and Prix Oscar du Jazz. He has amassed a recorded discography of over 260 albums and continues to actively compose, record and tour extensively around the world.


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Adolphus Anthony Cheatham, better known as Doc Cheatham was born on June 13, 1905 in Nashville, Tennessee. Growing up without jazz, he was introduced by early recordings and touring bands of the late 1910s. Abandoning family plans to be a pharmacist to play music, he retained the name Doc and started with the soprano and tenor saxophone in addition to trumpet in the African American Vaudeville theatre.

He toured the TOBA circuit (Theatre Owners Booking Association) accompanying blues singers but it wasn’t until his move to Chicago and hearing King Oliver that his focus turned to jazz. A year later Louis Armstrong added his influence on Doc’s playing. Cheatham went on to play with Ma Rainey, worked in the big bands of Bobby Lee, Wilbur de Paris, Chick Webb, Sam Wooding, Cab Calloway, Fletcher Henderson, Benny Carter, Claude Hopkins and Teddy Wilson through the 30s and 40s.

By the late 40s into the 50s Doc play in New York City Latin bands of Ricardo Ray, Marcelino Guerra, Perez Prado and Machito. In the 60s he led his own band for five years then worked with Benny Goodman. In the 70s he began singing after scatting during a Paris recording session, was well received and he continued to sing for the rest of his life.

Cheatham created his best work after the age of 70, winning a Grammy with Nicholas Payton and Butch Thompson for the Verve Record release of “Doc Cheatham and Nicholas Payton”. Trumpeter, singer and bandleader Doc Cheatham continued playing until two days before his passing on June 2, 1997, eleven days shy of his 92nd birthday.


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Sidney De Paris was born on May 30, 1905 in Crawfordsville, Indiana, the younger brother of trombonist Wilbur De Paris. A distinctive trumpeter who fit into both New Orleans jazz and swing settings, he was particularly expert with mutes. He was also a versatile musician, playing tuba, cornet, flugelhorn and singing from time to time.

 From 1926 on into the Sixties, Sidney worked with Charlie Johnson’s Paradise Ten, Don Redman, Zutty Singleton, Benny Carter, Art Hodes, Jelly Roll Morton and Sidney Bechet. He recorded on the famed Panassie sessions of 1938 and as a leader recorded some highly enjoyable and freewheeling sessions in the Forties for Commodore and Blue Note.

 He played with his brother Wilbur’s New New Orleans Jazz Band through the ’50s before ill health forced his retirement in the 1960s. Trumpeter Sidney De Paris passed away on September 13, 1967 in New York City.


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