Jazz Poems
WALKING PARKER HOME
Sweet beats of jazz impaled on slivers of wind Kansas Black Morning/First Horn Eyes/ Historical sound pictures on New Bird wings People shouts/ boy alto dreams/ Tomorrow’s Gold belled pipe of stops and future Blues Times Lurking Hawkins/ shadows of Lester/ realization Bronzer fingers–brain extensions seeking trapped sounds Ghetto thoughts/ bandstand courage/ solo flight Nerve-wracked suspicions of never songs and doubts New York altar city/ black tears/ secret disciples Hammer horn pounding soul markson unswinging gates Cultural gods/ mob sounds/ visions of spikes Panic excursions to tribal Jazz wombs and transfusions Heroin nights of birth/ and soaring/ over boppy new ground Smothered rage covering pyramids of notes spontaneously exploding Cool revelations/ shrill hopes/beauty speared into greedy ears Birdland nights on bop mountains, windy saxophone revolutions. Dayrooms of junk/ and melting walls and circling vultures/ Money cancer/ remembered pain/ terror flights/ Death and indestructible existence In that Jazz corner of life Wrapped in a mist of sound His legacy, our Jazz-tinted dawn Wailing his triumphs of oddly begotten dreams Inviting the nerveless to feel once more That fierce dying of humans consumed In raging fires of Love.
BOB KAUFMAN
from Jazz Poems ~ Selected and Edited by Kevin Young
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Joseph Gabriel Esther Maneri was born on February 9, 1927 in Brooklyn, New York. His formal schooling only went through the eighth grade, dropping out because of an undiagnosed attention deficit disorder. He went on to receive a rigorous classical music education from Josef Schmid, who taught courses in Arnold Schoenberg’s harmony, counterpoint and composition. As a composer he was mostly self-taught and his compositions were featured at Carnegie Recital Hall in 1961, including his Divertimento for piano, drums, and double bass.
His early work was with Gunther Schuller and his 20th Century Innovations Ensemble performances of Third Stream music at Carnegie Hall. Schuller arranged a record deal for Maneri with Atlantic Records, but the 1963 recording was not released. Twenty-five years later the Atlantic recording session tapes were released by the Avant label under the title Paniot’s Nine. During the 1990s Joe released 14 additional albums on the ECM, Hat Hut, Leo labels, often in collaboration with his free-style violinist son Mat.
Maneri went on to teach harmony, 16th Century counterpoint and composition at the Brooklyn Conservatory while continuing to compose. In 1963, he was commissioned by Erich Leinsdorf of the Boston Symphony Orchestra to write a piano concerto that premiered in 1985 by the American Composers Orchestra and pianist Rebecca la Brecque at Alice Tully Hall. He founded the Boston Microtonal Society, dedicated to microtonal music and tuning.
Saxophonist, clarinetist and composer Joe Maneri invented a keyboard that had 588 notes: 72 pitches per octave and co-authored a theory book titled Preliminary Studies in the Virtual Pitch Continuum, died on August 24, 2009 at the age of 82 of heart failure.
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David Joseph Shepherd was born February 7, 1929 in Walthamstow, London, England to Joseph Shepherd, a semi-professional piano player and gas company employee. He began on piano before switching to clarinet at age 16 in 1945. He studied under a clarinetist from the Hamburg State Opera Orchestra while stationed in Hamburg, Germany after World War II. Upon his return to England in 1950 he played with Reg Rigden, Joe Daniels and his Hotshots, and Freddy Randall to the middle of the decade.
He played with Billie Holiday and Gerry Mulligan on their British tours. He played in New York City in 1956 with Ted Kotick, then returned to England to play with the Jazz Today Unit and with the Jazz at the Philharmonic. He also played with Mary Lou Williams several times during the 1950s.
The 1960s and 1970s saw Dave playing with Randall again and with Teddy Wilson, at the Montreux Jazz Festival and in South Africa. During this period he was heard a lot more with his quartet on BBC Radio 2’s Jimmy Young programme as well as Round Midnight, Breakfast Special, and Music While You Work.
Centered in the UK found him working regularly with trombone player Roy Williams, Len Skeat and many more. He was a frequent guest with his line up called The Dave Shepherd Quintet on BBC Radio 1’s Sounds of Jazz. He based his style on Benny Goodman and was praised for his accuracy and unfailing swing and a quality of musical elegance.
He performed with Peter Boizot’s Pizza Express All Stars Band at the Pizza Express Jazz Club from 1980 to 1999. He led several of his own bands and has done extensive work producing music for film and television. Shepherd continued to solo and make guest appearances until shortly before his death.
Clarinetist Dave Shepherd, who was described by fellow jazz musician Digby Fairweather as Britain’s greatest swing clarinettist since 1948, on December 15, 2016 in Hampshire, England.
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Donald Alton Fagerquist, born February 6, 1927 in Worcester, Massachusetts and studied trumpet privately under Ms. Marion Twiss at Roosevelt Elementary and lessons at Carl Seder’s Music as well as classes at North High School. He began playing around his hometown in 1940 with Paul rhode, Paul Gervais, Bud Boyce and the Ambassadors/Crusaders. By 1942 he had played a year each with the Dol Brissette Orchestra and the Bob Pooley Band.
At 16 Fagerquist was making a name for himself through the decade as a featured soloist with several major bands, including Mal Hallett, Gene Krupa, Artie Shaw, and Artie Shaw’s Gramercy Five. In the Fifties he was performing with Woody Herman, Les Brown, and the Dave Pell Octet. He played on the Ella Fitzgerald Sings the Jerome Kern Songbook album in 1963 under the baton of Nelson Riddle.
Despite high demand for his services as a lyrical soloist, Donald only recorded twice as a leader, a half-date for Capitol Records in 1955 that was reissued as part of the Dave Pell Octet compact disc, I Had the Craziest Dream, and a complete project for Mode in 1957 titled Music to Fill a Void. During the 1950s he recorded more than two dozen albums with Chet Baker, Louis Bellson, Hoagy Carmichael, Bob Cooper, Fred Katz, Shorty Rogers, Stan Kenton, Mel Tormé, Benny Goodman, Skip Martin and Pete Rugolo.
In 1956, Fagerquist signed on as a staff musician for Paramount Films, while still periodically recording with artists such as Shelly Manne, Mel Tormé, and Art Pepper. Throughout the early to mid-1960s, his solos could be heard on the recordings of Pete Rugolo, Frank Comstock, Nelson Riddle, Billy May, Paul Weston, Si Zentner, Dean Martin, Junior Mance, and many others.
However, by 1966 health issues forced him to withdraw from studio recordin. Trumpeter Don Fagerquist, who was a small group, big band, and studio session player, died from kidney disease at his home in Canoga Park, Los Angeles, California at the age of 46 on January 23, 1974.
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Tony Fruscella was born February 4, 1927 in Orangeburg, New York and grew up in Greenwich Village, Manhattan, New York. He played in an Army band early in his career. He worked as a sideman in the 1950s for Charlie Barnet, Lester Young, Gerry Mulligan, and Stan Getz.
He played with Don Joseph later in the 1950s, but by the early 1960s his problems with drug abuse and alcoholism prevented him from performing. Fruscella released one album, I’ll Be Seeing You in 1955, as a leader during his lifetime. It was recorded with Allen Eager and Danny Bank for Atlantic Records.
He married singer Morgana King, however it ended in divorce after nine years. Trumpeter Tony Fruscella died on August 14, 1969 at 42 years old.
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