Daily Dose Of Jazz…
Matthew Garrison was born June 2, 1970 in New York. The son of double bassist Jimmy Garrison, he spent the first eight years of his life immersed in a community of musicians, dancers, visual artists and poets. After the death of his father (John Coltrane’s bassist), his family relocated to Rome, Italy where he began to study piano and bass guitar.
In 1988 Matthew returned to the United States and lived with his godfather Jack Dejohnette for two years, studying intensively under him and bassist Dave Holland. In 1989 he received a full scholarship to attend Berklee College of Music in Boston. Along with his studies, he began his professional career with the likes of Gary Burton, Bob Moses, Betty Carter, Mike Gibbs and Lyle Mays to mention a few.
Garrison moved to Brooklyn, New York in 1994 and since then has performed, toured and recorded with artists such as Herbie Hancock, Whitney Houston, Joe Zawinul, Chaka Khan, Meshell Ndege Ocello, Joni Mitchell, Wayne Shorter, Jack Dejohnette, Steve Coleman, Bill Cosby, Paul Simon, Cassandra Wilson, Wallace Roney, Geri Allen, John Mclaughlin, Tito Puente, John Scofield, Pat Metheny and many others.
In 1998 Matthew founded record label and production company, GarrisonJazz Productions, through which he currently produces, promotes and markets his music. Since 2000 he has released two compact discs and a live performance DVD. He is noted for playing his signature series Fodera bass, having created and developed a pizzicato technique that uses four fingers. He continues to perform and record.
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Daily Dose Of Jazz…
Sun Ra was born Herman Poole Blount in Birmingham, Alabama on May 22, 1914 and as a child was a skilled pianist. By twelve he was writing original songs and could sight read sheet music. With Birmingham being an important stop for touring musicians, during his childhood he was able to see famed musicians like Fletcher Henderson, Duke Ellington and Fats Waller.
By his teenage years he was producing from memory full transcriptions of big band songs he had heard and began playing semi-professional solo piano in ad hoc jazz bands. Attending Birmingham Industrial High School he took lessons the tutelage of John T. “Fess” Whatley, a demanding disciplinarian and producer of many professional musicians.
Claiming that he was of the “Angel Race” and not from Earth, but from Saturn, Sun Ra developed a complex persona of “cosmic” philosophies and lyrical poetry that made him a pioneer of “afro-futurism” as he preached awareness and peace above all. He abandoned his birth name and took on the name and persona of Sun Ra (Ra being the ancient Egyptian god of the sun).
From the mid-1950s to his death, Sun Ra led “The Arkestra”, an ensemble with an ever-changing lineup and names, asserting that the ever-changing name of his ensemble reflected the ever-changing nature of his music. His mainstream success was limited, but Sun Ra was a prolific recording artist and frequent live performer with music ranged from keyboard solos to big bands of over 30 musicians and music touching on virtually the entire history of jazz, from ragtime, swing, bebop, free improvisation, electronic and space music.
Sun Ra had several music periods during his lifetime – late 30s creating a conservatory workshop in his family home, conscientious objector during the war years, Chicago playing blues and jazz with Fletcher Henderson, Coleman Hawkins and Stuff Smith, New York Monday night gig at Slug’s Saloon and praise from Dizzy Gillespie and Thelonious Monk, and Philadelphia that would be the base of operations for the Arkestra until his death.
Sun Ra known for his “cosmic philosophy, musical compositions and performances was inducted into the Alabama Jazz Hall of Fame in 1979. The prolific Jazz composer, bandleader, piano and synthesizer player, poet and philosopher passed away on May 30, 1993, at 79.
Daily Dose Of Jazz…
Born May 19, 1935 in Tulsa, Oklahoma bassist Cecil McBee studied clarinet at school before switching to the bass at 17 and began playing in local clubs. After matriculating through Ohio Central State University with a degree in music, he spent two years in the army conducting the band at Fort Knox.
Cecil McBee was working with Dinah Washington by 1959, three years later moved to Detroit and worked with Paul Winters folk-rock band, then moved to New York in the mid-60s where his jazz career took an earnest turn. He began working with Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean, Wayne Shorter, Charles Lloyd, Yusef Lateef, Keith Jarrett, Freddie Hubbard, Wood Shaw and Alice Coltrane all by the time 1972 arrived.
In 1975 he started his own group and made a number of recordings, became a member of the group Almanac but is best known for his as a sideman over the past several decades. One of the most influential bassist in jazz, Cecil McBee teaches at the New England Conservatory in Boston, Massachusetts and remains one of post-bops versatile bassist who delivers a rich, full-bodied tone.
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Daily Dose Of Jazz…
Carla Bley was born Carla Borg on May 11, 1936 is best known for her work as a jazz composer, pianist, organist and band leader in the post bop generation and free jazz movement of the 60s.
Raised in Oakland, California she was encouraged by her father, piano teacher and choirmaster, to sing and learn the piano. Giving up church to immerse herself in roller-skating at fourteen, Carla moved to New York and became a cigarette girl at Birdland. It is here that she met and married Paul Bley, who encouraged her to start composing. Her compositions would later begin to appear on recordings by George Russell and Jimmy Guiffre, with compositions being performed by Gary Burton, Art Farmer and Paul Bley.
In 1964 she was involved in organizing the Jazz Composer Guild bringing together the most innovative musicians in New York and started the JCOA record label, which released albums by Clifford Thornton, Don Cherry and Roswell Rudd, Michael Mantler and herself. With Mantler the two started the New Music Distribution Services, now defunct, that specialized in small, independent labels issuing creative improvised music.
Carla Bley has collaborated with a number of other artists, including Kurt Weill, Jack Bruce, Charlie Haden, Phil Woods, Johnny Griffin, Pink Floyd drummer Nick Mason, Blood, Sweat & Tears, Lew Soloff, Phil Woods and her current partner bassist Steve Swallow. She has continued to record frequently with her own big band and a number of smaller ensembles.
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Daily Dose Of Jazz…
Karl Hanns Berger was born March 30, 1935 in Heidelberg, Germany and began playing piano when he was ten. By the time he reached young adulthood he had landed a job at Club 54 in his hometown as the house pianist and accompanied visiting American musicians such as Leo Wright, Lex Humphries and Don Ellis. During their stays he was able to learn the complexities of modern jazz.
Berger eventually picked up the vibraphone and in the early sixties became intrigued with free jazz. By 1965 he was a part of Don Cherry’s Paris-based quintet and the next year they came to New York to record Symphony For Improvisers on Blue Note. Staying in the U.S. Berger recorded his first album the following year.
Most of his output has been experimental in the free jazz circles playing with the likes of Carla Bley, Lee Konitz, John McLaughlin, Dave Holland, Sam Rivers, Pharoah Sanders, The Mingus Epitaph Orchestra and many others. From 1969 to 1975 Karl Berger continuously won the Down Beat critics poll for best jazz vibraphone player of the year.
In 1972 along with his friend and mentor Ornette Coleman, he founded the Creative Music Studio in Woodstock, New York, which was geared toward encouraging young students to explore their own creative ideas instead of imposing traditional concepts upon them. With visiting educators like Jack DeJohnette, Sam Rivers, and Anthony Braxton amongst other prominent musicians the school flourished until the mid eighties when Berger decided to venture back into performing.
From 1985 on Berger has led a 28-piece big band, played festivals worldwide, recorded as a leader and sideman, extending his educator talents to teaching jazz and ensemble playing in Frankfurt, and chaired the Music Department at U Mass-Dartmouth.
The musicologist, composer, pianist and vibraphonist was directly influenced by Ornette Coleman and his playing eschews four-mallet technique with an understanding and ability to play any meter from standard time signatures to odd meters and polyrhythms based on core elements of swing and coherent melody. Karl Berger continues to pursue the range of his instrument through recording, performing and touring.
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