Daily Dose Of Jazz…

Anthony Wilson was born in Los Angeles, California on May 9, 1968 to bandleader Gerald Wilson. A guitarist and composer, he was influenced by Duke Ellington, Gil Evans, Wes Montgomery and T-Bone Walker. He received his degree in music composition from Bennington College.

Wilson released his debut self-titled album in 1997 that was nominated for a Grammy and his sophomore project the following year, Goat Hill Junket, garnered notice. He has recorded with his 9-piece band, two trio albums with organ, worked with Joe Bagg, Eva Scow, Larry Goldings, Jim Keltner and Jeff Hamilton.

Since 2001 Anthony has been a member of Diana Krall’s group performing notably the Grammy-winning Live in Paris.  He has recorded ten albums as a leader and collaborated with Brazilian guitarist Chico Pinheiro on “Nova,” released in Brazil and the U.S. on their respective labels.

Guitarist Anthony Wilson can also be heard on a number of his father’s recordings and often plays live with the Gerald Wilson Orchestra whenever his schedule permits.

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Jazz In Film

Play Misty For Me: This 1971 film directed by Clint Eastwood tells the story of a brief fling between a male disc jockey and an obsessed female fan takes a frightening, and perhaps even deadly turn when another woman enters the picture.

Stars: Clint Eastwood, Jessica Walter, Donna Mills, John Larch, James McEachin, Irene Hervey

Music: Misty – 
Composed and performed by Erroll Garner; The First Time Ever I Saw Your Face -
Written by Ewan MacColl and performed by Roberta Flack; and
 Country Preacher – composed by Joseph Zawinul and performed by Cannonball Adderley

The song, The First Time I Ever Saw Your Face was popularized by Roberta Flack in 1972 in a version that became a breakout hit for the singer. The song first appeared on Flack’s 1969 album First Take. Flack’s rendition was much slower than the original as an early solo recording by Seeger ran two and a half minutes long whereas Flack’s is more than twice that length.

This slower, more sensual version was used by Clint Eastwood in his 1971 directorial debut Play Misty for Me during a lovemaking scene. With the new exposure, Atlantic Records cut the song down to four minutes and released it to radio. It became an extremely successful single in the United States where it reached #1 on the Billboard Hot 100 and Easy Listening charts in April 1972 for six week runs on each.[3] It reached #14 on the UK Singles Chart.

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Daily Dose Of Jazz…

Pablo Aslan was born in Buenos Aires, Argentina on May 5, 1962 and began playing bass in his youth. He received his music education at University of California – Santa Cruz, CalArts and UCLA, and in the 90’s in the clubs of New York.

Pablo has led several groups like New York Buenos Aires Connection, Avantango, and New York Tango Trio, which included musicians such as the late Thomas Chapin, pianist Ethan Iverson (now of The Bad Plus), drummer Kenny Wollesen, saxophonist Donny McCaslin, and bandoneonists Raul Jaurena and Tito Castro.

Aslan has worked with Yo Yo Ma, Lalo Schifrin, Pablo Ziegler, Osvaldo Golijov, Arturo O’Farrill, Emilio Solla and Fernando Otero. In 2009 he released “Tango Grill” that was nominated for both a Grammy and Latin Grammy. He has collaborated with Paquito D’Rivera, “Tango Jazz” Live at Jazz @ Lincoln Center” and also for a tribute to tango master Astor Piazzolla on the 90th anniversary of his birth. Bassist Pablo Aslan continues to champion the fusion of jazz and tango as he records, performs and tours.

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Requisites

Royal Flush: This album was recorded by jazz trumpeter Donald Byrd and is notable for introducing pianist Herbie Hancock in his first Blue Note session.

Personnel: Donald Byrd – trumpet, Pepper Adams – baritone saxophone, Herbie Hancock – piano, Butch Warren – bass, Billy Higgins – drums

Record Date: Blue Note – 1961

Songs: Hush, I’m A Fool To Want You, Jorgie’s, Shangri-La, 6M’s, Requiem

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Jazz In Film

BOOM! Tennessee Williams penned the play and this 1968 screenplay adaptation of his play was directed by Joseph Losey and starred Elizabeth Taylor, Richard Burton and Noel Coward.

The film explores the confrontation between the wealthiest woman in the world who has everything including emptiness, and a penniless poet who has nothing but the ability to fill a wealthy woman’s needs.

Music for the song Hideaway composed by clarinetist and saxophonist John Dankworth. The soundtrack was composed by John Barry.

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