Daily Dose Of Jazz…
Joseph Barry Galbraith, born on December 18, 1919 in Pittsburgh, Pennsylvania.
Moving to New York City in the early 1940s he found work playing with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre, and Teddy Powell. He played with Claude Thornhill in 1941–1942 and again from 1946–1949 after serving in the Army. In ‘53 he did a tour with Stan Kenton.
Having extensive work as a studio musician for NBC and CBS in the 1950s and 1960s, presented him with the opportunity to work with among others Miles Davis, Michel Legrand, Tal Farlow, Coleman Hawkins, George Barnes, John Lewis, Hal McKusick, Oscar Peterson, Max Roach, George Russell, John Carisi, and Tony Scott.
He accompanied on the recording of singers Anita O’Day, Chris Connor, Billie Holiday, Helen Merrill, Sarah Vaughan and Dinah Washington. He was a mentor to Ralph Patt.
In 1961, he appeared in the film After Hours. In 1963-1964 he played on Gil Evans’s album The Individualism of Gil Evans, and in 1965 he appeared on Stan Getz and Eddie Sauter’s soundtrack to the 1965 film Mickey One.
As an educator he taught for five years from 1970 to 1975 at CUNY (City University of New York) and published a guitar method book in 1982. From 1976–77 Galbraith taught guitar at New England Conservatory in Boston, Massachusetts.
Guitarist and bandleader Barry Galbraith passed away from cancer at the age of 63 on January 13, 1983 in Bennington, Vermont.
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Daily Dose Of Jazz…
Buddy Cole was born Edwin LeMar Cole on December 15, 1916 in Irving, Illinois. He started his musical career in the theater, playing between movies and by age 19 he was recruited to be part of the Gil Evans band.
Moving to Hollywood, California in the second half of the 1930s, Buddy played in dance bands, including those led by Alvino Rey and Frankie Trumbauer. From the 1940s, his main work was as a studio musician, utilizing piano, electric organ, celeste, harpsichord and Novachord.
Cole worked with Henry Mancini, who used his Hammond organ for the soundtrack to the TV series Mr. Lucky. He also played most of the piano parts in the 1951 film Young Man with a Horn, subbing for Hoagy Carmichael, who appeared on screen. He also wrote the music for the television game show Truth or Consequences.
He performed on Bing Crosby’s hits In a Little Spanish Town and Ol’ Man River, and on the albums Some Fine Old Chestnuts and New Tricks. Buddy also played on Rosemary Clooney’s radio program and some recordings from the show were released on the album Swing Around Rosie.
Pianist, organist, orchestra leader, and composer Buddy Cole, who recorded several organ albums as a leader for Warner Brothers, Columbia, Alshi and Doric, passed away on November 5, 1964 in Hollywood, California.
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Daily Dose Of Jazz…
Irving Fazola was born in New Orleans, Louisiana on December 10, 1912 and receiving the nickname “Fazola”, he used it as his last name. Influenced early by Leon Roppolo, he was playing professionally by age 15. He worked with Sharkey Bonano, Candy Candido, Armand Hug, and Louis Prima. He joined the Ben Pollack band when it came throughNew Orleans and performed with it in Chicago, Illinois and New York City.
After brief time with Glenn Miller and Gus Arnheim, Fazola became a member of the Bob Crosby band in 1938. He achieved some fame with this band, ranking as top clarinetist in the DownBeat magazine polls of 1940 and 1941. After leaving Crosby, he worked in bands in Chicago, New York, and New Orleans, including time with George Brunies at the Famous Door, before settling in New Orleans in 1943.
A heavy drinker, which contributed to his weight and failing health, clarinetist Irving Fazola, who influenced Pete Fountain, passed away of a heart attack at 36 on March 20, 1949.
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Daily Dose Of Jazz…
Robert Alexander Scobey Jr. was born on December 9, 1916 in Tucumcari, New Mexico and began his career playing in dance orchestras and nightclubs in the 1930s. By 1938 he was working as second trumpeter for Lu Watters in the Yerba Buena Jazz Band. By 1949, he was leading his own band under the name Bob Scobey’s Frisco Band.
In the Fifties the group continued to play a three-year residency at the Victor & Roxie’s, growing their popularity. Clancy Hayes joined the band to sing, play banjo and contributed his own compositions such as Huggin’ and a Chalkin’. The collaboration recorded over two hundred tracks until he left in 1959 to follow a solo career.
The Frisco Band broadcasted in 1952 and 1953 on Rusty Draper’s television show. In 1953, Louis Armstrong sang with them at the Pasadena Civic Auditorium. From 1954-57, blues singer Lizzie Miles recorded and toured with the band.
In 1955, Scobey and his band played dates at San Quentin Prison and at the Rancho Grande in Lafayette, California. Two years later he recorded for Verve Records and RCA Victor, and on the latter Bing with a Beat recorded with Bing Crosby in 1957. From early in 1956, he toured colleges and universities and, in 1958, he recorded many of the student favorites and released the album College Classics.
While touring in 1960, he was reportedly drinking half and half or heavy cream to ease the pain in his stomach. Trumpeter Bob Scobey passed away from cancer on June 12, 1963 in Montreal, Quebec, Canada. His wife Jan posthumously produced a biography titled He Rambled!.
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Daily Dose Of Jazz…
George Coleridge Emerson Goode was born on November 29, 1914 in Kingston, Jamaica. His father was a choirmaster and organist and his mother sang in the choir. Moving to Britain in 1934, the 19-year-old student at the Royal Technical College in Glasgow, Scotland and then went on to read for a degree in engineering at Glasgow University. Already proficient as an amateur classical violinist he turned to jazz and took up the bass after hearing the music of Count Basie, Duke Ellington, Billie Holiday and Louis Jordan and decided to embark upon a musical career.
His primary early influences as a bassist were Walter Page, Slam Stewart and Jimmy Blanton. In London during World War II, Coleridge worked with Johnny Claes, Eric Winstone, Lauderic Caton, Dick Katz, became a founder member of the Ray Ellington Quartet and recorded with Django Reinhardt in 1946, alongside Stephane Grappelli. He went on to play with Tito Burns’ sextet and led his own group, before being invited to join Joe Harriott’s new band in 1958.
By 1967 he was recording with Chris McGregor, Dudu Pukwana, Ronnie Beer, and Laurie Allan on Gwigwi Mrwebi’s Mbaqanga Songs. Through the decade and into the 1970s, Goode worked extensively with pianist/composer Michael Garrick, while performing in the house band at Laurie Morgan’s Sunday jam session into his 90s.
In 2002, he published his autobiography Bass Lines: A Life in Jazz, which chronicled the birth of free form jazz in Britain. He was honoured with the Services to Jazz Award at the Parliamentary Jazz Awards, and at the age of 100, double bassist Coleridge Goode passed away on October 2, 2015.
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