From Broadway To 52nd Street…
The Sound Of Music brought up the curtain of the Lunt Fontanne Theatre on November 16, 1959 and finished with a blockbuster run of 1443 performances. The show starred Mary Martin and Theodore Bikel. The song My Favorite Things composed by Richard Rodgers and Oscar Hammerstein went on to become a jazz standard. The show won a Tony Award for Best Musical.
The Story: Based on the Trapp family story the musical takes us on their journey to escape the Nazis. Set in Salzburg, Austria just before World War II, Maria Rainer, one of the postulates from Nonnberg Abbey is wrestling with her decision to joining monastic life or pursue more secular endeavors. With the help of the Mother Abbess she is placed in the home of Captain Georg von Trapp to act as governess to his seven children. As war looms over their happy existence they escape to Switzerland over the Alps.
Details of the von Trapp history were changed for the musical. They lived in a villa outside Salzburg, Maria was a tutor for one child, the names and ages were altered, and the family spent time in Austria after Maria and the Captain were married. Opposing the Nazi regime, he declined a commission in the German Navy, left Austria for Italy, then on to London and finally to the United States. The escape over the mountains on foot provided more drama for the play.
Broadway History: Broadway theatre,commonly called simply Broadway, is theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the theater District and Lincoln Center along Broadway in the Manhattan borough of New York City. Along with London’s West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world.
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From Broadway To 52nd Street
Pickwick opened at the 46th Street Theatre on October 4, 1965 and ran 56 performances with the music composed by Cyril Ornadel and Leslie Bricusse. The song that rose to great heights is the Great American songbook and became a jazz standard was If I Ruled The World.
The Story: Set in England in 1828, the story centers on wealthy Samuel Pickwick and his valet Sam Weller, who are in a debtors’ prison where they recall the misadventures that led to their imprisonment. On the previous Christmas Eve, Pickwick introduced his friend Wardle, Wardle’s daughters, Emily and Isabella, and their Aunt Rachael to Nathaniel Winkle, Augustus Snodgrass, and Tracy Tupman, three members of the Pickwick Club. Soon, Alfred Jingle joined them and tricked Tupman into paying for his ticket to a ball that evening. Upon learning Rachael is an heiress, Jingle set out to win her hand and eventually succeeded. Pickwick engages Sam Weller as his valet and, through a series of misunderstandings, he inadvertently leads his landlady, Mrs. Bardell, to believe he has proposed marriage to her. Pickwick is charged with breach of promise and hauled into court, where he is found guilty as charged and sentenced to prison when he stubbornly refuses to pay her compensation.
Jazz History: In 1965 Miles Davis records ESP with his new quintet; pianist/vocalist Nat King Cole dies of cancer; Herbie Hancock records Maiden Voyage, a classic modal tune, with the other members of Miles Davis’ group plus trumpeter Freddie Hubbard; trumpeter Thad Jones and drummer Mel Lewis form a rehearsal orchestra that is to last for years and is still in existence today; and John Coltrane records Ascension, a free jazz experiment influenced by Ornette Coleman.
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From Broadway To 52nd Street
The Roar Of The Greasepaint – The Smell Of The Crowd opened its season at the Shubert Theatre on May 16, 1965 and ran for 231 performances. Leslie Bricusse and Anthony Newley composed the music with the later starring alongside Cyril Ritchard. From these two talented lyricist and composer, Who Can I Turn To and Look At That Face entered the lexicon of jazz standards.
The Story: The allegorical plot examines the maintenance of the status quo between the upper and lower classes of British society in the 1960s. Since Sir forever is changing the rules of the game of life, downtrodden young Cocky always gets the short end of the stick. Assisting Sir is his eager disciple Kid, anxious to pick up bits of wisdom while helping keep Cocky in his place.
Broadway History: Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical may have humor, pathos, love, anger and are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century musical theatre stage works have generally been called, simply, musicals.
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Daily Dose Of Jazz…
Quincy Delight Jones, Jr. was born on March 14, 1933 in Chicago, Illinois. When he was ten, his family moved to Bremerton, Washington, a suburb of Seattle. He first fell in love with music when he was in elementary school, and tried nearly all the instruments in his school band before settling on the trumpet. While barely in his teens attending Garfield High, Quincy befriended then-local singer-pianist Ray Charles and the two youths formed a combo, eventually landing small club and wedding gigs.
At 18, the young trumpeter won a scholarship to Berklee College of Music in Boston, Massachusetts but dropped out abruptly when he received an offer to go on the road with bandleader Lionel Hampton. The stint with Hampton led to work as a freelance arranger and settling in New York, throughout the 1950s he wrote charts for Tommy Dorsey, Gene Krupa, Sarah Vaughan, Count Basie, Duke Ellington, Dinah Washington, Cannonball Adderley and Ray Charles.
In 1964 Quincy won his first Grammy for Best Instrumental Arrangement of “I Can’t Stop Loving You”, in 1968 he won his second Grammy for Best Instrumental Performance with “Walking In Space” and that same year along with his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song for “The Eyes Of Love” and he became the first African American to be nominated twice within the same year when for Best Original Score for the 1967 film In Cold Blood.
His firsts would continue in 1971 when named musical director/conductor of the Academy Awards ceremony, being first to win the Academy’s Jean Hersholt Humanitarian Award, and He is tied at 7 with sound designer Willie D. Burton as the most Oscar-nominated African American.
His musical achievements are too numerous to list as they span the gambit from film scores such as The Pawnbroker, In The Heat of the Night, The Italian Job, MacKenna’s Gold, The Getaway and The Color Purple to his jazz works “Body Heat” and “Big Band Bossa Nova” from which Soul Bossa Nova was used in the Austin Powers movies to his crowning glories with Miles Davis last release “Live at the Monteux Jazz Festival”, his work with Michael Jackson’s “Thriller” and the charity song “We Are The World”. He continues to produce, conduct, arrange and compose.
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Daily Dose Of Jazz…
Jeanie Bryson was born March 10, 1958 in New York City, the daughter of songwriter Connie Bryson and Dizzy Gillespie. While matriculating through Rutgers University and studying with jazz pianist Kenny Barron, she began to be increasingly influenced by jazz.
Bryson has performed throughout North and South America, Europe, Israel and Japan and has received international critical acclaim. In addition to her own recordings on Telarc, Bryson has recorded with Etta Jones, Larry Coryell, Grover Washington Jr., Terence Blanchard and Kenny Burrell among others.
Her vocals are a combination of jazz, pop and Latin music and her repertoire is firmly rooted in The Great American Songbook and she has paid tribute to the legacies of Peggy Lee and Dinah Washington. Her “Déjà Blue” project showcased the velvet, sweet, laid-back and melodic voice.
While she continues to perform Jeanie is working on her newest project, “The Dizzy Gillespie Songbook”, a loving and fitting tribute that celebrates her father’s life, his music, and his legacy. She continues to perform and record.
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