Daily Dose Of Jazz…
Gene Harris was born on September 1, 1933 in Benton Harbor, Michigan where he was first drawn to music at the age of four. He was attracted to the music of local bandleader Charles Metcalf’s group and was inspired to try to pick out songs on the piano. He also enjoyed the music he heard in church and the boogie-woogie records of his parents.
Gene quickly developed as a pianist, having many opportunities to play music while serving in the Army from 1951 – 54. Following his discharge, he originally formed The Four Sounds, but by 1956 abandoned their original plan to include a tenor-saxophonist and renamed themselves The Three Sounds. Joining Harris in the original line up of the band was bassist Andy Simpkins and drummer Bill Dowdy.
For the next 15 years, the trio made many notable recordings for Blue Note and other labels as well as supporting such musicians as Lester Young, Lou Donaldson, Nat Adderley, Johnny Griffin, Anita O’Day, Stanley Turrentine and Sonny Stitt, among others. In 1973, The Three Sounds disbanded, leaving Harris to pursue a solo career until he semi-retired in 1977, playing sometimes only in Boise, Idaho.
In the early eighties Ray Brown convinced Gene to tour with his trio and then led his own groups once again, recording mostly on Concord. Gene Harris was one of the most accessible jazz pianists and his soulful sound was immediately likable as he returned to the spotlight. He was widely associated with the Philip Morris Super Band for many years. The Grammy winning artist, whose music was infused with blues and gospel, left a legacy of sixty albums as a leader, 34 as a sideman and nine compilations before his passing away on January 16, 2000 of kidney failure at the age of 66.
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Daily Dose Of Jazz…
Don Patterson was born July 22, 1936 in Columbus, Ohio. He started studying piano as a child, heavily influenced by Erroll Garner but by 1956 switched to organ after hearing Jimmy Smith play. Making his debut on organ in 1959 he played with various groups into the early Sixties that saw him start performing regularly with Sonny Stitt, where he made a name for himself. This led to numerous recording sessions as a leader with Prestige and later Muse Records beginning in 1964 with sidemen guitarist Pat Martino and drummer Billy James.
During the Sixties, Don recorded as a sideman with Eddie “Lockjaw” Davis, and Eric Kloss but his most commercially successful album was his 1964 “Holiday Soul” reaching #85 on the Billboard 200 three years later. However, with his troubles with drug addiction hobbling his career in the 70s, while residing in Gary, Indiana he would occasionally record for Muse Records.
By the 1980s organist Don Patterson had moved to Philadelphia, Pennsylvania and made a small comeback, but his health continued to deteriorate over the course of the decade, forcing him to frequent dialysis until he passed away on February 10, 1988. He left a catalogue of twenty-one albums as a leader and thirteen as a sideman.
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Daily Dose Of Jazz…
Fred Wesley was born July 4, 1943 in Columbus, Georgia and raised in Mobile, Alabama. The son of a high school teacher and big band leader as a child he took piano and later trumpet lessons. At around the age of twelve his father brought a trombone home, whereupon he switched.
During the 1960s and 1970s Wesley went to R&B as many jazz musicians did to earn a living and became a pivotal member of James Brown’s bands, playing on many hit recordings including “Say It Loud – I’m Black and I’m Proud”, “Mother Popcorn” and co-writing tunes such as “Hot Pants”. His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown’s R&B, soul, and funk tunes their instrumental punch.
In the 1970s he also served as bandleader and musical director of Brown’s band The J.B.’s and did much of the composing and arranging for the group. His name was credited on ‘Fred Wesley & the J.B.’s’ recording of “Doing It To Death” which sold over one million copies, and was awarded a gold record 1973. Leaving Brown’s band in 1975, Wesley spent several years playing with George Clinton’s Parliament-Funkadelic projects, even recording a couple of albums as the leader of a spin-off group, The Horny Horns.
Wesley became a force in jazz in 1978 when he joined the Count Basie Orchestra. He released his first jazz album as a leader, “To Someone” in 1988, followed by “New Friends”, Comme Ci Comme Ca, and the live album “Swing and Be Funky” and “Amalgamation”.
In the early nineties Fred toured with former JB colleagues Pee Wee Ellis and Maceo Parker, as the JB Horns. When Ellis left, the band became The Maceo Parker Band with Wesley as the featured trombonist until 1996 when he formed his own band, The Fred Wesley Group, now known as Fred Wesley and the New JBs.
Wesley’s 35-year career includes playing with and arranging for a wide variety of other artist such as Ray Charles, Lionel Hampton, Randy Crawford, Vanessa Williams, The SOS Band, Cameo, Van Morrison, Socalled and rappers De La Soul, to name a few, while many other artists have sampled his work.
He has written an autobiography “Hit Me, Fred: Recollections of a Sideman”. Wesley served as an adjunct professor in the Jazz Studies department of the School of Music at the University of North Carolina at Greensboro from 2004 to 2006, and now works with students as a visiting artist at numerous other schools including Berklee College of Music and Columbia College of Chicago.
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Daily Dose Of Jazz…
Jimmy Hamilton was born on May 25, 1917 in Dillon, South Carolina but grew up in Philadelphia. He learned to play piano and brass instruments and by the thirties he was playing the latter in local bands. He switched to clarinet and saxophone and by 1939 was playing with Lucky Millinder, Jimmy Mundy and Bill Doggett, then going to work for Teddy Wilson in 1940.
After a two-year stay with Wilson he played with Eddie Heywood and Yank Porter before replacing Barney Bigard in Duke Ellington’s orchestra in 1943. Over the next twenty-five years with Ellington his sound on saxophone had an R&B style while his clarinet was more precise, correct and fluent and it was during this time that he wrote some of his own material.
Leaving the Ellington orchestra, Hamilton played and arranged on a freelance basis, before spending the 1970s and 1980s in the Virgin Islands teaching music, occasionally returning to the U.S. for performances with John Carter’s Clarinet Summit. He retired from teaching but continued to perform with his own groups from 1989 to 1990.
The clarinetist, saxophonist, arranger, composer and music educator Jimmy Hamilton died in St. Croix, Virgin Islands at the age of seventy-seven on September 20, 1994.
Daily Dose Of Jazz…
Charles Earland was born in Philadelphia, Pennsylvania on May 24, 1941 and learned to play the saxophone in high school. By age 17 he was playing tenor with Jimmy McGriff and in 1960 started his first group. He didn’t start playing the organ until after a stint with Pat Martino, then joined Lou Donaldson’s band until 1969.
Earland led a successful group in 1970 that included Grover Washington, Jr. and he eventually started playing the soprano saxophone and synthesizer but it was his simmering organ grooves the earned him the nickname “The Mighty Burner”.
In 1978 Earland hit the disco/club scene with “Let the Music Play” written by Randy Muller from Brass Construction. The record hit the U.S. charts for 5 weeks and reached number 46 in the U.K. Singles chart. From 1988 he traveled extensively performing worldwide with one of his many career highlights being to play the Berlin Jazz Festival in 1994.
He continued to perform throughout the U.S. and abroad until his death from heart failure in Kansas City, Missouri at the age of fifty-eight on December 11, 1999. Charles Earland, The Mighty Burner, was a composer, organist, and saxophonist in the soul jazz idiom.