Daily Dose Of Jazz…

Teodross Avery was born on July 2, 1973 and grew up in Oakland and Vacaville, California. Exposed to a wide range of music by his parents, at ten he began his training with classical guitar. However after hearing Coltrane’s Giant Steps he switched to saxophone and it was Wynton Marsalis who bought him a saxophone as a testament to his young promise. At 17 he won a full scholarship to Berklee College of Music.

Two years into Berklee the young saxophonist was heard by Carl Griffin of GRP/Impulse who signed him at age 19, launching his first album In Other Words to critical acclaim. This brought to national attention and demand by the likes of Aretha Franklin and Ramsey Lewis among others. Graduating in 1995 he moved to New York, landed a performance spot in the film Love Jones, released his sophomore project My Generation and worked with Dee Dee Bridgewater, Roy Hargrove, Leela James, Roy Ayers, Mos Def, and Betty Carter. By the end of the decade he was touring with Lauryn Hill and Matchbox Twenty

As a composer and producer, Teo has collaborated on such feature films as Beauty Shop and Brown Sugar, the documentary The N Word, has written music for Amy Winehouse, and appeared on numerous television shows like American Idol, Ellen Degeneres, Saturday Night Live and others. He has been a part of Grammy winning recordings, and recipient of the Advancement In The Arts Clifford Brown/Stan Getz Fellowship and the Sony Innovator Award. With five albums as a leader and several more as a sideman, saxophonist Teodross Avery continues to perform, compose, tour and record.

SUITE TABU 200

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Daily Dose Of Jazz…

Nasheet Waits was born on June 15, 1971 in New York City, the son of legendary drummer Freddie Waits, and learned to play the drums as a child. Before pursuing a music career, he studied psychology and history at Morehouse College. Transferring to Long Island University, he graduated with a degree in music but during his matriculation, in 1970, drummer and instructor Michael Carvin, who laid a great foundation for Waits, secured him a spot in Max Roach’s M’Boom.

Waits has recorded or performed as a sideman with such talents as Fred Hersch, Antonio Hart, Joe Lovano, Jason Moran, Andrew Hill, Bunky Green, William Parker, Eddie Gomez, John Medeski, Ron Carter, Hamiett Bluiett, Steve Coleman, Bill Lee, Jackie McLean and Mark Turner among others.

Acquiring the moniker “Heavy” as a part of his jazz legacy, Nasheet has been active on the jazz scene since 1993 and delivered his first album as a leader in 2009, titled “Equality”. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. Amidst all of that, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music and remains dedicated to exploring his role and creative path in music.

BRONZE LENS

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Requisites

Booker Little and Friends: At the time of Booker Little’s death in 1963, he was just 23 years old, he was already far more than a promising trumpet talent. This reissue of his landmark fourth and final session as a leader, “Victory And Sorrow”, showcases his compositions with trumpet voiced against a backdrop of tenor and trombone. It demonstrates Little’s interest in a mix of complex moods and advanced harmonies, use of multiple keys to create simultaneous joy and mourning, and rhythmic shifts, flaring runs, and surprising intervals.

Personnel: Booker Little – trumpet, Julian Priester – trombone, George Coleman – tenor saxophone, Donald Friedman – piano, Reggie Workman – bass, Pete LaRoca – drums

Record Date: Bethlehem / August 1961 – September 1961

Songs: Victory And Sorrow, Forward Flight, Looking Ahead, If I Should Lose You, Calling Softly, Booker’s Blues, Matilde, plus two previously unreleased takes – Matilde (Alt. Take 4), Matilde (Alt. Take 7)

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Requisites

Maiden Voyage is a concept album aimed at creating an oceanic atmosphere. Many of the song titles refer to marine biology or the sea, and the musicians develop the concept through their use of space and almost tidal dynamics. Three of the albums tunes – Maiden Voyage, The Eye of the Hurricane and Dolphin Dance have become jazz standards. The album was presented with the Grammy Hall of Fame Award in 1999.

Personnel: Herbie Hancock – piano, Ron Carter – bass, Tony Williams –drums, Freddie Hubbard – trumpet, George Coleman – tenor saxophone

Supervised by: Rudy Van Gelder

Record Date: Blue Note / May 17, 1969

Cover: The sailboat lends to the nautical theme of a first outing.

Songs: Maiden Voyage, The Eye Of The Hurricane, Little One, Survival Of The Fittest and Dolphin Dance

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Jazz In Film

The Film: A Man Called Adam

The Year: 1966

The Director: Leo Penn

The Stars: Sammy Davis Jr., Ossie Davis, Cicely Tyson, Louis Armstrong, Frank Sinatra Jr., Peter Lawford, Mel Torme, Lola Falana, Jeanette Dubois, Johnny Brown, George Rhodes and Henry Silva.

The Music: Scored by Benny Carter with Sammy Davis ghosted by Nat Adderley. Performances by Louis Armstrong, Billy Kyle, Buster Bailey, Tyree Glenn, Kai Winding, Jo Jones, Frank Wes and Mel Torme.

The Story: Sammy Davis Jr. does a great job as the film’s central character Adam Johnson, a famous self-destructive, unlikable jazz trumpeter finds himself unable to cope with the problems of everyday life. He finds true love for the first time with a virginal bleeding heart: a sensible civil rights activist who wants to reform the hotheaded musician of his hard liquor and hard living. Adam, carrying around a multitude of shoulder-chips, lashes out at everybody and never seems to land on his feet; after burning all his bridges, he finds himself at the end of his professional rope; yet the faithful are still hopeful he can make a comeback. Much better are Ossie Davis as a friend with a strong center and endless patience, as well as love-interest Cicely Tyson. Mel Tormé stops the show with a terrific rendition of “All That Jazz”, while the superb soundtrack and Jack Priestley’s gleaming cinematography are first-rate throughout.

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