
Daily Dose Of Jazz…
Charles Reed “Charlie” Biddle, CM was born and raised in West Philadelphia, Pennsylvania on July 28, 1926. After completing military duties in the US Armed Forces during World War II, serving in China, India and Burma, he returned home and went on to study music at Temple University, where he started playing bass. In 1948, he arrived in Montreal while touring with Vernon Isaac’s Three Jacks and a Jill. Fascinated by the lack of racism among musicians in Canada, particularly Quebec, where he saw black jazz musicians playing alongside white jazz musicians as the best of friends, he settled in Montreal.
Employed as a car salesman from 1954 to 1972, he performed with pianists Charlie Ramsey, Milt Sealey, Alfie Wade, Sadik Hakim, and Stan Patrick in local Montreal nightclubs. As a promoter, Charlie booked musicians Johnny Hodges, John Coltrane, Pepper Adams, Bill Evans, Art Farmer, Tommy Flanagan and Thad Jones to perform in Montreal.
He performed off and on with guitarist Nelson Symonds between 1959 and 1978, changing leadership and performing as a duo. He was an important supporter and promoter of jazz in Montreal, organizing outdoor festivals of local jazz musicians, particularly Jazz Chez Nous, a 3-day jazz festival in 1979 and another in 1983 which laid the foundation for the Montreal International Jazz Festival, now the world’s largest jazz festival.
In 1981 he lent his name to a jazz club in downtown Montreal that became Biddle’s, now known as House of Jazz. It was featured in the Bruce Willis film The Whole Nine Yards with his daughter Stephanie Biddle on vocals, and he was featured in The Moderns and the French-Canadian film Les Portes Tournantes.
Biddle’s remained at the heart of jazz culture in Montreal during his lifetime. When performing at the club he would use the title, ‘Charlie Biddle on the fiddle‘, led trios at the club on a regular weekly basis, along with pianists Oliver Jones, Steve Holt, Wray Downes, and Jon Ballantyne, and recorded albums with Jones, Milt Sealey and Ted Curson.
Bassist Charlie Biddle was awarded the Oscar Peterson Prize, was made a member of the Order of Canada, was honored with the Prix Calixa-Lavallée and became a Canadian citizen three years prior to his passing away on February 4, 2003 in his Montreal home surrounded by family.
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Daily Dose Of Jazz…
Natsuki Tamura 田村 夏 樹 was born on July 26, 1951 in Ōtsu, Shiga Prefecture, Japan. He played in a wind band during his school days and after his graduation he became a professional musician performing with the World Sharps Orchestra, Consolation, the Skyliners Orchestra, the New Herd Orchestra, the Music Magic Orchestra and in different band configurations with his future wife, pianist Satoko Fujii .
He appeared in various Japanese television shows from 1973 to 1982, such as The Best Ten, Music Fair and Kirameku Rhythm. In 1986 he moved to the United States to study at Berklee College of Music in Boston, Massachusetts. After returning to Japan, Tamura taught at the Yamaha Music School and gave at private trumpet studios in Tokyo and Saitama.
Back in the United States, he worked with among others, the improvisation quartet Gato Libre, led his own groups, performed in the duo with his wife and as a soloist. Signed to Leo Records he released four albums, A Song for Jyaki, Buzz, Libra and NatSat. He also worked with Masahiko Satō, the Roca Saxophone Quartet, Larry Ochs, the Juggernaut Jug Band, Misha Mengelberg, Angelo Verploegen, Chris Brown, Jimmy Weinstein, Elliott Sharp, Paul Bley, Takayuki Katō, Takaaki Masuko, Ryōjirō Furusawa and the band Junk Box.
Trumpeter and composer Natsuki Tamura, whose influences have been Hugh Ragin, Roy Campbell, Wadada Leo Smith, Toshinori Kondo, Don Cherry and Lester Bowie, continues to perform, record and compose.
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Daily Dose Of Jazz…
James Delano Zollar was born July 24, 1959 in Kansas City, Missouri and studied after high school at San Diego City College, then at the University of California, San Diego . At the same time, he played in various radio and jazz bands and conducted his own quintet. By 1972 he had moved to San Francisco, California to study improvisation with Woody Shaw.
In 1984, he moved to New York City, played in the Cecil McBee band, and was involved in several big band projects by David Murray in the 1990s. During the decade he worked in the big band of Joe Haider & Bert Joris, recorded with Sam Rivers on his Inspiration album, played with JM Rhythm Four of Jürg Morgenthaler in Zurich and played in the Tom Harrell big band on Time’s Mirror.
By the turn of the century he was working on several projects with clarinetist Don Byron such as Bug Music and You Are # 6. He released his debut recording as a leader, Souring with Bird, on the Naxos Jazz label. James worked with Jon Faddis and the Carnegie Hall Jazz Orchestra and with Wynton Marsalis and the Lincoln Center Jazz Orchestra.
Zollar appeared in Robert Altman’s film Kansas City and is known for his use of the plunger effect of the early trumpeters of the Duke Ellington Orchestra, in whose successor bands he also played. He also performed in Madonna’s music video My Baby’s Got a Secret and in Malcolm D. Lee’s film The Best Man. Trumpeter and pianist James Zollar continues to perform and record.


Daily Dose of Jazz…
James Edward Weidman, Jr. was born in Youngstown, Ohio on July 23, 1953 to a saxophonist father who led his own band. He began playing piano when he was eight years old and eventually became the electric organist in his father’s group.
Attending Youngstown State University after graduating James spent two years playing locally before he moved to New York City in 1978. There he worked with Pepper Adams, Cecil Payne, Sonny Stitt and Bobby Watson, then became Abbey Lincoln’s pianist in 1982. This association continued into the early Nineties.
He went on to work with Steve Coleman, from 1987 to 1992 replacing Geri Allen in his Five Elements band, and with Jay Hoggard later in the 1980s. Throughout the 1990s he worked with Cassandra Wilson, Talib Kibwe, Kevin Mahogany, Belden Bullock, Max Roach, Woody Herman, Gloria Lynne, Archie Shepp, James Moody, Greg Osby, Slide Hampton, Dakota Staton and Marvin “Smitty” Smith.
Pianist and organist James Weidman who has released several albums as a leader in is a member of Joe Lovano’s Us Five band, continues to perform, tour and record.
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Daily Dose Of Jazz…
Joshua Breakstone was born July 22, 1955 in Elizabeth, New Jersey and came into the music business early in life watching Jimi Hendrix and Frank Zappa at the Fillmore East. He later became interested in jazz through Charlie Parker and Lee Morgan and found himself studying with guitarist Sal Salvador in Manhattan. By 1972 he was enrolled at the New College of the University of South Florida, graduated three years later and continued his studies at Berklee College of Music.
A move to Brazil for a few months brought him back to New York City to perform and teach. Joshua also taught privately and at the Rhode Island Conservatory of Music. In 1979, he recorded with Canadian saxophonist Glen Hall, with Joanne Brackeen, Cecil McBee, and Billy Hart participating and also worked with Vinnie Burke, Warne Marsh, Emily Remler, and Aaron Bell.
1983 saw Breakstone releasing his debut album, 4/4=1, followed by four more albums from 1986 to 1990 on the Contemporary Records label, with sidemen Pepper Adams, Kenny Barron, Dennis Irwin, Jimmy Knepper, Tommy Flanagan, Keith Copeland and Kenny Washington. He went on his first tour of Japan and has since played twice a year in Japan and has worked with Terumasa Hino, Monkey Kobayashi, and Eiji Nakamura.
Beginning in the Nineties he signed a contract with the Japanese label King Records, released four albums, moved to Evidence Records and worked with Grant Green sidemen organist Jack McDuff and the drummer Al Harewood, and recorded Sittin’ on the Thing with Ming on the Capri label in 1994. He would go on to record tribute albums to Thelonious Monk, Wes Montgomery, and Bud Powell. His latest album in 88 recorded in 2016. Guitarist joshua Breakstone, who has nearly two dozen albums as a leader to his credit, continues to compose, record and perform.
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