Three Wishes
Roy Haynes told the Baroness his three responses to her inquiry were:
- “A Rolls Bentley!”
- “Recognition.”
- “I wished on the moon. You know that song?”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Maynard Ferguson Plays Jazz for Dancing is an album released by Canadian jazz trumpeter Maynard Ferguson featuring tracks recorded at Capitol Studios in New York City in early 1959 on February 23, 25, 26 and March 31. Ferguson contributed the second track, Where’s Teddy, on this originally released on the Roulette label.
This is a less than adventurous project for the trumpeter than his more jazz oriented sessions but it is a pleasing work purposely done. The album was produced by Teddy Reig and arrangements were written by Slide Hampton, Willie Maiden and Don Sebesky.
Compositions: Hey There, Where’s Teddy, If I Should Lose You, I’ll Be Seeing You, Tis Autumn, Secret Love, I’m Beginning to See the Light, It Might as Well Be Spring, Stompin’ at the Savoy, ‘Round Midnight and Soft Winds.
Personnel: Maynard Ferguson – trumpet, valve trombone, euphonium, Bill Chase, Don Ellis, Larry Moser – trumpet, Don Sebesky – trombone, bass trombone, Slide Hampton – trombone, Jimmy Ford – alto saxophone, Carmen Leggio, Willie Maiden – tenor saxophone, John Lanni – baritone saxophone, Bob Dogan – piano, Jimmy Rowser – bass, and Frankie Dunlop – drums.
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The Jazz Voyager
Philly is the next Jazz Voyager stomping grounds for the famous Tuesday night jam session at the Manayunk Brewing Company. The building was originally constructed in 1822 by Ann Dawson as a cotton mill, to take advantage of the key location at the mouth of the Manayunk Canal before its transformation into a brewery with additions restaurant and recognized as a local jazz spot on Tuesdays.
The historic jam session was started by architect and amateur bassist Herman DeJong in 1990 at Mace Thompson’s now defunct 23rd Street Cafe. The jam session has had hundreds of local, national and international musicians and vocalist sit in weekly. Located at 4120 Main Street, Philadelphia, Pennsylvania 19127, the venue offers craft beers and a variety of salads, burgers, sandwiches, plates and desserts to delight the palate while listening. For more info on cover and minimums can be attained by calling 215- 482-8220. #wannabewhereyouare #jazz #voyager #travel #club #adventure
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Three Wishes
Ray Bryant gave the Baroness his answer to her question when asked what his three wishes would be:
- “I really don’t have any wishes. I’m happy. I might have had some, but they’ve all been fulfilled.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson, released on the Philips label.
The album is a recording of a revised version of Ellington’s Black, Brown and Beige suite. After a disappointing critical response to its first performance in 1943 at Carnegie Hall, Ellington divided the three-part suite into six shorter sections, leaving in “Come Sunday” and “Work Song“, and it is this version that is recorded here.
The compositions recorded at this session and presented on this limited edition release are: Part I (Work Song), Part II (Come Sunday), Part III (a.k.a. Light), Part IV (a.k.a. Come Sunday) featuring Mahalia Jackson, Part V (a.k.a. Come Sunday Interlude) featuring Ray Nance, Part VI (23rd Psalm) featuring Mahalia Jackson. Three additional tracks were added Part IV (Come Sunday) Featuring Mahalia Jackson [Alt. Take], Part V (Come Sunday Interlude) Featuring Ray Nance [Alt. Take] and Part Vi (23rd Psalm) Featuring Mahalia Jackson [Alt. Take]
The orchestra included Duke Ellington/piano, Cat Anderson, Harold Baker, Clark Terry/trumpet, Ray Nance/trumpet & violin, Quentin Jackson, Britt Woodman/trombone, John Sanders/valve trombone, Jimmy Hamilton/clarinet, Bill Graham/alto saxophone (subbing for Johnny Hodges), Russell Procope/clarinet & alto saxophone, Paul Gonsalves/tenor saxophone, Harry Carney/baritone saxophone, Jimmy Woode/bass, Sam Woodyard/ drums and Mahalia Jackson/vocals.
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