Daily Dose Of Jazz…
Whitney Lyon Balliett was born in Manhattan, New York on April 17, 1926. He was raised in Glen Cove, Long Island and attended Phillips Exeter Academy, where he learned to play drums. There he became part of a band that played “baggy Dixieland” and during the summer played gigs at a Center Island yacht club.
Drafted into the Army in 1946, interrupting Whitney’s freshman year at Cornell University, he returned to finish his degree in 1951. While matriculating he was a member of The Delta Phi Fraternity and after graduating went to work at The New Yorker, hired by Katherine White, one of the magazine’s fiction editors.
Among his many jazz wittings were: Such Sweet Thunder: 49 Pieces on Jazz, Super-drummer: A Profile of Buddy Rich, Alec Wilder and His Friends, Improvising: Sixteen Jazz Musicians and Their Art, Night Creature: A Journal of Jazz 1975-1980, American Musicians: Fifty-Six Portraits in Jazz, American Singers: Twenty-seven Portraits in Song, and Collected Works: A Journal of Jazz 1954-2000.
Acclaimed for his literary writing style, jazz critic, book reviewer and author Whitney Balliett passed away on February 1, 2007, aged 80, from cancer.
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Daily Dose Of Jazz…
Gary Giddins was born on March 21, 1948 in Brooklyn and raised on Long Island, New York. He graduated from Grinell College in Iowa in 1970 and began freelance work as a music and film critic. By 1974 he landed a position as a columnist with the Village Voice writing a column called Weather Bird, a position he held until 2003.
In 1986 Gary along with John Lewis, pianist and music director of the Modern Jazz Quartet, created the American Jazz Orchestra, which presented concerts using a jazz repertory with musicians such as Tony Bennett.
Of his many accolades and honors in writing, film and broadcasting Giddins has won a Grammy for liner notes on Sinatra: The Voice, six ASCAP–Deems Taylor Awards, Jazz Times Readers Poll, a Guggenheim Fellowship, a Peabody Award in Broadcasting, the National Book Critics Circle Award, the Ralph J. Gleason Music Book Award, ARSC Award for Excellence in Historical Sound Research and the Bell Atlantic Award for Visions of Jazz: The First Century in 1998.
He has authored Bing Crosby: A Pocketful of Dreams-The Early Years 1903-1940, Weatherbird: Jazz at the Dawn of Its Second Century, Faces in the Crowd, Natural Selection, and biographies of Louis Armstrong and Charlie Parker.
Jazz and film critic, author, and director, Gary Giddins is currently the Executive Director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York.
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Daily Dose Of Jazz…
George Thomas Simon was born on May 9, 1912 in New York City into a wealthy and talented family, with his brother co-founding the publishing house Simon & Schuster and also his niece, singer Carly Simon. He began as a drummer and was an early drummer in Glenn Miller’s orchestra.
After graduating from Harvard University in 1934 he began working for the Metronome magazine the following year, then became editor-in-chief from 1939 to 1955and shifted it, from writing technical articles, to being a chronicler of the swing era. Simon was probably the most influential jazz commentator during the swing era and with his inside connections in the jazz world, he was able to report information about bands and their personnel with great accuracy.
Leaving Metronome he went to the Jazztone Society, consulted for the Timex Jazz Shows, wrote about jazz for the New York Herald Tribune and the New York Post newspapers. He also did liner notes for a variety of jazz musicians including Thelonious Monk who was stylistically quite different from the swing-era musicians Simon championed.
In 1978, he won a Grammy Award for Best Album Notes, was inducted into the Big Band and Jazz Hall of Fame and on February 13, 2001 after years of suffering from Parkinson’s disease, he died of pneumonia in New York City.
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Big Bill Bissonnette was born February 5, 1937 in Bridgeport, Connecticut who became a jazz trombonist and producer. A strong advocate of New Orleans jazz played by Black musicians in the Sixties he led his group The Easy Riders Jazz Band.
During that period Bill also established his own Jazz Crusade label and organized northern tours for such veterans as Kid Thomas Valentine, George Lewis and Jim Robinson. After a period off the jazz scene, Bill successfully published of his 1992 memoirs, “The Jazz Crusade” that told many stories about New Orleans’ musicians.
Bissonnette reactivated his label and began to play trombone again. He has produced and recorded over 100 jazz sessions for his Jazz Crusade label, appearing as trombonist or drummer on over 50 recording sessions of New Orleans jazz.
He has spent much of the 1990s documenting the British jazz scene with his “Best of the Brits” CD series. He published a newsletter several times a year. Trombonist, drummer, producer, bandleader and writer retired from music and now resides in Concord, North Carolina in 2006.
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Daily Dose Of Jazz…
Ira Gitler was born December 18, 1928 in Brooklyn, New York and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer for many recording sessions of Prestige Records and is credited with coining the term “sheets of sound” in the late 1950s, to describe the playing of John Coltrane.
Ira was the New York editor of Down Beat magazine during the 1960s and has written for Metronome Magazine, Jazz Times, Jazz Improv, Modern Drummer, the New York Times, the San Francisco Chronicle, the Village Voice, Playboy, World Monitor and New York Magazine along with international publications Swing Journal in Japan, Music Jazz – Italy, Jazz Magazine, France.
Gitler was awarded a Guggenheim Fellowship in 1974, received a Lifetime Achievement Awards by the New Jersey Jazz Society in 2001, and by the Jazz Journalists Association in 2002.
He is a jazz historian and journalist best known for “The Biographical Encyclopedia of Jazz, co-authored with Leonard Feather. He has written hundreds of liner notes for jazz recordings since the early 1950s and is the author of dozens of books about his two passions, jazz and ice hockey.