Daily Dose Of Jazz…
Jimmy Hamilton was born on May 25, 1917 in Dillon, South Carolina but grew up in Philadelphia. He learned to play piano and brass instruments and by the thirties he was playing the latter in local bands. He switched to clarinet and saxophone and by 1939 was playing with Lucky Millinder, Jimmy Mundy and Bill Doggett, then going to work for Teddy Wilson in 1940.
After a two-year stay with Wilson he played with Eddie Heywood and Yank Porter before replacing Barney Bigard in Duke Ellington’s orchestra in 1943. Over the next twenty-five years with Ellington his sound on saxophone had an R&B style while his clarinet was more precise, correct and fluent and it was during this time that he wrote some of his own material.
Leaving the Ellington orchestra, Hamilton played and arranged on a freelance basis, before spending the 1970s and 1980s in the Virgin Islands teaching music, occasionally returning to the U.S. for performances with John Carter’s Clarinet Summit. He retired from teaching but continued to perform with his own groups from 1989 to 1990.
The clarinetist, saxophonist, arranger, composer and music educator Jimmy Hamilton died in St. Croix, Virgin Islands at the age of seventy-seven on September 20, 1994.
Daily Dose Of Jazz…
Charles Earland was born in Philadelphia, Pennsylvania on May 24, 1941 and learned to play the saxophone in high school. By age 17 he was playing tenor with Jimmy McGriff and in 1960 started his first group. He didn’t start playing the organ until after a stint with Pat Martino, then joined Lou Donaldson’s band until 1969.
Earland led a successful group in 1970 that included Grover Washington, Jr. and he eventually started playing the soprano saxophone and synthesizer but it was his simmering organ grooves the earned him the nickname “The Mighty Burner”.
In 1978 Earland hit the disco/club scene with “Let the Music Play” written by Randy Muller from Brass Construction. The record hit the U.S. charts for 5 weeks and reached number 46 in the U.K. Singles chart. From 1988 he traveled extensively performing worldwide with one of his many career highlights being to play the Berlin Jazz Festival in 1994.
He continued to perform throughout the U.S. and abroad until his death from heart failure in Kansas City, Missouri at the age of fifty-eight on December 11, 1999. Charles Earland, The Mighty Burner, was a composer, organist, and saxophonist in the soul jazz idiom.
Daily Dose Of Jazz…
Eugene Ammons was born in Chicago, Illinois on April 14, 1925 to one of the greatest boogie-woogie pianist, Albert Ammons. At the age of 18 he left Chicago to go on the road with King Kolax for a year and in 1944 and ‘49 he worked as a featured soloist with Billy Eckstine and Woody Herman respectively. By 1950 he formed a duet with Sonny Stitt and recorded as a leader from 1947 to 1953 for the Mercury, Aristocrat, Chess, Decca, United and for the rest of his career he was affiliated with Prestige.
Known as “Jug” and “The Boss”, Gene’s playing showed influences from Lester Young and Ben Webster and both helped develop higher levels of expressiveness with from the tenor. Along with Dexter Gordon and Sonny Stitt, he integrated those developments into the emerging vernacular of bebop. His adeptness with technical aspects did not abandon the commercial blues and R&B sounds and he became an important part of the soul jazz movement in the mid-50s combining the tenor with the Hammond B3.
Using a thinner drier tone Ammons exploited a vast textural range that would later influence Stanley Turrentine, Houston Person and Archie Shepp and much later Joshua Redman. Yet he had little interest in the modal jazz of Coltrane, Henderson or Shorter. His ballads are classic, a testament to his sense of intonation, melodic symmetry and lyrical expressiveness.
Along with Von Freeman, they founded the Chicago School of Tenor Saxophone. On August 6, 1974 Gene Ammons passed away after a battle with cancer.
More Posts: saxophone
Daily Dose Of Jazz…
George Benson was born in Philadelphia, Pennsylvania on March 22, 1943 and raised in the Hill District. A child prodigy at the age of 7, he first played the ukulele in a corner drug store and received a few dollars for his efforts. At age 8, he was playing guitar in an unlicensed nightclub on Friday and Saturday nights that was soon closed down by the police. By the time he was 10, George was in New York recording his first single record with RCA-Victor in New York, called “She Makes Me Mad”.
He attended Connelly High School and although he left before graduation, he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. At the age of 21, he recorded his first album as leader, “The New Boss Guitar” featuring McDuff, followed by “It’s Uptown with the George Benson Quartet” and “The George Benson Cookbook”.
During the ‘60s he was recording with Miles Davis for Columbia’s “Miles In The Sky”, moved on to Verve for a period and then signed with Creed Taylor producing such albums as “White Rabbit” and “The Other Side of Abbey Road” among others.
Benson released “Breezin” in 1976 and it went triple platinum topping Billboard’s 200. Tuning to vocal chops, the guitarist added a crossover audience adding smooth jazz to his repertoire of genres that include R&B, pop and jazz. The multi-Grammy award winner, he has recorded over two hundred albums and singles as a leader, sideman and collaborator; and has performed with the likes of Jaki Byard, Hank Mobley, Jimmy Smith, Lou Donaldson, Hank Crawford, Don Sebesky, Stanley Turrentine, Hubert Laws, Lee Morgan, Red Holloway, J. J. Johnson and Kai Winding, Freddie Hubbard, Deodato, Aretha Franklin, Freddy Cole, and Sadao Watanabe among numerous others.
In 2009 the National Endowment of the Arts honored George Benson with the distinction of being a Jazz Master and he continues to record, perform and tour worldwide.
Daily Dose Of Jazz…
Edward Davis was born on March 2, 1922 in New York City. He was known to his friends, peers, jazz enthusiasts and aficionados by his nickname “Lockjaw” and became one of the pre-eminent jazz saxophonists of the 20th century.
In the early to mid-forties he played with Cootie Williams, Lucky Millinder, Andy Kirk, Louis Armstrong and Cont Basie. By 1946 he was leading his own band “Eddie Davis and His Beboppers” that housed Fats Navarro, Al Haig, Huey Long, Gene Ramey and Denzil Best.
In the 50’s he teamed with Sonny Stitt, from 1960 to ’62 he co-led a quintet with Johnny Griffin, and he and Griffin performed as part of the Kenny Clarke-Franz Boland Big Band. Davis recorded with Ella Fitzgerald, collaborated with Shirley Scott and played off and on with Count Basie’s Orchestra in the early 70’s.
In his later years he played with Harry “Sweets” Edison and remained busy as a soloist until his death on November 3, 1986 at the age of 64. Eddie “Lockjaw” Davis performed within the jazz genres swing, bop, hard bop, Latin and soul jazz.
More Posts: saxophone