Daily Dose Of Jazz…
Tiny Bradshaw was born Myron Carlton Bradshaw on September 23, 1907 in Youngstown, Ohio. Graduating from high school he went on to matriculate through Wilberforce University with a degree in psychology, then turned to music for a living.
In Ohio, he sang and played drums with Horace Henderson’s campus oriented Collegians. Relocating to New York City in 1932 he drummed for Marion Hardy’s Alabamians, the Charleston Bearcats, and the Mills Blue Rhythm Band, and sang for Luis Russell. Two years later Bradshaw formed his own swing orchestra, which recorded eight sides in two separate sessions for Decca Records that year in New York City. The band would go on to record in 1944 for Manor Records with the music leaning more towards rhythm and blues than jazz or swing. In 1947 he recorded for Savoy Records.
The band recorded extensively for the rhythm and blues market with King Records between late 1949 and early 1955. His influence as a composer is evidenced in the rock world with his 1951 song The Train Kept A-Rollin’ that has been recorded by Johnny Burnette & The Rock and Roll Trio, The Yardbirds with Jeff Beck, Aerosmith, Motörhead and performed by Jimmy Page as the first song played, at the very first rehearsal of the band that would become Led Zeppelin.
Returning to R&B with Soft and Heavy Juice, he brought along with him on both of these 1953 hits, Red Prysock on tenor saxophone. Tiny’s later career was hampered by severe health problems, including two strokes, the first in 1954, that left him partially paralyzed. However he made a return to touring in 1958.
As a bandleader, he was an invaluable mentor to important musicians and arrangers including Sil Austin, Happy Caldwell, Shad Collins, Wild Bill Davis, Talib Dawud, Gil Fuller, Gigi Gryce, Big Nick Nicholas, Russell Procope, Red Prysock, Curley Russell, Calvin “Eagle Eye” Shields, Sonny Stitt, Noble “Thin Man” Watts, and Shadow Wilson.
Weakened by the successive strokes as well as the rigors of his profession, bandleader, singer, composer, pianist, and drummer Tiny Bradshaw, who was important to the development of rock and roll, transitioned from a final stroke on November 26, 1958 in Cincinnati, Ohio at 51 years of age.
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The Jazz Voyager
With vocals in my spirit and a penchant for Ohio, this Jazz Voyager is staying out of the air and renting a car for a leisurely three and a half hour drive from Akron to Cincinnati, Not only will I experience a new venue but I get to see an old friend and Clevelander I haven’t seen in a while. This week the voyage takes me to Caffeè Vivace when one of my favorite vocalists, Vanessa Rubin, will take the stage.
If you’ve never heard this amazing interpreter of a song perform, you’re in for a treat. She will take you places your heart hasn’t been in a while, make you laugh with her playfulness on a lyric and will send you home remembering when love was new.
This coffee house by day turns into an intimate jazz lounge by night providing a space for Cincinnatians to gather, work, socialize and herald the musical art form of Jazz. Founded by Brent Gallaher and Vanessa Keeton, their goal is to bring a full-time jazz listening venue back to the Queen City. So the pair, coffee and jazz, have a symbiotic relationship that works well for the city’s residents and visitors to Walnut Hills. I’ll be hanging out for a couple of days to write and listen to the area’s finest local jazz musicians.
The venue is located 975 E McMillan Street 45206. You can get more information by visiting The Jazz Calendar at https://notoriousjazz.com/event/vanessa-rubin-6.
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The Jazz Voyager
The Jazz Voyager is off to Akron, Ohio to Blue Jazz+ where I’ll be taking in a couple of sets of music. A stunning live music venue and photography gallery in the downtown of the city, it has been designed in mid-century retro with a modern feel and crafted with presentation of live jazz in mind.
This week I’ll be in the house to partake of vocalist Kathy Kosins who exemplifies the intersection of jazz and soul. She’s earned several top nominations for her duet with Frank McComb, has new material with Paul Randolph and the legendary Al Hudson and has written and released several new tracks during the making of her now-classic Uncovered Soul.
The venue is located 47 E Market Street, 44308. You can get more information by calling 330-252-1190 or by visiting blujazzakron.com.
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VANESSA RUBIN
Set 1: 7:00 pm – 8:20 pm | Set 2: 9:00 pm – 10:20 pm – Sold Separately
Revered as both a torchbearer and a storyteller, jazz vocalist Vanessa Rubin possesses a voice hailed for crystalline clarity, hearth-like warmth, and playful lioness sass. The Cleveland native brings a wealth of diverse influences to her vocal performance from both the Trinidadian/Caribbean roots of her mother and traditional jazz by way of her Louisiana-born father. Additional homespun influences include the melodic bell tone clarity of a young Capital Records recording artist, Nancy Wilson, the fire of Lambert, Hendricks & Ross, the sweet sounds of trumpeter Blue Mitchell as well as her love of the Motown Sound…especially girl groups like the Supremes.
Rubin’s passion for rich musical stories is evidenced throughout her eight albums thus far, plus numerous guest appearances. Highlights include the evocative “Voyager II” from the pen of Teri Thornton, “Inside a Silent Tear” written by Blossom Dearie, a refashioned waltz version of John Coltrane’s “Giant Steps” lyricized by New York Voices, and an arrangement of “Superwoman” by Stevie Wonder inspired by the Ahmad Jamal recording of “Poinciana.” So while she has one foot planted in tradition – sticking close to timeless melodies and exquisite vocal forms – Rubin waxes adventurous, embracing stories lesser told while employing lessons of acclaimed storytellers in songs such as Carmen McRae, Shirley Horn, and Freddy Cole. “They mastered the art of believability, Rubin asserts. Additionally, Rubin continues to back her way into The Blues with an urgent appreciation for soulful mentors like Etta Jones and Irene Reid. Also among her current endeavors is highlighting and interpreting well-known, obscure, and new lyrical works of composer/arranger/pianist Tadd Dameron. “I hope to do for Tadd’s music what Carmen McRae did for Monk’s music,” Rubin explained.
Vanessa’s first gigs began around 1980 in small clubs around Cleveland, such as Tucker’s Place, Bob’s Toast of the Town, Lancer’s Steak House, Club Isabella, The Native Son, and The Teal Lounge. Some early band mates included Wynn Bibbs, Skip Gibson, saxophonist and arranger Willie Smith, Neal Creque, Matthew “Chink” Stevenson, and, later, the uniquely soulful organ quartet of The Blackshaw Brothers with Cecil Rucker on vibes. “We worked eight days a week all over Cleveland, catching the tail end of what was left over from the good old days,” Rubin recalls. After two years, Rubin was anxious to set her sights on New York, where she earnestly and humbly soaked up the tutelage of many veterans like Pharaoh Sanders, Frank Foster, and Barry Harris.
Rubin remains a favorite at jazz clubs and festivals in the US and abroad. Her work as a producer and educator/clinician with youth in communities and educational institutions worldwide is ongoing.
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TIERNEY SUTTON & RANDY BRECKER
“Ms. Sutton is a pure jazz spirit who respects a song. Even when going out on an improvisatory limb, she never lets its essence slip away.” – The New York Times “Brecker has the chops to play it cool or hot, laid-back or virtuosic.” – Downbeat
9-time Grammy-nominated vocalist Tierney Sutton and legendary multi-Grammy-winning trumpet master Randy Brecker share a stage for the very first time in an evening of spontaneous music-making. This special Tuesday night performance will also feature the illuminating pianist Christian Jacob.
Tierney Sutton – vocals | Randy Brecker – trumpet | Christian Jacob – piano
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