Daily Dose Of Jazz…
Matthew Mitchell was born in Hamilton, New Zealand on August 9, 1973 and didn’t start studying jazz until late in his teens, beginning on guitar at the age of 17. Four years later he attended what became the Massey University Wellington School of Music majoring in jazz. By 1998 he became a member of the New Zealand Youth Jazz Orchestra and toured with ex-Buddy Rich trumpeter John Hoffman.
First achieving prominence on the New Zealand jazz scene the following year when he won the Wellington Fringe Festival Music Award. His study of Indian classical music produced cohesive results and Matthew toured the country with Master Tabla drummer Dr. Tarlochan Singh from Delhi, India and then with New York vibraphonist Arthur Lipner. He then put together his own trio featuring Paul Dyne and Rick Cranson and they released two CDs, one of which was a big band work.
Moving to London, England in 2000 he continued work with his trio and rapidly became a prominent member of the jazz scene and joined Byron Wallen’s As Is project touring the UK and performing at a number of international festivals. He went on to perform and tour with German saxophonist Ingrid Laubrock, as well as Japanese electronic music artists Takagi Masakatsu and Ogorusu Norihide and with countryman electronics artist Signer.
Guitarist Mattewh Mitchell continues to tour regularly throughout Europe with his own groups and release recordings.
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The Jazz Voyager
Setting down in Atlanta, Georgia after a fourteen and a half hour flight from Kyoto this Jazz Voyager is heading to friends for a shower and a lay down before heading out to indulge myself in a two stop night of jazz. My first stop is St. James Live for a little night music. Operated by husband-and-wife Ron and Evelyn St. James along with their daughter, Tiffany have established a warm, relaxing ambience for an extraordinary evening. With a menu ranging from tapas to sweet treats, salads and small bites, their culinary diversity will enchant and satisfy any palate. I’m looking at fish tacos and peach cobbler to hold me through the evening.
This week I’ll be in the audience enjoying The Baylor Project. A husband. A wife. An astonishing duo built on love, family, faith, culture and community. These are the things that power Jean and Marcus Baylor. This enticing collaboration is steeped in the heart and soul of jazz.
St. James Live is located in Camp Creek Village Townhomes at 3220 Butner Rd #240, 30331. More information can be obtained by calling 404-254-3561 or by visiting stjamesliveatl.com.
I’ll wrap up my evening with a late night hit with The Hightower Harper Hang at the Handle Bar at 476 Edgewood Avenue. More info at 404-600-2639. It’s a full night of jazz in the A where this Jazz Voyager hasn’t had the opportunity to see friends and musicians not seen or heard in a few years.
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Daily Dose Of Jazz…
Albert Stinson was born on August 2, 1944 in Cleveland, Ohio and learned to play piano, trombone, and tuba before settling on bass at age 14. After graduating from John Muir High School in Pasadena, California in 1962, he began playing professionally in the early 1960s in Los Angeles, California. There he worked with Terry Gibbs, Frank Rosolino, Chico Hamilton, and Charles Lloyd in 1965.
Later in the decade around 1967 he worked with Larry Coryell, John Handy, Miles Davis, Bobby Hutcherson, and Gerald Wilson’s Los Angeles-based big band.
Never recording as a leader, Stinson appeared on Hamilton’s Impulse! albums, Hutcherson’s Blue Note album Oblique, Handy’s Koch Records album New View! and Clare Fischer’s album Surging Ahead. He recorded thirteen albums with the above as well as with Coryell, Lloyd and Joe Pass
Double-bassist Albert Stinson, whose ebullient personality, bright tone, and aggressive attack contributed to his being nicknamed Sparky, transitioned from a drug overdose while on tour on June 2, 1969 at the age of 24.
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Daily Dose Of Jazz…
Mark Soskin was born on July 12, 1953 in Brooklyn, New York. Attending Colorado State University he pursued classical piano studies but his interests in jazz music grew and by 1973 he enrolled in Berklee College of Music in Boston, Massachiusetts. He studied composition and arranging. While there he began working professionally until moving to San Francisco, Califonia and eventually going on to work with some of the west coast’s finest players.
Shortly after arriving in San Francisco, he was introduced to Pete Escovedo and along with his daughter Sheila. E they toured and recorded as Azteca, a group in which Soskin’s keyboard, writing, and arranging talents were showcased. Eventually, the group, including trumpeter Tom Harrell, went on to record twice for Fantasy Records. Enlisted in Cobham’s band for two years produced two recordings for Columbia. Between tours for Cobham, Soskin did a tour and live recording for the CBS All Stars with Tom Scott, Alphonso Johnson and Steve Khan. At this time Soskin was an active session player at Fantasy.
Mark signed his first recording contract with Prestige titled Rhythm Vision with Benny Maupin and Harvey Mason among others. Introduced by Orrin Keepnews to Sonny Rollins, the two started a fruitful collaboration that lasted 14 years. By 1981 he was living in New York City as an active sideman and leader.
He has been written up in numerous music publications, including Ira Gitler and Leonard Feather’s Biographical Encyclopedia of Jazz and The Jazz Book by Joachim E. Berendt. Mark Soskin is featured in the film documenting latin jazz artists entitled Calle 54. Pianist Mark Soskin has recorded 10 albums as a leader, three as co-leader and continues to maintain a busy tour schedule as well as giving master classes, workshops, teaches privately and is on the faculty of The Manhattan School Of Music.
Daily Dose Of Jazz…
John Lee was born June 28, 1952, in Boston, Massachusetts. He is the son of a minister and a social worker. Growing up in Greenwich, Connecticut, Amityville, New York, and Philadelphia, Pennsylvania he began string bass lessons at 10 with Carolyn Lush. At Philadelphia’s Overbrook High School he met drummer Gerry Brown, who together studied at the Philadelphia Musical Academy for two years.
In 1971 Lee began performing with Carlos Garnett and Joe Henderson, and toured with Max Roach thru the spring of 1972 while still a student in Philadelphia. The same year he and Brown relocated to Europe with Den Haag, Holland as their base. Together they toured Europe and recorded in bands led by Chris Hinze, Charlie Mariano, Philip Catherine, Joachim Kühn, and Jasper Van’t Hof.
Moving to New York City in 1974, John played with Joe Henderson, Lonnie Liston Smith, and Norman Connors before joining The Eleventh House with Larry Coryell. The following year he and Gerry Brown signed a recording contract with Blue Note Records and formed a working band. In 1977 they moved over to Columbia Records and began producing records the same year.
From 1982 to 1984, Lee worked with McCoy Tyner, then became Dizzy Gillespie’s bassist, touring and recording with Dizzy’s Quintet, his Big Band, his Grammy winning United Nation Orchestra and the Back to the Future Band that Dizzy co-lead with Miriam Makeba until 1993 when Makeba died.
Lee has performed in over 100 countries around the world and has toured in the bands of Sonny Rollins, James Moody, Jimmy Heath, Pharoah Sanders, Jackie McLean, Gary Bartz, Hank Jones, Walter Davis Jr., Wolfgang Lackerschmid, Alphonse Mouzon, Claudio Roditi, Jon Faddis, Slide Hampton, Roy Hargrove, and Roberta Gambarini, as well as Aretha Franklin and Gregory Hines.
He is a founding member of The Fantasy Band with Chuck Loeb, Marion Meadows, and Dave Samuels. In 1996, at the bequest of Dizzy’s wife Lorraine Gillespie and the Dizzy Gillespie Estate, he became the director and bassist of the Dizzy Gillespie Alumni All-Stars as well as the Dizzy Gillespie All-Star Big Band, and the Dizzy Gillespie Afro-Cuban Experience. They have recorded five albums and toured extensively around the world.
In 2009 he co-founded the jazz recording label JLP (Jazz Legacy Productions), with partner Lisa Broderick. As a producer he has produced over 60 albums and CDs, and as a recording engineer he has recorded and mixed over 100 albums and CDs.
Bassist John Lee, who is a Grammy winning record producer and audio engineer, continues to explore the boundaries of music.
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