Daily Dose Of Jazz…
Ralph Earl Sutton was born November 4, 1922 in Hamburg, Missouri. He had a stint as a session musician playing stride piano with Jack Teagarden’s band before joining the US Army during World War II. After the war, he played at various venues in Missouri, eventually ending up at Eddie Condon’s club in Greenwich Village.
In 1956, Ralph relocated to San Francisco, California, where he recorded several albums with Bob Scobey’s Dixieland band. From the 1960s onward, he worked mostly on his own. However, when the World’s Greatest Jazz Band was established in 1968, he was the natural choice for piano. He left that band in 1974 due to the extensive travel involved, and joined an old sidekick, Peanuts Hucko in a quartet in Denver, near his home in Evergreen, Colorado.
He recorded with Ruby Braff, Dick Cary, Kenny Davern, Jay McShann and Johnny Varro. Stride pianist Ralph Sutton, who played in the tradition of James P. Johnson and Fats Waller, passed away on December 30, 2001 of a stroke in Evergreen, Colorado at the age of 79.
Take A Dose On The Road
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Daily Dose Of Jazz…
Zoltan Sagi was born in Hungary on February 10, 1956. He attended the Guildhall School of Music studying clarinet with Robert Earle and later Frank Allen at Warwick University. Self-taught on saxophone, he draw much of his inspiration from Johnny Hodges, Cannonball Adderley and Stan Getz.
His early career was spent playing in dance bands and in New Orleans jazz genre playing in festivals stateside and overseas. This was followed by a period as an educator as Director of Music and a country music service manager. He spent two and a half years extensively touring the world with Chris Barber.
Zoltan has recorded numerous CD’s and other recordings as a freelance session musician and has also appeared with such musicians as Earl Warren, Benny Waters, Kenny Davern, Bob Humphrey Lyttleton, Marty Grosz, Digby Fairweather, Duncan Swift, , Janusz Carmello, Bill Coleman, Greg Abate, Alan Barnes, Paul Degville and John Barnes among many others.
Has worked extensively both in this country and abroad. His experience spans from New Orleans jazz to jazz fusion. Sagi has been a part of several groups including Harlem, Swing Syndicate and The Charleston Chasers. Clarinetist Zoltan Sagi also plays all saxophones and currently performs with the Sticky Wicket Big Band, the Big Chris Barber Band, the Stars of British Jazz and with his own quartets and trios.
Inspire A Young Mind
Daily Dose Of Jazz…
Kenny Werner was born on November 19, 1951 in Brooklyn, New York and by four was a member of a song and dance group. He started piano lessons at seven and by the time he turned 11, he recorded a single with a fifteen-piece orchestra and appeared on television playing stride piano. He attended the Manhattan School of Music as a concert piano major and later transferred to the Berklee School of Music.
Upon graduation he travelled working in Brazil and Bermuda before returning to New York where he formed a trio with drummer Gary Berkowitz and bassist Alex Peglise. In 1977 he recorded first LP that featured of the music of Bix Beiderbecke, Duke Ellington, James P. Johnson and George Gershwin and later that year with Charles Mingus on “Something Like A Bird”.
By the early 80s he toured extensively and recorded with Archie Shepp, recorded his own solo album of original compositions titled “Beyond the Forest of Mirkwood”, followed by a recording of the sounds heard coming from his Brooklyn-based studio – a hotbed of late-night jam sessions, titling the record after his address, 298 Bridge Street. In 1984 he joined the Mel Lewis Orchestra, began performing more in Europe and New York City as a leader and in duos with such notables as Rufus Reid, Ray Drummond, Jaki Byard also doing stints in the groups of Eddie Gomez, Tom Harrell, Joe Lovano and many others.
Since 1989 he has served as pianist, arranger and musical director for the noted film, television and Broadway star, Betty Buckley, has performed and recorded with Toots Thielemans mostly in duo settings but in trio with Oscar Castro-Neves and quartet with Airto Moreira. He has been nominated for a Grammy, has received performance grants from the NEA, a Guggenheim Fellowship Award for the 2010 release “No Beginning No End”, was commissioned to compose and conduct a memorial piece for Duke Ellington, and has been honored with the distinguished Composer award.
Kenny has a catalogue of twenty albums and another six as a sideman composer chops have had him writing compositions for the Mel Lewis Orchestra, the Vanguard Jazz Orchestra, Cologne Radio Jazz Orchestra, the Danish Radio Jazz Orchestra, the Metropole Orchestra and the Umo Jazz Orchestra and most recently has joined Quincy Jones. He is a published author of “Effortless Mastery” that features the physical, technical, psychological and spiritual aspects of being an artist and this publication has garnered him requests as a teacher and clinician from universities around the world, while maintaining an Artist-in-Residence at New York University.
Daily Dose Of Jazz…
Joe Turner was born Joseph H. Turner on November 3, 1907 in Baltimore, Maryland. He was a stride and jazz pianist, not to be confused with blues singer Big Joe Turner. He started to learn the piano from his mother at age five and began to make a name for himself in Harlem as a teenager shortly after his move to New York in 1925.
Joe got his first big break in 1928 when Benny Carter hired him as part of his orchestra. He followed this with playing in Louis Armstrong’s group. He was an accompanist to Adelaide Hall with whom he toured Europe in 1931 where he remained through 1939 when war broke out.
Tuner returned to the States and worked as a singer, played with Sy Oliver’s band, then Rex Stewart until after the war. He went back to Europe passing through Hungary and Switzerland before settling in Paris and occasionally returning to the U.S. to perform.
He was the last major stride pianists to survive the era following in the footsteps of James P. Johnson and Fats Waller. He had a superb technique and fine sense of swing, recording a handful of albums. Joe Turner passed away of a heart attack on July 21, 1990 in Paris, France at age 82.
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Daily Dose Of Jazz…
Arthur Tatum, Jr. was born in Toledo, Ohio on October 13, 1909. His father was a guitarist and his mother played piano. A prodigy with perfect pitch, Tatum learned to play by ear, picking out church hymns by the age of three, learning tunes from the radio and copying piano-roll recordings his mother owned. As a child he was also very sensitive to the piano’s intonation and insisted it be tuned often. He developed an incredibly fast playing style, without losing accuracy.
Suffering from infancy with cataracts that left him blind in one eye and only very limited vision in the other, Art had a number of surgical procedures to improve his eye condition but lost some of the benefits when he was assaulted in 1930. He enrolled in the Columbus School for the Blind and studied music, piano and learned Braille. Drawing inspiration from pianists James P. Weldon and Fats Waller, who exemplified the stride piano style, he also identified with the more modern style of Earl Hines.
By the age of 19, he was playing with singer Jon Hendricks at the Waiter’s and Bellmen’s Club. As word of Tatum spread, national performers including Duke Ellington, Louis Armstrong, Joe Turner and Fletcher Henderson when passing through Toledo would make it a point to drop in to hear the piano phenomenon. However, the major event that propelled his meteoric rise to success was his appearance at a 1933 cutting contest at Morgan’s Bar in New York City that included Waller, Johnson and Willie “The Lion” Smith. Standard contest pieces included Johnson’s “Harlem Strut” and “Carolina Shout” and Fats Waller’s “Handful of Keys.” Tatum triumphed with his arrangements of “Tea For Two” and “Tiger Rag”, in a performance that was considered to be the last word in stride piano. Tatum’s debut was historic because he outplayed the elite competition and heralded the demise of the stride era.
Tatum went on to have a prolific performing and recording career being widely acknowledged as one of the greatest jazz pianists of all time. The virtuoso, while piano was his most obvious skill, he also had an encyclopedic memory for Major League Baseball statistics. Art Tatum passed away at age 47 from kidney failure on November 5, 1956 in Los Angeles, California.
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