Three Wishes
From the Notes of Nica de Koenigswarter:
You can quote Satchmo as saying:
“Health is wealth! If I were sick, and I wanted to borrow a dime, d’you think that cat would cross the street to offer it to me? No, sir! I’d have to have my health to go and get it from him.”
“And people would never get sick if they didn’t get constipated. Why, I’ve never had an operation in my life, because I never let myself get constipated.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Sy Johnson was born on April 15, 1930 in New Haven, Connecticut and learned to play the piano in his youth. He first performed in New York City with Charles Mingus at the jazz club Showplace, with Booker Ervin on tenor, Ted Curson on trumpet, Dannie Richmond on drums, and Mingus on bass. and on his first night with Mingus, Eric Dolphy performed on alto, bass clarinet, and flute.
In 1971, eleven years later, Mingus gave Johnson Let My Children Hear Music to arrange, which featured two Mingus pieces, Shoes of the Fisherman’s Wife (Are Some Jiveass Slippers) and Don’t Be Afraid, the Clowns Afraid Too. The album’s emergence was heralded with a live concert, Mingus And Friends At Philharmonic Hall, also arranged by Johnson and released as an album.
Performing We Did It on Soul Train in 1973 and continued to work with Mingus until his death from Lou Gehrig’s disease in 1979. Mingus recorded two of Johnson’s compositions, Wee and For Harry Carney, and nominated Johnson for a Guggenheim award following his own in Jazz Composition.
Johnson continues to work with Sue Mingus arranging charts for all the Mingus repertory ensembles—the Mingus Big Band, the Mingus Orchestra and the Mingus Dynasty. He would go on to collaborate with arrangements for Joe Williams, Frank Sinatra, Wes Montgomery, Roy Eldridge, Ben Webster, Quincy Jones, Benny Goodman, Count Basie, Mel Torme, Terry Gibbs, Lee Konitz and Sarah Vaughan, among others.
He has also worked on Broadway and in films such as the1984 movie The Cotton Club. Arranger Sy Johnson is also a jazz photographer, writer, pianist, singer, and teacher.
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Daily Dose Of Jazz…
Charles Frederic Ramsey, Jr. was born on January 29, 1915 in Pittsburgh, Pennsylvania. Taking his BA at Princeton University in 1936, then went to work at Harcourt Brace in the late Thirties. The early Forties had him at the United States Department of Agriculture and Voice of America.
With Charles Edward Smith, Ramsey wrote Jazzmen in 1939, an early landmark of jazz scholarship particularly noted for its treatment of the life of King Oliver. After receiving Guggenheim fellowships, he visited the American South in the middle of the 1950s to make field recordings and do interviews with rural musicians, some of which were used in releases by Folkways Records and in a 1957 documentary, Music of the South.
He curated an anthology of early jazz recordings for Folkways, titled simply Jazz. Ramsey worked with the Institute of Jazz Studies at Rutgers University from 1970. He researched Buddy Bolden’s life with a grant from the National Endowment for the Humanities and continued with a Ford Foundation grant. He presented early jazz interviews on National Public Radio in 1987. The writer of jazz and record producer Charles Ramsey passed away on March 18, 1995 in Paterson, New Jersey.
Daily Dose Of Jazz…
Joseph P. Muranyi was born in Martins Ferry, Ohio on January 14, 1928 and studied with Lennie Tristano, however, he was primarily interested in early jazz styles such as Dixieland and swing. After playing in a United States Army Air Forces band, he moved to New York City in the 1950s and attended the Manhattan School of Music and Columbia University.
During the 1950s he played under Eddie Condon, collaborating with Jimmy McPartland, Max Kaminsky, Yank Lawson, Bobby Hackett, and Red Allen. During that decade he also played with the Red Onion Jazz Band, Danny Barker, and Wingy Manone.
1963 saw him playing with The Village Stompers, a Dixieland band that reached the pop charts with its song Washington Square. From 1967 to 1971 he was the clarinetist with the Louis Armstrong All-Stars. After initially struggling to pronounce Muranyi’s Hungarian family name, Armstrong introduced him on stage as “Joe Ma Rainey”, to Muranyi’s own amusement. Following this stint, he played with Roy Eldridge, World’s Greatest Jazz Band, Cozy Cole, Lionel Hampton, Herman Autrey, Wild Bill Davison, Zutty Singleton, and others.
He worked extensively as a record producer and wrote liner notes for hundreds of albums. Clarinetist, producer, writer and critic Joe Muranyi, who was also an enthusiastic vocalist and played both soprano and tenor saxophone, passed away in Manhattan, New York on April 20, 2012.
Daily Dose Of Jazz…
Dan Morgenstern was born October 24, 1929 in Munich, Germany and was raised in Vienna, Austria and Copenhagen, Netherlands before arriving in the United States in 1947. He wrote for Jazz Journal from 1958–1961, then edited several jazz magazines: Metronome in 1961, Jazz from 1962–1963, and Down Beat from 1967-1973.
In 1976, he was named director of Rutgers–Newark’s Institute of Jazz Studies, where he continued the work of Marshall Stearns and made the Institute the world’s largest collection of jazz documents, recordings, and memorabilia.
Over the course of his career, Morgenstern has arranged concerts including the Jazz in the Garden series at the Museum of Modern Art, produced and hosted television and radio programs, taught jazz history at universities and conservatories, and served as a panelist for jazz festivals and awards across the U.S. and Europe.
Widely known as a prolific writer of comprehensive, authoritative liner notes, he has received eight Grammy Awards for Best Album Notes since 1973 for Art Tatum’s God Is in the House, Coleman Hawkins’ The Hawk Flies, Savoy Records Collection The Changing Face of Harlem, Erroll Garner: Master of the Keyboard, Clifford Brown, Brownie: The Complete Emarcy Recordings of Clifford Brown, Louis Armstrong, Portrait of the Artist as a Young Man, Fats Waller, If You Got to Ask, You Ain’t Got It!, and The Complete Louis Armstrong Decca Sessions.
He has authored two books that have won ASCAP’s Deems Taylor Award: Jazz People in 1976 and Living with Jazz in 2004. In 2007, he received the A.B. Spellman Jazz Masters Award for Jazz Advocacy from the National Endowment for the Arts. Writer, editor, archivist and producer Dan Morgenstern continues his career at 87 years of age.
