Daily Dose Of Jazz…
Horace Tapscott was born Horace Elva Tapscott in Houston, Texas, the son of a jazz musician mother on April 6, 1934. When he turned nine his family moved first to Fresno, California, eventually settling in Los Angeles. Reaching maturity at a critical time in the history of L.A. jazz, he was privy to the like of Dexter Gordon, Art Tatum and Coleman Hawkins who were playing the Central Avenue clubs in the late ‘40s.
In 1961 Horace formed the Pan Afrikan Peoples Arkestra, also known as P.A.P.A., or The Ark in 1961 and led the ensemble that included at one time or another Arthur Blythe, Stanley Crouch, Butch Morris, Wilbur Morris, David Murray and Jimmy Woods through the 1990s. In 1968 he composed and arranged saxophonist Sonny Criss’ critically acclaimed “The Birth of the New Cool”. He followed this with a decade long performance of his own works, a succession of recordings for the Nimbus label and a growing reputation and flourishing creativity that eventually leading to the recognition he deserved.
His powerful and percussive approach to playing coupled with a highly individual bop-tinged style with avant-garde leanings became somewhat of an inspiration to a new generation of L.A. based free jazz players. Horace Tapscott and his work are the subjects of the UCLA Horace Tapscott Jazz Collection. The composer and pianist passed away of lung cancer on February 27, 1999 in Los Angeles, California.
More Posts: piano
Daily Dose Of Jazz…
Larry Coryell was born April 2, 1943 in Galveston, Texas moved to Washington as a child. After graduating from Richland High School in eastern Washington, he moved to Seattle to attend the University of Washington.
In 1965, Coryell moved to New York City where he became part of Chico Hamilton’s quintet replacing Gabor Szabo. In the Sixties he recorded with Gary Burton, played with The Free Spirits and extended his musical landscape to include influences of rock, jazz and eastern music.
He formed his own group, “The Eleventh House” in 1973 and following the break-up of this band, Coryell played mainly acoustic guitar but returned to electric guitar later in the 1980s.
In 1979, Coryell formed “The Guitar Trio” with jazz-fusion guitarist John McLaughlin and flamenco guitarist Paco de Lucia. The group toured Europe, released “Meeting of Spirits” recorded at Royal Albert Hall in London, however, his drug addiction led to his being replaced by Al Di Meola.
By the turn of the century he settled back into a more mainstream style of playing releasing “Cedars of Avalon”, “Monk, Trane, Miles & Me”, “Tricycles”, and “Power Trio: Live In Chicago”. In 2007, Coryell published an autobiography titled “Improvising: My Life in Music”. Guitarist Larry Coryell remains active in the music industry performing, touring and recording.
More Posts: guitar
Daily Dose Of Jazz…
Cecil Percival Taylor was born March 25, 1929 in New York City and began playing piano and classical training at age six. He studied at the New York College of Music and New England Conservatory. After first steps in R&B and swing-styled small groups in the early 1950s, he formed his own band with soprano saxophonist Steve Lacy in 1956, in which he release his first recording Jazz Advance.
Throughout the 1950s and 1960s, Taylor’s music grew more complex and moved away from existing jazz styles. Gigs were often hard to come by, and club owners found Taylor’s approach to performance (long pieces) unhelpful in conducting business. Forming his group The Unit in 1961 with Jimmy Lyons, Sunny Murray and later Andrew Cyrille produced landmark recordings, like “Unit Structures” in 1966, they continued to record although sporadically and many of his recording sessions remained unreleased for sometimes decades.
By the 70s he was performing solo concerts and Taylor’s work began to be released for the next two decades, garnering critical if not popular acclaim. He began lecturing at universities, was awarded the Guggenheim Fellowship, performed a White House lawn concert for President Jimmy Carter, was awarded a MacArthur Fellowship, returned to the trio setting, collaborated with ballet companies and as an accomplished poet often incorporates his poems into his musical performances.
He is the co-founder of the Jazz Composers Guild to enhance the working possibilities of avant-garde musicians. Acknowledged as one of the pioneers of free jazz, his music is characterized by an extremely energetic, physical approach, producing complex improvised sounds, frequently involving tone clusters and intricate polyrhythms. His piano technique has been likened to percussion, described as “eighty-eight tuned drums” referring to the number of keys on a standard piano. He continues to perform, compose and record.
More Posts: bandleader,composer,piano,poet
Daily Dose Of Jazz…
Michele Rosewoman was born on March 19, 1953 in Oakland, California. She began playing the piano at age six and as a teenager studied with organist/pianist Ed Kelly. After extensive work locally leading several jazz groups she also played with Baikida Carroll, Julius Hemphill and Julian Priester. In 1977 Michele moved to New York where she involved herself in the avant-garde scene playing and recording as a sidewoman with Oliver Lake, Billy Bang, Greg Osby, Ralph Peterson and the members of M Base among others.
Rosewoman is most notable for her work and recordings with her Quintessence ensemble as well as several trio and quartet sessions. Steeped in Cuban percussion and African music and since the early 80s for her Afro Cuban jazz big band “New Yor-Uba Ensemble” featuring Orlando “Puntilla” Rios.
Michele has played with such jazz masters as Freddie Waits, Rufus Reid, Billy Hart, Reggie Workman and Latin music greats such as Celia Cruz, Chocalate, Nicky Marrero, Paquito D’Rivera, and Daniel Ponce among others. She continues to perform and record around the world.
More Posts: piano
Daily Dose Of Jazz…
Leroy Jenkins was born on March 11, 1932 in Chicago, Illinois and began playing violin at eight years old, often in church. Another graduate of DuSable High under the tutelage of Walter Dyett, Leroy also played alto saxophone. He went on to graduate from Florida A&M, where he dropped the alto to concentrate on violin.
He returned to Chicago and divided his time from 1965 to 1969 between being involved in the Association for the Advancement of Creative Musicians (AACM) and teaching in the public school system. By the end of the decade he gave up Chicago for Europe and while in Paris, along with Anthony Braxton, Leo Smith and Steve McCall, he founded the creative Construction Company. Jenkins followed this with the Revolutionary Ensemble and formed a trio with Anthony Davis and Andrew Cyrille.
During 1987 he toured Europe as part of Cecil Taylor’s group. He gained recognition for music-theatre works such as “The Mother of Three Sons” and “The Negros Burial Ground”, two collaborations with Ann T. Greene, also “Fresh Faust”, and “The Three Willies”.
Leroy has played with Archie Shepp, Alice Coltrane and Rahsaan Roland Kirk; was a driving force in the free jazz circles and has written numerous pieces for soloists, small groups and large ensembles. Leroy Jenkins, composer, violist and free jazz violinist passed away February 24, 2007.