Daily Dose Of Jazz..

Jay Clayton was born on October 28, 1941, in Youngstown, Ohio as Judith Colantone and after studying at Miami University in Oxford, Ohio she ventured to New York City and took lessons from Steve Lacy. Together with her husband, percussionist Frank Clayton, she presented Jazz at the Loft in their home around 1967.  Among the featured musicians Sam Rivers, Cecil McBee, Joanne Brackeen, Dave Liebman, Larry Karush, Pete Yellin, Hal Galper, Jeanne Lee, Bob Moses, Junie Booth, John Gilmore, and Jane Getz.

Earning her own reputation as an avant-garde singer, Jay developed her personal wordless vocabulary. Her pioneering vocal explorations placed her at the forefront of the free jazz movement and loft scene in the 1970s, where she counted among the first singers to incorporate poetry and electronics into her improvisations. She performed and recorded with Muhal Richard Abrams, John Fischer’s Interface, Byron Morris’s Unity and for a long time she was a member of the Steve Reich ensemble. She was one of the first singers to record composer John Cage’s vocal music.

Clayton’s own performance dates appear under the heading the Jay Clayton Project, while she titles her work with other esteemed vocalists Different Voices. She co-leads a trio, Outskirts, with drummer Jerry Granelli and saxophonist Jane Ira Bloom. She has more than 40 recordings to her credit, Clayton has appeared alongside Bud Shank, Charlie Haden, Kirk Nurock, Stanley Cowell, Lee Konitz,  Julian Priester, George Cables, Gary Bartz, Gary Peacock, Fred Hersch, Jeanne Lee, Lauren Newton, Urszula Dudziak, and Bobby McFerrin.

As an educator, in 1971 Jay began leading her own workshops, partly together with Michelle Berne and Jeanne Lee. By 1981 onwards she taught at Cornish College of the Arts in Seattle, Washington for 20 years. In addition to that tenure, she taught for several semesters at New York’s City College, at Graz in Austria, Berlin, Cologne and Munich. She developed the vocal program for the Banff Center in Canada, which she co-taught with fellow vocalist Sheila Jordan. The two are also teaching together at Vermont Jazz Workshop and at Jazz in July at the University of Massachusetts Amherst. She has taught masterclasses to the Manhattan School of Music and the Peabody Conservatory.

In 2001 her book, Sing Your Story: A Practical Guide for Learning and Teaching the Art of Jazz Singing, was published. She was the first artistic director for the first ever Women in Jazz Festival, served as a consultant for ABC Cable’s Women in Jazz, and has received grants from the National Endowment for the Arts, Meet the Composer, and Chamber Music America. Vocalist Jay Clayton continues to perform, record and tour.


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Daily Dose Of Jazz…

Bert Wilson was born on October 15, 1939 in Evansville, Indiana and  contracted polio from a public swimming pool at age 4, and for the rest of his life was in a wheelchair. When he was 10, he heard the music of Charlie Parker in a Chicago hospital school, an experience he often said affected his life far more than the disease.

After graduating from high school Wilson moved to Los Angeles, California where he became interested in the avant-garde “free jazz” of Ornette Coleman. In 1966 he moved to New York, where he lived alone on the sixth floor of a building with no elevator. In New York City and Los Angeles he recorded with fiery alto saxophonist Sonny Simmons, drummers James Zitro and Smiley Winters and trumpeter Barbara Donald.

As an educator some of his students over the years have included the Dave Matthews Band’s Jeff Coffin, Los Angeles ace Ernie Watts, Tower of Power member Lenny Pickett and Latin percussionist Michael Olson. It was Olson in 1979, who along with keyboardist Michael Moore, of the band Obrador, learned that Wilson was living alone and miserable in Woodstock, New York and threw a benefit concert to move him to Olympia, Washington.

From that time forward, Bert was an active participant in the Northwest jazz scene, performing at the Earshot Jazz Festival and other major events, as well as, performing weekly with saxophonist Chuck Stentz at the Water Street Cafe.

On June 6, 2013 tenor saxophonist Bert Wilson, who did things on the saxophone that nobody else could do, passed away of a heart attack at age 73 in Olympia, Washington. He left behind many recordings as a sideman and as a leader of his own band, Rebirth.

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Billy Higgins was born on October 11, 1936 in Los Angeles, California. A jazz drummer who mainly played free jazz, he played on Ornette Coleman’s first records, beginning in 1958 and then freelanced extensively with hard bop and post-bop players. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s. On a whole, he played on over 700 recordings, including recordings of rock and funk, and appeared as a jazz drummer in the 2001 movie Southlander.

Tipping his hat into the educator ring, in 1989 Higgins cofounded a cultural center, The World Stage, in Los Angeles to encourage and promote younger jazz musicians. The center provides workshops in performance and writing, as well as concerts and recordings. He also taught in the jazz studies program at the University of California, Los Angeles. Drummer Billy Higgins passed away of kidney and liver failure on May 3, 2001 at age 64 in Inglewood, California.

He left a legacy of music, having recorded eight albums as a leader and his sideman duties had him performing and recording with a who’s who list of musicians including but not limited to Gene Ammons, Robert Stewart, Chris Anderson, Gary Bartz, Paul Bley, Sandy Bull, Jaki Byard, Donald Byrd, Joe Castro, Don Cherry, Sonny Clark, George Coleman, John Coltrane, Bill Cosby, Stanley Cowell, Ray Drummond, Teddy Edwards, Booker Ervin, Art Farmer, Curtis Fuller, Stan Getz, Dexter Gordon, Grant Green, Charlie Haden, Slide Hampton, Herbie Hancock, Barry Harris, Eddie Harris, Jimmy Heath, Joe Henderson, Andrew Hill, Richard “Groove” Holmes, Paul Horn, Freddie Hubbard, Bobby Hutcherson, J. J. Johnson, Hank Jones,  Dave Holland, Sam Jones, Clifford Jordan, Fred Katz, Steve Lacy, Charles Lloyd, Pat Martino, Jackie McLean, Charles McPherson, Pat Metheny, Blue Mitchell, , Red Mitchell, Hank Mobley, Thelonious Monk, Lee Morgan, Bheki Mseleku, David Murray, Horace Parlan, Niels-Henning Orsted Pedersen, Art Pepper, Dave Pike, Jimmy Raney, Sonny Red, Freddie Redd, Joshua Redman, Sonny Rollins, Charlie Rouse, Pharoah Sanders, John Scofield, Shirley Scott, Archie Shepp, Sonny Simmons, Sonny Stitt, Idrees Sulieman, Sun Ra, Cecil Taylor, Bobby Timmons, Mal Waldron, Cedar Walton, Don Wilkerson, David Williams and Jack Wilson, among others.

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John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School. He played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s.

From 1961, he was based mainly on the West Coast, where he met Bobby Bradford in 1965 and went on to work together on a number of projects, most notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the Seventies he became well known for his extraordinary solo concerts.

At New Jazz Festival Moers 1979 he and the German clarinetist Theo Jörgensmann performed for three days. This catapulted him to garnering wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin Jazz Fest was built around the clarinet and after Carter’s solo performance, he and Jörgensmann also played together.

Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.

A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that same year he was inducted into the Down Beat Jazz Hall of Fame.

He recorded fourteen albums as a leader on the Black Saint, Flying Dutchman, Revelation, Dark Tree, Emanem, and Gramavision record labels. As a sideman he recorded with Horace Tapscott,  Vinny Golia, and the Clarinet Summit. Clarinetist, saxophonist and flutist John Carter passed away on March 31, 1991.


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Charles Moffett was born on September 6, 1929 in Fort Worth, Texas, and attended I.M. Terrell High School with Ornette Coleman. Before switching to drums, he began his musical career as a trumpeter. At age 13, he played trumpet with Jimmy Witherspoon and later formed a band, the Jam Jivers, with fellow students Coleman and Prince Lasha. After switching to drums, Moffett briefly performed with Little Richard.

Upon discharge from the United States Navy, Charles pursued a short career in boxing before studying music at Huston-Tillotson College in Austin, Texas. In 1953 he began teaching music at a Rosenberg, Texas public school.

1961 saw him moving to New York City to work with Coleman but the saxophonist soon went into a brief retirement period. Moffett worked with Sonny Rollins, recorded with Archie Shepp on the album Four for Trane, and led a group that included Pharoah Sanders and Carla Bley.

Upon Coleman’s return to performing in 1964, he formed a trio with bassist David Izenzon and Moffett,who also performed on vibraphone. He began teaching music again at New York Public Schools as a way to make ends meet when Coleman made only sporadic performances. He then moved to Oakland, California, where he served as the city’s music director, and was later the principal of the alternative Odyssey public school in Berkeley in the mid-1970s.

The title of his first solo album as a leader was The Gift, a reference to his love of teaching music. His then 7-year-old son Codaryl played drums on that album. Moffett later returned to Brooklyn, New York and taught at PS 142 Stranahan Junior High School. He would go on to record two more albums as a leader and another 28 as a sideman working with Coleman, Shepp, Eric Dolphy, Harold McNair, Joe McPhee, Charles Tyler Ensemble, Bob Thiele Emergency, Frank Lowe, Ahmed Abdullah, Sonny Simmons, Keshavan Maslak and Kenny Millions.

Free jazz drummer Charles Moffett passed away on February 14, 1997 but left us his legacy in his music and his children, double bassist Charnett Moffett, drummer Codaryl “Cody” Moffett, vocalist Charisse Moffett, trumpeter Mondre Moffett, and saxophonist Charles Moffett, Jr.


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