Daily Dose Of Jazz…
Mathias Rüegg was born on December 8, 1952 in Zurich, Switzerland and began playing jazz in secondary school. Trained as a schoolteacher, he taught for a while in special-needs schools. From 1973 to 1975 he attended the Musikhochschule in Graz, Austria, studying classical composition and jazz piano. While in Vienna, Austria he performed in a nightclub as a solo jazz pianist, joined later by saxophonist Wolfgang Puschnig. The duo formed the core of an ensemble that in 1977 became the Vienna Art Orchestra (VAO).
His distinctive, often humorous compositions have drawn on a range of influences, from traditional folk music to classics. He has also led the VAO to explore the big band repertory of American jazz composers such as Duke Ellington. Besides the traditional big-band complement, his orchestrations have prominently featured such instruments as the tuba, piccolo, bass clarinet, alphorn, exotic percussion, and wordless vocals. Beyond jazz, Mathias has composed for big bands, and classical orchestras, as well as theatre music, film music, soloist and chamber orchestra.
Rüegg has conducted workshops, worked as artistic director for music festivals, and headed multimedia and music-related projects. Rüegg founded the Porgy & Bess music club in Vienna and the Hans Koller Prize for Austrian jazz.
Composer, bandleader and educator Mathias Rüegg continues to compose and direct orchestras.
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Daily Dose Of Jazz…
Gary Giddins was born on March 21, 1948 in Brooklyn and raised on Long Island, New York. He graduated from Grinell College in Iowa in 1970 and began freelance work as a music and film critic. By 1974 he landed a position as a columnist with the Village Voice writing a column called Weather Bird, a position he held until 2003.
In 1986 Gary along with John Lewis, pianist and music director of the Modern Jazz Quartet, created the American Jazz Orchestra, which presented concerts using a jazz repertory with musicians such as Tony Bennett.
Of his many accolades and honors in writing, film and broadcasting Giddins has won a Grammy for liner notes on Sinatra: The Voice, six ASCAP–Deems Taylor Awards, Jazz Times Readers Poll, a Guggenheim Fellowship, a Peabody Award in Broadcasting, the National Book Critics Circle Award, the Ralph J. Gleason Music Book Award, ARSC Award for Excellence in Historical Sound Research and the Bell Atlantic Award for Visions of Jazz: The First Century in 1998.
He has authored Bing Crosby: A Pocketful of Dreams-The Early Years 1903-1940, Weatherbird: Jazz at the Dawn of Its Second Century, Faces in the Crowd, Natural Selection, and biographies of Louis Armstrong and Charlie Parker.
Jazz and film critic, author, and director, Gary Giddins is currently the Executive Director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York.
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