Daily Dose Of Jazz…

Karl Latham, born on June 9, 1961 is currently based in New York. He received a B.S.S. from Ohio University and studied music performance at Rutgers University, Ohio University and Berklee College of Music, including private studies with drumming greats Gary Chester and Joe Morello.

Latham is known for his exceptional ability to dig into a variety of musical styles, playing straight-ahead jazz, avant-garde, funk, rock, Latin, and more. As a freelance performer he has performed with wide spectrum of notable artists such as Bernie Worrell, Dave Valentine, Dave Samuels, Chuck Loeb, Ali Ryerson, Claudio Roditi, Clark Terry, John Lee, Andy Snitzer, The Dizzy Gillespie Alumni All-Stars, Slide Hampton; Edgar Winter, Johnny Winter, Yotam Silberstein, Charlie Elgart, Michal Urbaniak, The Real Deal Big Band and for the Broadway hit musical “Bring it On” just to name a few of his drumming exploits.

Karl is widely recognized as a veteran of the modern European Jazz scene since 1993, has released 7 CDs with Atilla Zoller, Randy Brecker, Cameron Barnes, Seamus Blake, Joel Frahm, Joe Lovano and others. He is a member of the electric jazz jam group, Unit1, with Mark Egan and John Hart, was ranked 7th drums, in the 2013 35th Annual Jazz Station Poll. He is also a member of “Constellations” with Ryan Carniaux and Mark Egan and is co-leader of Big Fun(K) with saxophonist/composer Don Braden and has released two CD’s as a leader. In addition to performing, recording and touring he is a long-standing adjunct professor at several New Jersey colleges and teaches workshops, master classes and clinics in the USA and abroad.

Put A Dose In Your Pocket

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Daily Dose Of jazz…

Willie Jones III was born on June 8, 1968 in Los Angeles, California. His initial exposure to music came from his father Willie Jones II, an accomplished jazz pianist. With his guidance and inspiration the young drummer began studying with acclaimed drummers and music instructors. By the time he was in his teens her was performing with numerous distinguished musicians. He completed his training at California Institute of the Arts under the tutelage of Albert “Tootie” Heath.

As a co-founder of the group Black Note, he took the West Coast bop movement and gave it a hard swing, propelling them into first place in the John Coltrane young Artist Competition in 1991. He would go on to become a semifinalist the following year at the Thelonious Monk Jazz Drum Competition, and eventually the group released four albums. He has played, toured, and/or recorded with Milt Jackson, Horace Silver, Arturo Sandoval, Roy Hargrove, Peter Zak, Hank Jones, Cedar Walton, Herbie Hancock, Eric Reed, Kurt Elling and Wynton Marsalis Jazz at Lincoln Center.

Jazz musicians appreciate his exceptional speed and control together with his use of a wide range of textures that characterize most of his playing. He is a master of many styles and moves quickly and easily between bebop, big band, avant-garde, Latin jazz grooves, hard bop and swing.

He has released several albums under his own name as a leader and on his indie label, WJ3 Records. His music has been sampled, however, he has filed a lawsuit in 2014 against California rapper Kendrick Lamar for allegedly sampling “The Thorn” illegally in Lamar’s song Rigamortis. Drummer Willie Jones III continues to perform, record and tour both as a leader and sideman.

Jazz Is Global – Share

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Daily Dose Of Jazz…

Royce Campbell was born on June 7, 1952 in Seymour, Indiana the son of a career navy man. Growing up in several U.S. cities and abroad including Asia, Europe and the West Indies he was exposed to different music genres as a child. These added to his musical style and approach in jazz composition and playing. Though mainly associated with mainstream jazz, his first love was rock and roll that connected him at age nine to the guitar and Chuck Berry, followed by Jimi Hendrix and Eric Clapton..

By the time Royce finished high school in the early 1970s, he was certain he wanted to pursue a professional career in music. His uncle, Carroll DeCamp, an arranger/pianist who arranged for Stan Kenton and Les Elgart invited the young guitarist to live with him and study in Indiana, providing most of his musical education in theory and composition. By age 21, he had begun touring with R&B artist Marvin Gaye and developing his talents for stage performance. In 1975 he was hired by a local music contractor to do three concerts with award-winning film composer Henry Mancini in Indianapolis. Soon after Royce became the touring guitarist with Mancini’s orchestra, holding that positing until Mancini’s death in 1994.

Though appearing on recordings as a sideman, and a couple as leader, during the early years of his career, Campbell started recording and touring more on his own during the 1990s, focusing at first on mainstream or straight-ahead jazz. Although he cites Wes Montgomery as his main influence, the horn of Dexter Gordon, and Chet Baker also had a great impact.

In 1993, he produced Project G-5: A Tribute to Wes Montgomery which also featured guitarists Tal Farlow, Jimmy Raney, Herb Ellis and Cal Collins. His 1994 album 6×6 featured guitarists Pat Martino, John Abercrombie, Larry Coryell, Dave Stryker and Bucky Pizzarelli. A follow-up Project G-5: A Tribute to Joe Pass, in 1999, Royce brought together the talents of Charlie Byrd, Gene Bertoncini, Mundell Lowe and John Pisano.

During his career guitarist Royce Campbell has released more than 30 CDs as leader or co-leader among various sideman projects. Fifteen of these CDs have made it onto the US national jazz radio charts. His soloing is documented among other jazz guitarists of the era, in Mel Bay’s Anthology of Jazz Guitar Solos: Featuring Solos by the World’s Finest Jazz Guitarists!  He has been inducted into the Indianapolis Jazz Foundation Hall of Fame and continues to record, perform and tour.

Give A Gift Of Jazz – Share

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Daily Dose Of Jazz…

Emilie-Claire Barlow was born June 6, 1976 in Toronto, Canada to professional musician parents, so she grew up in recording studios. By age seven she had begun a career singing television and radio commercial

Encouraged by her parents to sing and study several instruments Emilie chose piano, cello, clarinet and violin. She went on to study voice at the Etobicoke School of Arts and music theory and arranging at Humber College. She lists Ella Fitzgerald, Tony Bennett and Stevie Wonder amongst her musical influences.

Barlow’s first album Sings was released in 1998. She has been named Female Vocalist of the Year at the 2008 National Jazz Awards, has been nominated five times for Canada’s Juno Awards and won Best Jazz Vocal Recording for her album Seule ce soir in 2013. The album also won Album of the Year – Jazz Interpretation at the 2013 ADISQ Awards. The same year she also picked up Best Jazz Vocalist of the Year from Sirius XM Independent Album of the Year.

Beyond music Emilie has also provided voices for many animated television series, including Sailor Venus and Sailor Mars in Sailor Moon, Bakugan Battle Brawlers and Courtney in Total Drama Island.

To date the jazz singer, arranger, record producer and voice actress has released 10 self produced jazz albums on her own label and has voiced dozens of characters for animated television series. She has performed and recorded with Melanie Doane, Peter Appleyard, Matt Dusk, Jay Oliver and Dave Weckl to name a few. Emilie-Claire Barlow continues to perform, record and tour.

Inspire A Young Mind

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Daily Dose Of Jazz…

ESP-Disk is a New York-based record label, founded in 1964 by lawyer Bernard Stollman.  From the beginning, the label’s goal has been to provide its recording artists with complete artistic freedom, unimpeded by any record company interference or commercial expectations—a philosophy summed-up by the ESP motto, printed on every release: “The artists alone decide what you will hear on their ESP-Disk”.

Though it originally existed to release Esperanto-based music, but beginning with its second release, Albert Ayler’s Spiritual Unity, ESP became the most important exponent of what is commonly referred to as free jazz. However ESP also ventured into releasing recordings by non-commercial underground rock acts including The Fugs, The Godz and Pearls Before Swine. Though it suspended releasing records in the 1970s, several new releases by iconic and cutting edge artists have been released by the label, that still exists with nearly its entire catalog available.

A select list of the artists who have recorded for this label include Ornette Coleman – “Town Hall Concert”, Pharaoh Sanders – who made his recording debut on ESP, Sun Ra, Ronnie Boykins, Marion Brown, Sonny Simmons, Paul Bley, Ran Blake, Don Cherry, Giuseppe Logan, Byron Allen, Bob James, Gato Barbieri, Lowell Davidson, Gary Peacock, Frank Wright, Henry Grimes, Noah Howard, Tuli Kupferberg, Karl Berger, MarzetteWatts and Perry Robinson.

Stollman has faced allegations of not paying royalties to the artists or that were signed to unfavorable contracts with low percentage rates from ESP-Disk brought by mostly the underground groups. It is claimed he has committedly stated royalties were his as well as all publishing rights.

The label’s catalog has been licensed frequently over the years, and founder Bernard Stollman has resumed direct responsibility for reissues and for emerging artists.

Dose A Day – Blues Away

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