Daily Dose Of Jazz…
Frederick Dewayne Hubbard was born on April 7, 1938 in Indianapolis, Indiana and started playing the mellophone and trumpet in his school band at Arsenal Technical High School. Upon the recommendation of one-time Stan Kenton sideman, trumpeter Lee Katzman, he began studies at the Arthur Jordan Conservatory of music. During his teens he played with Wes and Monk Montgomery, bassist Larry Ridley and James Spaulding.
1958 saw a 20-year old Hubbard in New York working with the likes of Philly Joe Jones, Sonny Rollins, Slide Hampton, Eric Dolphy, J. J. Johnson and Quincy Jones. Three years later in ’61 he recorded his debut as a leader, Open Sesame with Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. That same year he replaced Lee Morgan in Art Blakey’s Jazz Messengers and for the next five years played and recorded on a succession of albums. Leaving Blakey in 1966 he formed the first of several small groups with among others Kenny Baron and Louis Hayes.
Throughout his hard bop and post bop career he recorded profusely for Blue Note, Atlantic, CTI, Columbia and a host of subsidiaries and smaller labels playing with the likes of Ornette Coleman, John Coltrane, Wayne Shorter, Eric Dolphy, Don Cherry, Herbie Hancock, Oliver Nelson, Stanley Turrentine, George Benson, Richard Wyands, Eric Gale, Ron Carter, Jack DeJonette, Dexter Gordon, Curtis Fuller and the list goes on.
Freddie Hubbard, NEA Jazz Master, had an unmistakable and influential tone that greatly contributed to new perspectives for modern jazz and bebop. He passed away from a heart attack on December 29, 2008.
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Daily Dose Of jazz…
Stanley William Turrentine was born in the Hill District of Pittsburgh, Pennsylvania on April 5, 1934 into a musical family. His father, Thomas Turrentine, Sr., was a saxophonist with Al Cooper’s Savoy Sultans, his mother played stride piano, and his older brother Tommy Turrentine became a professional trumpet player.
Turrentine began his prolific career with blues and rhythm and blues bands, and was at first greatly influenced by Illinois Jacquet. In the 1950s, he went on to play with the groups of Lowell Fulson, Earl Bostic and at the turn of the decade with Max Roach.
1960 saw Stanley marrying organist Shirley Scott and the two frequently played and recorded together. During this decade he also started working with organist Jimmy Smith, making several soul jazz recordings both with Smith and as a leader.
By the 1970s, after his professional and personal divorce from Scott, Turrentine left hard bop and soul jazz for jazz-fusion. He signed with Creed Taylor’s CTI label and released his debut album “Sugar” that became one of his biggest successes and a seminal recording for the label. He worked with Freddie Hubbard, Milt Jackson, Bob James, Richard Tee, Idris Muhammad, Ron Carter and Eric Gale, to name a few.
In the 80s and 90s Stanley returned to soul jazz though throughout his career along with his CTI releases, he recorded for Blue Note, Fantasy, Prestige, and Impulse record labels. Tenor saxophonist, bandleader and composer Stanley Turrentine passed away from a stroke in New York City on September 12, 2000.
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Daily Dose Of Jazz…
Harold Vick was born on April 3, 1936 in Rocky Mount, North Carolina. His uncle, reed player Prince Robinson gave him a clarinet when he was thirteen and two years later he switched to the tenor saxophone. He rose to prominence playing with organ combos in the mid-60s performing and recording with Jack McDuff, Jimmy McGriff and Big John Patton among others.
During this period in his career Harold also performed and recorded as a leader releasing eight albums between 1963 and 1977. He would work with the likes of Blue Mitchell, Ben Dixon, John Patton, Bobby Hutcherson, Walter Bishop Jr., Grady Tate and Teddy Charles, just to name a few. Also working as a sideman he performed and recorded with Grant Green, Shirley Scott, Nat Adderley, Aretha Franklin, Dizzy Gillespie, Mercer Ellington, Sarah Vaughan, Billy Taylor, Donald Byrd, Horace Silver, Ray Charles and Gene Ammons.
He played in films such as “Stardust Memories” and “Cotton Club”, in which he played a musician. He also was in the Spike Lee film “School Days” and was featured on the soundtrack for “She’s Gotta Have It”.
Harold Vick, tenor saxophonist and flautist in the hard bop and soul jazz genres passed away on November 13, 1987.
Daily Dose Of Jazz…
Melvin Sparks was born on March 22, 1946 in Houston, Texas. He got his first guitar when he was eleven and two years later he was sitting in with B.B. King. By 1963 he had joined the “Upsetters”, an R&B show band that backed Little Richard, Sam Cooke and other big names. Following this he did a year stint with Jack McDuff from 1966-67, then became quite in demand for his ability to improvise.
Sparks released his first album as a leader on Prestige in 1970 followed by a number of recording dates for the Prestige and Savant record labels and also appeared as a sideman and guest artist on several recordings with musicians including Lou Donaldson, Houston Person, Jimmy McGriff, Hank Crawford, Charles Earland, Sonny Stitt, Leon Spencer and Johnny Hammond Smith.
His Grant Green influenced guitar style placed him firmly in the soul jazz, hard bop and jazz blues genres. Melvin Sparks died on March 13, 2011 in Mount Vernon, New York from complications from diabetes.
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Daily Dose Of Jazz…
Roy Owen Haynes was born March 13, 1925 in the Roxbury section of Boston, Massachusetts and made his professional debut at the age of seventeen in his native Boston. He began his full time professional career in 1945. From 1947 to 1949 he worked with Lester Young, and from 1949 to 1952 was a member of Charlie Parker’s quintet. He recorded at the time with Bud Powell, Wardell Gray and Stan Getz.
In 1953 Roy toured with Sarah Vaughan for the next five years and then went on to work with more experimental musicians, like John Coltrane, Eric Dolphy, Andrew Hill and Chick Corea.
Haynes extracted the rhythmic qualities from melodies and created unique new drum and cymbal patterns in an idiosyncratic, now instantly recognizable style. Rather than using cymbals strictly for effect, Haynes brought them to the forefront of his unique rhythmic approach. He also established a distinctively crisp and rapid-fire sound on the snare; this was the inspiration for his nickname, “Snap Crackle”.
Over the course of his 60+ career of hard swinging since 1944, Roy is among the most recorded drummers in jazz playing in a wide range of styles ranging from swing and bebop to jazz-fusion and avant-garde. He has recorded or performed with Gary Burton, Miles Davis, Dizzy Gillespie, Christian McBride, Jackie McLean, Pat Metheny, Thelonious Monk, Gerry Mulligan, Art Pepper, Sonny Rollins, Horace Tapscott and many, many others.
As a bandleader Haynes has also led his own groups, some performing under the name Hip Ensemble and his most recent recordings as a leader are “Fountain of Youth” and “Whereas”, both of which have garnered Gammy nominations. In 2010, the National Academy of Recording Arts and Sciences bestowed upon him a Grammy Lifetime Achievement Award. Drummer, percussionist and bandleader Roy Haynes continues to record and perform worldwide.
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