
WABERI JORDAN
Waberi Jordan is a vocalist and songwriter whose signature is rooted in the Leimert Park Jazz Community of Los Angeles. Raised on a steady diet of straight-ahead jazz, at a time when R&B dominated the airwaves, Waberi’s sound bridges two pivotal eras of artistic expression.
She studied and played with Horace Tapscott along with The Pan Afrikan People’s Arkestra and The Great Voice of UGMAA (Union of God’s Musicians and Artists’ Ascension), many notable performers and scholars like Dr. Art Hillary, McCoy Tyner, Azar Lawrence, Nate Morgan, Pharoah Sanders and many more.
Waberi has also performed around the world with various bands and ensembles, from SoulBop (an L.A. based collective of jazz musicians), R&B to West African Drum and Dance bands; 50-piece Jazz arkestras in L.A. and Europe to solo acapella sets. She has also been featured on numerous recordings, including the Jazz CD “Living Water” by extraordinary vocalist DWIGHT TRIBLE, and classic Reggae CD “Good’s Gonna Happen” Sahra Indio.
In 2009 Waberi released her debut album, The Trajectory of Starah. The accompanying video, Sunflowers in my Garden premiered the same year, to critical acclaim. The song has become beloved worldwide. Her second video release, Put it Right There was released in 2014, and as an added bonus, was co-directed and shot by Tim Russ, noted for his role as Tuvok in Star Trek: Voyager.
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NOEL FREIDLINE & MARIA HOWELL
A jazz Celebration of Stevie Wonder featuring special guest Adam McKnight.
For over 35 years, Maria Howell, this petite North Carolina native, who splits her time between both the east coast and the west coast, has developed her career as a singer, actor, and voiceover artist. Her debut acting role was the choir soloist in the Oscar Nominated film, “The Color Purple”. She has gone on to appear in hit TV shows as Lifetime’s “Army Wives”, NBC’s “Revolution”, and CBS’s “Criminal Minds”. Feature films…“The Blind Side”, “Hidden Figures”, and “The Hunger Games: Catching Fire”. As a song stylist, Maria has shared the musical stage with legendary artists as, Nancy Wilson, George Benson, Ray Charles, Earl Klugh, brothers Ronnie and Hubert Laws, and veteran actor/singer, Keith David.
Pianist, vocalist, writer, arranger and educator, doesn’t come close to all things Noel Freidline! As a Magna Cum Laude graduate of the University of North Florida, with a BA in Music, Noel has been the bandleader of The Noel Freidline Quintet for over 26 years. He has numerous recordings to his credit, and has performed at jazz festivals from the Jacksonville Jazz Festival (FL)…to the Montreux Jazz Festival (Switzerland)…not to mention, a 3-year stint at the world famous Bellagio in Las Vegas, as the house band, leading his NFQ, where he performed for actress Julia Robert’s surprise 35th birthday party.
Noel was named Best Jazz Musician by Charlotte Magazine in 2006 and in 2009 and was named “Best Musical Director”, by the Metrolina Theatre Association of the Carolinas. In 2011 Freidline was chosen for the Blumenthal Performing Arts Association – Center Stage Award (Charlotte, NC), in recognition of his excellence in service to the arts. And in May, 2015, Noel Freidline was inducted into the Jacksonville Jazz Hall of Fame.
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TONY HIGHTOWER
Singer/Songwriter Tony Hightower is taking up the mantle to be a bridge that ushers R&B audiences into Jazz…Real Jazz. With years of experience as a musical performer and actor with familiar roots that place him firmly within the music’s firmament, Atlanta-native Hightower is still just getting started on this benevolent turn in his journey. And he is bringing a lot of young people with him.
His sophomore project, LEGACY, finds Hightower exploring Jazz vocal stylings from a dazzling prism of angles. The 10-song album moves confidently and assuredly from original compositions such as the soulful scat-laced “All to the Good,” the seductive Brazilian bossa nova of “Rendezvous” and the tender carnal Jarreau-esque love beg “I Need You” to swingin’ covers of Earth, Wind & Fire’s classic Skip Scarborough-penned “Can’t Hide Love,” a mean shuffle boogie groove through Al Green’s “Love and Happiness” and a smoldering upright bass accompanied tiptoe through the 1929 Andy Razaf standard “Gee, Baby, Ain’t I Good To You” made further famous in 1944 by one of Hightower’s greatest and earliest Jazz vocal heroes, Nat “King” Cole. That one’ll make the women wiggle.
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VERONICA SWIFT
Veronica Swift’s new eponymously titled album, her third for Mack Avenue Records, is a masterful coming-out story. On her previous albums, Confessions (2019) and This Bitter Earth (2021), she ascended to the upper echelon of early 21st century jazz singers because of her virtuosic brilliance, interpretive ingenuity, bracing songwriting, and keen arrangements. Simply put, Swift is not only one of the most dazzling singers to emerge in her generation, she’s one of the most versatile.
While her first two albums solidified her position in modern jazz, Veronica Swift shows that she’s more than a jazz singer, exploring French and Italian opera, European classical music, bossa nova, blues, industrial rock, funk, and vaudeville. She pulls the feat off without the results sounding callow or pastiche. Swift’s expansive artistic voice remains firmly intact regardless of genre.
Swift describes this personal artistic statement on her new album as “transgenre.” “I grew up immersed in the culture of jazz music, blessed to have had some of the greats as mentors, and I felt a deep familial duty to uphold that tradition,” she says, reflecting on her parents – jazz singer and educator, Stephanie Nakasian, and bebop pianist, Hod O’Brien.
“But as rooted in jazz as I’ve been, there’s a uniquely visceral power in rock and soul music that’s always fueled my creative passion, and rather than mask or confine that part of my identity, the people I admire most show themselves unabashedly and that’s the kind of tradition I want to be a part of.”
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DELFEAYO MARSALIS & MARTHA REEVES
Motown Meets The Big Easy – Delfeayo Marsalis & Martha Reeves will bring a magical evening, filled with music from two of America’s iconic cities and their complex musical cultures, to Keystone Korner Baltimore!
Grammy-winner Delfeayo Marsalis is one of the top trombonists, composers and producers in jazz today. Known for his technical excellence, inventive mind and frequent touches of humor, he is “one of the best, most imaginative and musical of the trombonists of his generation,” (Philip Elwood, San Francisco Examiner). In 2011, Delfeayo and the Marsalis family (father Ellis and brothers Branford, Wynton and Jason) earned the nation’s highest jazz honor – a National Endowment for the Arts Jazz Masters Award. Marsalis has toured internationally with jazz legends such as Ray Charles, Art Blakey, Max Roach, Elvin Jones and Slide Hampton, as well as leading his own groups. As a cultural activist, he has founded three non-profits – Uptown Music Theatre, Uptown Jazz Orchestra and Keep New Orleans Music Alive – all of which are designed to strengthen the community in his hometown of New Orleans.
Martha Reeves has made her imprint in the history books and in pop culture for her string of hit Motown songs in the 1960’s and early 1970’s including such hits as “Dancing in the Street”, “My Baby Loves Me”, “Come and Get These Memories”, “Nowhere to Run”, “Quick Sand”, “(Love is Like a ) Heatwave”, “Jimmy Mack” and “Bless You”. Martha was front and center as the lead singer of the legendary Motown girl group, Martha Reeves and the Vandellas, who are listed among Rolling Stone magazine’s 100 Immortal Artists of all time. Martha Reeves and the Vandellas were also nominated for a Grammy Award for Best R&B Performance for “Heat Wave”. She was inducted into the Rock and Roll Hall of Fame in 1995 and is also the recipient of the Dinah Washington Award, a Rhythm n’ Blues Foundation Pioneer Award, and a Black Woman in Publishing Legends Award. 2023 marks Martha’s 60th anniversary of her first two albums with Motown both from 1963, Come and Get These Memories and Heat Wave.
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